Top 1200 Candid Camera Quotes & Sayings - Page 2

Explore popular Candid Camera quotes.
Last updated on November 19, 2024.
I smuggled the camera, it was no problem to smuggle the camera there. And I took 60 photos, two films, during the time when there was no one in the control room, in the building.
A candid spirit is mightier than the most persistent dogmatism.
It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera. — © Dacre Montgomery
It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera.
The camera is a remarkable instrument. Saturate yourself with your subject, and the camera will all but take you by the hand and point the way.
The thing that made 'M*A*S*H' so good was the fact that we did have those relationships off-camera and took them on-camera.
I know what to do with the camera because I see the giant in the camera when I'm operating it live on the set.
I don't like to be in front of the camera - my place is behind the camera.
I think I've spent more time in front of a camera than off camera. That's just the way it is.
I really enjoy blocking and staging. I think most of visual storytelling is camera placement and how to stage action around the camera.
Whether I'm in front of the camera, behind the camera, at my computer writing a novel or a screenplay, as long as I get to entertain someone out there, I'm happy.
With film acting, and often when the camera comes very close, you just have to think about something and the camera will pick it up.
The less friendly your relationship is on camera, the more useful it is to be friends with them off camera.
The camera was kind to me. But I was never a screen personality like Gable or Flynn. The camera did something with their faces that was special. — © Don Ameche
The camera was kind to me. But I was never a screen personality like Gable or Flynn. The camera did something with their faces that was special.
I call it like I see it. I don't hold back when it comes to being candid on the hot issues.
I don’t have a philosophy. I have a camera. I look into the camera and take pictures. My photographs are the tiniest part of what I see that could be photographed. They are fragments of endless possibilities.
Never ever say the word shoot when you are taking a picture with a camera because a camera is not a violent weapon.
The candid incline to surmise of late that the Christian faith proves false.
I invented a camera that has an exposure time of one hundred years and the camera works in the simplest possible terms, because anything more complicated is more likely to break down in one way or another. It's a pinhole camera that lets in very low light and instead of exposing film, which is going to spoil within a matter of days or weeks, I'm using ordinary black paper.
When I work, I really try to get absorbed in the character. Unless I want to do something playful with the camera, I'm not too worried about where the camera is or positions.
A camera is a tool for learning how to see without a camera.
I don't know if the camera likes me, but I do like the camera.
I work primarily for the camera-it's not something I really talk about a lot, but it's part of the way I am as a movie actor. The camera is my girl, as it were.
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
The camera is an instrument that teaches people how to see without a camera.
Comic timing... is how to have a relationship with the camera and deal with the camera without looking like you are.
I am very proud of my husband, both behind the camera and in front of the camera.
The camera’s not a camera, really. It’s an open door we need to walk through. It’s up to us to keep moving our feet.
I'm very heavily involved in the editorial post-production process, and the camera - it's just such a big part of my storytelling language. I like creating the tension; I like creating the emotion through the movement of my camera, or the lack of movement through my camera, depending on what fits the scene best.
I don't want to carry big things around with me. I'm lazy. The snapshot camera, you just carry it around and take the picture. You don't need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable.
I've worked with actors who treat the first two takes like rehearsals. And that's okay. If the camera is on you and we're doing a scene where I'm off camera, I'm treating that as a rehearsal.
My favorite films left the camera rest, and the actors and characters have a stage to act. Move the camera when it's motivating.
Look, I really do not care about you. What I care about is the worlds that you bear witness to. You are nothing more than a dog with a video camera strapped on its back. As you walk the streets looking for a place to mate or piss or eat, the camera is on and we will see the world because of you... You carry the camera and we enjoy the world. (On images as autobiography)
Whenever one has anything unpleasant to say, one should always be quite candid.
We need women behind the camera like we do in front of the camera. That's when we will have stronger, smarter, better roles for us.
For me, the brand of the camera is not the most important thing. I think you can take good pictures with the camera on your phone.
The kids are Job One. So, to be quite candid, if they need me, I do my utmost to make sure I'm there.
I tried to keep both arts alive, but the camera won. I found that while the camera does not express the soul, perhaps a photograph can!
Running backwards down the stairs, holding the camera, trying to focus on what's in front of you is difficult, and you need to be able to protect the camera. — © Sam Hargrave
Running backwards down the stairs, holding the camera, trying to focus on what's in front of you is difficult, and you need to be able to protect the camera.
Your camera is the best critic there is. Critics never see as much as the camera does. It is more perceptive than the human eye.
We have seen amazing, creative and interactive pictures from camera owners, and I'm looking forward to the Lytro camera being available in Australia.
People are afraid because I'm candid. They're always worried I'm going to get into trouble.
Things like 'I'm A Celebrity,' when they're going to a trial, they might reset the camera for a bit or give a briefing that's not on camera. But 'Big Brother,' you see everything.
A full and candid admission of one's mistakes should make proof against its repetition.
Some people say the camera loves me, the truth is, I love the camera.
Being behind a camera, in front of the camera, is my own little deconstructionist niche.
I have a theory that the only way you can be any good is if the camera likes you. If the camera doesn't like you, you are gone.
I have been in public for a long time, so the camera was never an issue for me. I am very comfortable in front of a camera.
Blame where you must, be candid where you can, And be each critic the Good-natured Man. — © Oliver Goldsmith
Blame where you must, be candid where you can, And be each critic the Good-natured Man.
I don't have a typical filmmaker background. I didn't grow up with a super eight camera or a video camera. I didn't start cutting movies when I was four or five.
I'm used to having a camera in my face but not a camera following me.
I'm into capturing the moment. Sometimes, I'll rip the camera out of my assistant's hands and he'll be shouting, But there's no film in the camera! and I think, Never mind! Let's go.
Sometimes a camera comes out and people freeze up a little, and I'm like that with normal cameras, but with a film camera, I feel different.
A camera teaches you how to see without a camera.
Whenever there's a camera around, a video or film camera, it's a great deal harder for those in power to bury the story.
Once a photographer is convinced that the camera can lie and that, strictly speaking, the vast majority of photographs are camera lies, inasmuch as they tell only part of a story or tell it in distorted form, half the battle is won. Once he has conceded that photography is not a naturalistic medium of rendition and that striving for naturalism in a photograph is futile, he can turn his attention to using a camera to make more effective pictures.
Dwight Eisenhower was candid in private, but he was circumspect in public.
You look tight on camera, it sees it. The camera can see everything.
What's cool is that Oprah is the same person on stage and in front of a camera as she is off stage and behind the scenes. She speaks the same way on camera as she does off camera.
It doesn't matter if they're in front of the camera or behind the camera. I know women who are producers who are surviving on nothing but juice and almonds.
For example, in my dorm, at the University of Kentucky, I had the only camera. I don't think anyone came to college with a camera, other than me.
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