Top 1200 Camera Lenses Quotes & Sayings - Page 20

I loved Bob Hope and the way he would turn to the camera and break the fourth wall.

There are certain men and women who, from the minute they step in front of a camera, that's exactly where they belong. Connery's one.

Before I became an actor, I was a visual artist, and I've always hankered for the storytelling behind the camera.

You'll never see a good performance out of me, in terms of a character, when the camera isn't rolling.

In the late '80s, as a child, I used to shoot short films on my friend's wedding camera.

As the camera, I try to subordinate every word to be truthful and honest to each character's context.

There are women in makeup and hair and wardrobe, but not in camera, not in sound, you know, and not in special effects. It's all men.

I spent a lot of years just learning my craft and falling down in front of the camera.

Leica, schmeica. The camera doesn't make a bit of difference. All of them can record what you are seeing. But you have to see.

If the thrill of hunting were in the hunt, or even in the marksmanship, a camera would do just as well.

I've learned survival secrets from being on camera, and then translated them into everyday life.

It's pretty intense to have someone (the camera) looming there when you are singing a song but it's sort of invigorating too.

It's not that easy, but the moment the camera is switched on, I have to mould myself to breathe life into the characters I portray.

Everything seems really simple on paper until you take a camera out of the box.

I'm not getting involved in sports anymore, except on film. I'm not agile unless a camera's going.

Once you learn how to free up in front of the camera, it's like nothing else.

One of the interesting things about my father was that what you see on-camera is a lot of what he was like in real life.

Bizarrely, on movie sets, they don't really dig it when you look in the camera, which is a bizarre fact.

I know every actor says this, but the people behind the camera are great. They always have answers.

I've always had the utmost respect and awe of what the lens can do and what a director can do with just a camera move.

Look and think before opening the shutter. The heart and mind are the true lens of the camera.

If I learned one thing, it is that self-doubt is one of the most destructive forces. It makes you defensive instead of open, reactive instead of active. Self-doubt is consuming and cruel. And my hope today is that we can all collectively agree to ban it. .?.?. Think to the moments of your life when you forgot to doubt yourself. When you were so inspired that you were just living and creating and working. Pay attention to those moments because they're trying to reach you through those lenses of doubt and trying to show you your potential.

A photograph is the illusion of a literal description of how the camera 'saw' a piece of time and space.

Along with people who pretty themselves for the camera, the unattractive and the disaffected have been assigned their beauty.

I'm working 2 days a week right now, narration usually on Wed., and host on camera on Friday.

Over the past 10 years of being famous, my relationship with the camera has not been a pleasant one.

Nowadays, Skype is a generational way of putting both people on camera at the same time.

I've always viewed myself as a behind-the-scenes person rather than in front of the camera.

If you ask me, we actors have this amazing ability to detach ourselves from an emotion and just do it for the camera.

Visual artists use drones to capture beautiful new images and camera angles.

I know from experience, once something is said on camera, true or false, it follows you forever.

I think eating in itself is the act of great sensuality, so all you have to do is point the camera in the right direction.

I love to have a very bright center of my face. I learned that on 'Jessie'... it looks great on camera.

Here’s the thing, making out with a girl on camera … They’re beautiful and soft. I get why you guys are into it.

I am a man of very many anxieties but doing strange things with the camera is not one of them.

You can be, like, a totally different person on camera, and it's fun. You can take on another character, and it's awesome.

Maybe law enforcement would like the ability to turn on the camera on your Mac.

If the person or artist doesn't touch it, and if the camera stays relatively far away from it, it doesn't really have to be real.

I thought behind the camera roles would suit me better because I'm sensitive.

When you're on set you don't realize the way something is going to look since you're on the other side of the camera.

I was one of the first veejays to take the camera out on location, and that's what was unique about MTV at that time.

Anytime you're the creative force behind something and in front of the camera - we're not complaining, but it is an avalanche of work.

Nobody wants people following them around 24 hours a day with a camera.

I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.

I quite frequently don't look through the camera, which is very close to being blind.

If you put a camera on the wall, you would laugh at some of the fights me and my brothers had.

Even if one is not a great actor, just being in front of the camera requires a lot of effort.

I think that if there can be considered racism it's to do with the lack of opportunities for writers and producers and the people behind the camera.

Ninety-eight per cent of actors who actually make a living do so in front of a camera.

I don't know how much longer I can go on without my becoming known as 'the camera woman.'

I knew from early on I would go to film school and try to work behind the camera.

My face is asymmetric, so it looks very different depending on where the camera shoots. That's my biggest complex.

I feel like an artist often turns the camera on themselves and on their own families to understand who they are.

I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.

Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.

There are times when you're working with film people when you have to say, 'If the camera were on you, what you're doing would be perfect'.

Having a camera is a really easy and quick way to indulge in your creative side.

It took me a while to feel comfortable in front of the camera and so I just needed to do it a lot.

I never expected a camera was going to follow all of my moves, and that was surprising when I saw it for the first time.

The camera is just a machine, which records with impressive and as a rule very cruel faithfulness.