Top 1200 Camera Obscura Quotes & Sayings - Page 17
Explore popular Camera Obscura quotes.
Last updated on April 20, 2025.
I love photography. My boyfriend's got a great camera, which I bought for his birthday.
Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.
Even if one is not a great actor, just being in front of the camera requires a lot of effort.
There are times when you're working with film people when you have to say, 'If the camera were on you, what you're doing would be perfect'.
I know from experience, once something is said on camera, true or false, it follows you forever.
I feel very confident and empowered before the camera, after working with Arjun Rampal.
Over the past 10 years of being famous, my relationship with the camera has not been a pleasant one.
I am a man of very many anxieties but doing strange things with the camera is not one of them.
Visual artists use drones to capture beautiful new images and camera angles.
There are women in makeup and hair and wardrobe, but not in camera, not in sound, you know, and not in special effects. It's all men.
I am a little bit of an egomaniac. I like being in front of the camera, so I take advantage of it when I can.
If you put a camera on the wall, you would laugh at some of the fights me and my brothers had.
You'll never see a good performance out of me, in terms of a character, when the camera isn't rolling.
I was writing, directing, and editing my own films as a young kid with my parents' video camera.
In the late '80s, as a child, I used to shoot short films on my friend's wedding camera.
I was paying attention to where Steven Soderbergh had the camera and his shots. I was blown away.
I feel like an artist often turns the camera on themselves and on their own families to understand who they are.
I thought behind the camera roles would suit me better because I'm sensitive.
I am a product of theatre and whatever I learned there helped me emote in front of the camera.
I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.
I spent a lot of years just learning my craft and falling down in front of the camera.
But for me, personally, I didn't have any ambitions to become an actor. I'm interested in getting behind the camera.
Here’s the thing, making out with a girl on camera … They’re beautiful and soft. I get why you guys are into it.
I spent every day just praying that I didn't look like a big dork on camera.
Nobody wants people following them around 24 hours a day with a camera.
For my first book, 'New York,' I had one camera and two lenses. It was fotografia povera.
Nowadays, Skype is a generational way of putting both people on camera at the same time.
The camera is just a machine, which records with impressive and as a rule very cruel faithfulness.
Bizarrely, on movie sets, they don't really dig it when you look in the camera, which is a bizarre fact.
The key to my work is that I stopped, physically, to observe something. I raised my camera and recorded my observations.
I think that if there can be considered racism it's to do with the lack of opportunities for writers and producers and the people behind the camera.
If the person or artist doesn't touch it, and if the camera stays relatively far away from it, it doesn't really have to be real.
I loved Bob Hope and the way he would turn to the camera and break the fourth wall.
It's pretty intense to have someone (the camera) looming there when you are singing a song but it's sort of invigorating too.
I don't have stage or camera fright but there is a little anxiety while performing in-front of a lot of people.
I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.
I never expected a camera was going to follow all of my moves, and that was surprising when I saw it for the first time.
I don't know how much longer I can go on without my becoming known as 'the camera woman.'
We live in the new world where camera phones are everywhere, and you have to be on your best behavior at all times.
TV helped me understand camera angles, close-ups, master shots.
I think eating in itself is the act of great sensuality, so all you have to do is point the camera in the right direction.
[Betty in Two Evil Eyes]was my very first on-camera role. With Harvey Keitel.
I grew up around horses, but acting and riding on camera is a whole different thing.
Once you learn how to free up in front of the camera, it's like nothing else.
If the thrill of hunting were in the hunt, or even in the marksmanship, a camera would do just as well.
If you ask me, we actors have this amazing ability to detach ourselves from an emotion and just do it for the camera.
The whole thing about working in front of the camera is to make people laugh when they're not supposed to.
Hitchcock loved long convoluted shots that contained a lot of tracking and camera moves.
I knew from early on I would go to film school and try to work behind the camera.
Having a camera is a really easy and quick way to indulge in your creative side.
It took me a while to feel comfortable in front of the camera and so I just needed to do it a lot.
Everything seems really simple on paper until you take a camera out of the box.
Along with people who pretty themselves for the camera, the unattractive and the disaffected have been assigned their beauty.
I've always viewed myself as a behind-the-scenes person rather than in front of the camera.
I'm not the type of person to act one way in front of the camera and another when it's off. What you see is what you get.
Ninety-eight per cent of actors who actually make a living do so in front of a camera.
I will take a camera with me in all my trips and capture all the moments which I can savour later.
Anytime you're the creative force behind something and in front of the camera - we're not complaining, but it is an avalanche of work.
My face is asymmetric, so it looks very different depending on where the camera shoots. That's my biggest complex.
Look and think before opening the shutter. The heart and mind are the true lens of the camera.
