Top 1200 Camera Quotes & Sayings - Page 17
Explore popular Camera quotes.
Last updated on November 9, 2024.
I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.
I don't know how much longer I can go on without my becoming known as 'the camera woman.'
I think that if there can be considered racism it's to do with the lack of opportunities for writers and producers and the people behind the camera.
I feel like an artist often turns the camera on themselves and on their own families to understand who they are.
It's not that easy, but the moment the camera is switched on, I have to mould myself to breathe life into the characters I portray.
I was paying attention to where Steven Soderbergh had the camera and his shots. I was blown away.
Ninety-eight per cent of actors who actually make a living do so in front of a camera.
Even if one is not a great actor, just being in front of the camera requires a lot of effort.
Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.
Here’s the thing, making out with a girl on camera … They’re beautiful and soft. I get why you guys are into it.
I thought behind the camera roles would suit me better because I'm sensitive.
It's pretty intense to have someone (the camera) looming there when you are singing a song but it's sort of invigorating too.
I think eating in itself is the act of great sensuality, so all you have to do is point the camera in the right direction.
There are certain men and women who, from the minute they step in front of a camera, that's exactly where they belong. Connery's one.
I love to have a very bright center of my face. I learned that on 'Jessie'... it looks great on camera.
I've always viewed myself as a behind-the-scenes person rather than in front of the camera.
Visual artists use drones to capture beautiful new images and camera angles.
One of the interesting things about my father was that what you see on-camera is a lot of what he was like in real life.
I'm not getting involved in sports anymore, except on film. I'm not agile unless a camera's going.
I spent a lot of years just learning my craft and falling down in front of the camera.
I was one of the first veejays to take the camera out on location, and that's what was unique about MTV at that time.
I've learned survival secrets from being on camera, and then translated them into everyday life.
Pictures are much harder to do than the theater... You're at the mercy of the camera angles and the piecemeal technique.
When you're on set you don't realize the way something is going to look since you're on the other side of the camera.
TV helped me understand camera angles, close-ups, master shots.
The camera is just a machine, which records with impressive and as a rule very cruel faithfulness.
I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.
I've always had the utmost respect and awe of what the lens can do and what a director can do with just a camera move.
It took me a while to feel comfortable in front of the camera and so I just needed to do it a lot.
Photography is a very forgiving medium. Anybody that can afford film and a camera can make pictures.
The key to my work is that I stopped, physically, to observe something. I raised my camera and recorded my observations.
If you put a camera on the wall, you would laugh at some of the fights me and my brothers had.
A photograph is the illusion of a literal description of how the camera 'saw' a piece of time and space.
Once you learn how to free up in front of the camera, it's like nothing else.
Look and think before opening the shutter. The heart and mind are the true lens of the camera.
Everything seems really simple on paper until you take a camera out of the box.
I love photography. My boyfriend's got a great camera, which I bought for his birthday.
Hitchcock loved long convoluted shots that contained a lot of tracking and camera moves.
I grew up in New York, so I fell in love with acting on a stage, not in front of a camera.
We live in the new world where camera phones are everywhere, and you have to be on your best behavior at all times.
Anytime you're the creative force behind something and in front of the camera - we're not complaining, but it is an avalanche of work.
I know every actor says this, but the people behind the camera are great. They always have answers.
But for me, personally, I didn't have any ambitions to become an actor. I'm interested in getting behind the camera.
I spent every day just praying that I didn't look like a big dork on camera.
Having a camera is a really easy and quick way to indulge in your creative side.
I am a product of theatre and whatever I learned there helped me emote in front of the camera.
For my first book, 'New York,' I had one camera and two lenses. It was fotografia povera.
My face is asymmetric, so it looks very different depending on where the camera shoots. That's my biggest complex.
The one thing that I'm really obsessed with is multi-camera comedy. It is a form that is unique to network television.
I was writing, directing, and editing my own films as a young kid with my parents' video camera.
Leica, schmeica. The camera doesn't make a bit of difference. All of them can record what you are seeing. But you have to see.
You can be, like, a totally different person on camera, and it's fun. You can take on another character, and it's awesome.
If the person or artist doesn't touch it, and if the camera stays relatively far away from it, it doesn't really have to be real.
I never expected a camera was going to follow all of my moves, and that was surprising when I saw it for the first time.
You'll never see a good performance out of me, in terms of a character, when the camera isn't rolling.
Bizarrely, on movie sets, they don't really dig it when you look in the camera, which is a bizarre fact.
I know from experience, once something is said on camera, true or false, it follows you forever.
The whole thing about working in front of the camera is to make people laugh when they're not supposed to.
[Betty in Two Evil Eyes]was my very first on-camera role. With Harvey Keitel.
I am a man of very many anxieties but doing strange things with the camera is not one of them.
