Top 1200 Candid Camera Quotes & Sayings - Page 19

Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.

I spent a lot of years just learning my craft and falling down in front of the camera.

John Kerry was always in front of the camera but not out doing the hard work.

I think that if there can be considered racism it's to do with the lack of opportunities for writers and producers and the people behind the camera.

I know that I present very - they say that I present very, very calm and very, very smart, very articulate, elegant. Yeah. And I go, 'Brilliant teams of makeup and wardrobe happened to dress me and clothe me and put my face on and do my hair. And then these brilliant teams of writers give me words to speak. I just need to make sure that I have them all in this combination in my body, in my being, and then I get to do it on camera, in front of a brilliant team of camera workers who really know how to like me and make me sound good.' So I'm just really a dork in real life.

I did hidden-camera shows. I've been around the block a few times.

I think eating in itself is the act of great sensuality, so all you have to do is point the camera in the right direction.

In a strict sense photography can never be abstract, for the camera is incapable of synthetic integration.

Pictures are much harder to do than the theater... You're at the mercy of the camera angles and the piecemeal technique.

I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.

The whole thing about working in front of the camera is to make people laugh when they're not supposed to.

It's not like I'm nervous of people seeing what I can or can't do on camera or on TV or anything, or what my engineers think.

I am a product of theatre and whatever I learned there helped me emote in front of the camera.

I love to have a very bright center of my face. I learned that on 'Jessie'... it looks great on camera.

I love photography. My boyfriend's got a great camera, which I bought for his birthday.

I don't want to direct music videos at all. Any work I do with a camera I'd like to be for a film.

I feel very confident and empowered before the camera, after working with Arjun Rampal.

If you put a camera on the wall, you would laugh at some of the fights me and my brothers had.

In front of the camera, I find it difficult. As far as the actors are concerned, it is easy for them to do it but not for me.

I travel, I read, I write, I have other lives. But when I have a camera, I know that's my country, my island.

There are times when you're working with film people when you have to say, 'If the camera were on you, what you're doing would be perfect'.

I will take a camera with me in all my trips and capture all the moments which I can savour later.

I love Bollywood as a viewer, but going in front of the camera and singing and dancing is not my thing.

I noticed that, on 'Spooks,' there were a lot of women behind the camera and in different departments.

Being an anchor is not just a matter of sitting in front of a camera and looking pretty.

Im a techno moron. I need help just to plug in my video camera.

I've always viewed myself as a behind-the-scenes person rather than in front of the camera.

You can go into all sorts of situations with a camera and people will think they should serve it.

The camera can be the most deadly weapon since the assassin's bullet. Or it can be the lotion of the heart.

It's pretty intense to have someone (the camera) looming there when you are singing a song but it's sort of invigorating too.

Women like to take their clothes off. I noticed that. Especially in front of a camera. Or a mirror.

It's not that easy, but the moment the camera is switched on, I have to mould myself to breathe life into the characters I portray.

There is no off position on my visual switch, and I don't want one. I love, and always have, telling stories with my camera.

Once you learn how to free up in front of the camera, it's like nothing else.

Visual artists use drones to capture beautiful new images and camera angles.

Look and think before opening the shutter. The heart and mind are the true lens of the camera.

The camera is just a machine, which records with impressive and as a rule very cruel faithfulness.

TV helped me understand camera angles, close-ups, master shots.

We live in the new world where camera phones are everywhere, and you have to be on your best behavior at all times.

I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.

I know from experience, once something is said on camera, true or false, it follows you forever.

As the camera, I try to subordinate every word to be truthful and honest to each character's context.

There are women in makeup and hair and wardrobe, but not in camera, not in sound, you know, and not in special effects. It's all men.

I have to grab audience attention even if I don't last beyond 2-3 minutes before the camera.

A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.

The camera eye is the one in the middle of our forehead, combining how we see with what there is to be seen.

I was one of the first veejays to take the camera out on location, and that's what was unique about MTV at that time.

In the late '80s, as a child, I used to shoot short films on my friend's wedding camera.

I am a little bit of an egomaniac. I like being in front of the camera, so I take advantage of it when I can.

Human interaction is awkward and weird, even if it happens without a microphone or camera.

My face is asymmetric, so it looks very different depending on where the camera shoots. That's my biggest complex.

The one thing that I'm really obsessed with is multi-camera comedy. It is a form that is unique to network television.

You can be, like, a totally different person on camera, and it's fun. You can take on another character, and it's awesome.

For my first book, 'New York,' I had one camera and two lenses. It was fotografia povera.

One of the interesting things about my father was that what you see on-camera is a lot of what he was like in real life.

Having been on the other side of the camera gives me such perspective on what I'm doing.

Performing in front of the camera is a different thing, and shooting a whole film is another.

I spent every day just praying that I didn't look like a big dork on camera.

I was writing, directing, and editing my own films as a young kid with my parents' video camera.

Hitchcock loved long convoluted shots that contained a lot of tracking and camera moves.