Top 1200 Camera Lenses Quotes & Sayings - Page 19

I know that I present very - they say that I present very, very calm and very, very smart, very articulate, elegant. Yeah. And I go, 'Brilliant teams of makeup and wardrobe happened to dress me and clothe me and put my face on and do my hair. And then these brilliant teams of writers give me words to speak. I just need to make sure that I have them all in this combination in my body, in my being, and then I get to do it on camera, in front of a brilliant team of camera workers who really know how to like me and make me sound good.' So I'm just really a dork in real life.

It is very difficult for me to accept the fact that I am acting in front of the camera.

Modeling teaches you to be completely conscious of the camera. Acting is being totally unconscious of it.

Stick a camera up in an Indian village, and thousands of people come to watch.

There was never a day at West Point where I didn't ask myself, 'Where would I put the camera?'

I was confident while facing the camera because I was comfortable in front of a live audience.

I have to grab audience attention even if I don't last beyond 2-3 minutes before the camera.

Fortunately, I've never been very conscious and inhibited of what I have to do. The camera's my soul mate.

I will take a camera with me in all my trips and capture all the moments which I can savour later.

We live in the new world where camera phones are everywhere, and you have to be on your best behavior at all times.

I feel very confident and empowered before the camera, after working with Arjun Rampal.

Women like to take their clothes off. I noticed that. Especially in front of a camera. Or a mirror.

I don't have stage or camera fright but there is a little anxiety while performing in-front of a lot of people.

I grew up around horses, but acting and riding on camera is a whole different thing.

The key to my work is that I stopped, physically, to observe something. I raised my camera and recorded my observations.

Trying to get over to the 'on camera' side of things has been hard work.

TV helped me understand camera angles, close-ups, master shots.

The whole thing about working in front of the camera is to make people laugh when they're not supposed to.

But for me, personally, I didn't have any ambitions to become an actor. I'm interested in getting behind the camera.

I don't have camera crews. I don't have sound guys. What you see is what you get: just me and my camcorder.

By nature, I am a low-key person and like being behind the camera.

I'd grab the camera and tell people what to do, and when I was 14, someone told me that it was called directing.

The function of camera movement is to assist the storytelling. That's all it is. It cannot be there just to demonstrate itself.

Andy was not a director and not a writer. He operated the camera a little bit, and he wasn't even so good at that.

The illiterate of the future will be the person ignorant of the use of the camera as well as the pen.

Im a techno moron. I need help just to plug in my video camera.

Making a pretty picture, an image, is a completely different thing from acting to camera.

In a strict sense photography can never be abstract, for the camera is incapable of synthetic integration.

I love Bollywood as a viewer, but going in front of the camera and singing and dancing is not my thing.

I was writing, directing, and editing my own films as a young kid with my parents' video camera.

At the end of the day, you're trying to - be it on theatre or on the camera - tell the truth and be honest in the moment.

In media terms, the camera always lies, providing an edited version of reality.

Pictures are much harder to do than the theater... You're at the mercy of the camera angles and the piecemeal technique.

Really, voice-over is great. If it paid as much as on camera work, it's all I'd ever do.

I am an artist. An actor performs, whether it's in front of the camera or a live audience.

I grew up in New York, so I fell in love with acting on a stage, not in front of a camera.

I'm quite uncomfortable in front of the still camera. I find it very constrictive, all that posing around.

In front of the camera, I find it difficult. As far as the actors are concerned, it is easy for them to do it but not for me.

I hate watching myself on camera. I guess a lot of people feel that way, though.

I was paying attention to where Steven Soderbergh had the camera and his shots. I was blown away.

I spent every day just praying that I didn't look like a big dork on camera.

There is no off position on my visual switch, and I don't want one. I love, and always have, telling stories with my camera.

I love photography. My boyfriend's got a great camera, which I bought for his birthday.

With a camera like that you don't believe you're in the masterpiece business. It's enough to be able to peck at the world.

I got a camera at a very young age, but I always kind of thought of it as a hobby.

The less the camera is able to capture what you're seeing in a scene, the more editing it needs.

My father filmed me all the time as a kid, and that's how I was first exposed to a camera.

Photography is a very forgiving medium. Anybody that can afford film and a camera can make pictures.

I am a little bit of an egomaniac. I like being in front of the camera, so I take advantage of it when I can.

I don't like to work with assistants. I'm already one too many; the camera alone would be enough.

[Betty in Two Evil Eyes]was my very first on-camera role. With Harvey Keitel.

I am a product of theatre and whatever I learned there helped me emote in front of the camera.

I am better suited to be behind the camera. Frankly, I don't miss being an actor.

The days are long. I'm not complaining, but it's a lot of work doing a single-camera comedy.

I'm not the type of person to act one way in front of the camera and another when it's off. What you see is what you get.

As a whole, I am interested in the symbolic, rather than the literal use of the camera.

I'm actually pretty shy in real life. But I guess in front of the camera, I focus.

The one thing that I'm really obsessed with is multi-camera comedy. It is a form that is unique to network television.

I like the camera to be still and not very shaky and have everything happen within the frame.

Hitchcock loved long convoluted shots that contained a lot of tracking and camera moves.