A hidden camera must never become a lazy substitute for the rigours of old-style reporting.
When I'm not in front of the camera, I'm just like any other normal person. I'm a student. I eat when I'm stressed.
It is definitely mostly due to the invention of the camera that all this design and emphasized paint quality have come into painting.
When I first had a video camera to document a performance, it was in Sweden and I remember it was really crucial for me.
Usually people are apprehensive about facing the camera for the first time. But for me, it was the most natural thing.
In 1988, before I'd written a word for a car magazine or stood in front of a camera, I was a subeditor on 'The Engineer.'
You had to make everything much more truthful for the camera. With the stage it's a given that it's going to be theatrical.
To say that "the camera cannot lie" is merely to underline the multiple deceits that are now practised in its name.
You can be in an acting class all you want, but you don't fully learn until you get off that stage and in front of a camera.
I never use powder unless I'm about to be in front of a camera. I don't need that matte, crunchy feeling.
An amateur can be great in front of the camera, but you need an education to get on stage where you have full control as an actor.
I don't even know how people drove, back in the day, without a rear view camera.
If I didn't follow my passion for surfing... I would have never come up with the concept to make a wrist camera.
We all know the sound a camera makes when it snaps a picture. Even some of the digitals do it for nostalgia’s sake.
I know I have the ability to do so much more than just stand in front of the camera the rest of my life.
I have been modelling since I was four years old so facing the camera is second nature to me.
I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.
Some people, myself in particular, have an adversarial relationship with the camera, and it sprouts up in every photograph.
After dubbing my lines for the first time, I'd say it's more difficult than performing in front of the camera.
The day you see a camera come into our courtroom, it's going to roll over my dead body.
My father came to Hyderabad to become an actor, took an acting course, and realised he was camera conscious.
Reality... includes a perceiver, who has memories, thoughts, desires, emotions - [which] a normal camera tends to omit.
I would love to work with Adam Sandler. Because then all I'd have to do is just turn the camera on and off.
For my money, when you're doing an on-camera performance, unless it's for something particularly stylised, you are, by and large, striving for naturalism.
I don't think I knew that much about camera placement and working with actors when we did 'Half Nelson.'
I don't stand behind the camera drooling. Knowing that, the models are more likely to open up and relax.
'Heyy Babyy' needed fast cutting and eye contact. It didn't need fancy camera angles.
I was in the movies. I danced, I sang, I learned to work in front of a camera. It was like being in a repertory company.
With this kind of camera-phone madness we have got, moments are diluted into self-contained edited experiences.
When you're on film or TV, essentially you're in front of the camera. Unless it's a Tim Burton thing, the desire is to be real and grounded.
I'd like to own a movie camera - a proper one, with film, not a digital thing. Celluloid has more character.
I stumbled into this business, I didn't train for it. I yelled 'Action!' on my first two movies before the camera was turned on.
I would call myself a radio performer who has just jumped in front of the camera and is very happy.
No matter how long a break you take, an actor does feel comfortable in front of the camera.
The camera hound of the future wears on his forehead a lump a little larger than a walnut.
I bought my first camera in Seattle, Washington. Only paid about seven dollars and fifty cents for it.
It was always my dream to be a New York theater actor. I never thought I was pretty enough to be on camera.
I fell in love with the place! You know, the people, the bourbon, the music... it's in the air. It's something you can't describe on camera.
To wish for the crazy times one last time and freeze it in the memory of a camera is the least a great artist can do.
I have always loved taking pictures. When I was young, I would carry a small camera with me on the sets.
I do come alive in front of a camera. The first video I ever made was a formative moment for me.
You can't point a camera at someone and find out what's in their head. But it does the next best thing - it lets you speculate.
It took me a solid four or five years to feel really comfortable in front of the camera.
The same camera that photographs a murder scene can photograph a beautiful society affair at a big hotel.
As a director, I like trying to unlock the subtext of the scene and try to put the camera in a place that helps that.
It's very simple... this banging around with a camera and typewriter as a business is just one helluva lot of fun.
I avoided the spotlight when I was a kid. I always knew, 'Hey, it wasn't me. I didn't do anything.' If there was a camera around, I hid from it.
I felt very insecure about whether I was up to recreating my stage 'Fagin' in front of a camera.
If we put the camera on ourselves, our friends and neighbors, we'll come up with some scary stuff.
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking.
I was the only woman fooling around with a camera in the streets and all the reporters laughed at me. So I became a fighter.
The best advice I received when I started out was to think about the camera or microphone as if it was a person to connect with.
The first time I went behind the camera was in 1993. I felt, 'This is my thing,' and I knew that someday I'd make a feature.
The camera seems to me, next to unassisted and weaponless consciousness, the central instrument of our time.
He [Viggo Mortensen] was standing behind the camera throwing the apples … And I’ve never seen him so happy.
I entered the modeling industry as a business person already. I always knew I belonged on the other side of the camera.
And the president should be doing more about education than saying, 'Lights, camera, action.'
I got a camera when I was nine years old and it wasn't until I was a model that I realized you could be a photographer for a job.
I think at some point I am going to throw in the belt and decide to stick behind the camera.
If you have a block of ballistics gelatin and a high-speed camera, pretty soon somebody gets a gun!
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