Top 30 Capablanca Quotes & Sayings

As with Steinitz, Fischer's genius has often been concealed by controversies away from the board. Like Lasker, Fischer has raised chess to new financial heights despite frequent retreats from serious play. And, like Capablanca, Fischer is recognized by millions of non-players and has won the game many new enthusiasts.

But the thing that was great about Capablanca was that he really spoke his mind, he said what he believed was true, he said what he felt. He [Capablanca] wanted to change the rules [of chess] already, back in the twenties, because he said chess was getting played out. He was right. Now chess is completely dead. It is all just memorisation and prearrangement. It's a terrible game now. Very uncreative.

One interesting indication of Capablanca's greatness is that to non-chess players his name was better known than the names of all other chess masters together! This was due partly to his engaging personality and distinguished appearance: he was one of those exceptional people who at once stand out in a crowd.

Many an expert says that there is a certain affinity between (Capablanca's style) and that of the world master, Lasker. There may be some truth in it. Lasker's style is clear water, but with a drop of poison which is clouding it. Capablanca's style is perhaps still clearer, but it lacks that drop of poison.

Capablanca used to talk calmly and moderately about everything. However, when our conversation turned to the problems of the battle for the world championship, in front of me was a quite different person: an enraged lion, although with the fervour typical only of a southerner, with his temperamental patter, which made it hard to follow the torrent of his indignant exclamations and words.

Capablanca did not apply himself to opening theory (in which he never therefore achieved much), but delved deeply into the study of end-games and other simple positions which respond to technique rather than to imagination.

Never before and never since have I seen - and I cannot even imagine, such an amazing rapidity of chess thinking that Capablanca possessed in 1913-14. In blitz games he gave all the St. Petersburg players odds of five minutes to one - and he won.

In general there is something puzzling about the fact that the most renowned figures in chess - Morphy, Pillsbury, Capablanca and Fischer - were born in America.

Capablanca was snatched too early from the chess world. With his death we have lost a great chess genius, the like of whom we will never see again.

I honestly feel very humble when I study Capablanca's games.

Capablanca plays very superficially sometimes, in a way that can only be ascribed to lack of concentration. This is an integral weakness of his make-up and can only be partially compensated by his employing his time allowance to the full.

When I was a child I liked the games of Capablanca, and later I was captivated by Alekhine's play.

Capablanca possessed an amazing ability to quickly see into a position and intuitively grasp its main features. His style, one of the purest, most crystal-clear in the entire history of chess, astonishes one with his logic.

And the rigidity of the material with which we have to compose, is a more formidable opponent than Lasker or Capablanca. Because these lifeless opponents do not have any moments of human weakness!

Chess was Capablanca's mother tongue.

The ideal in chess can only be a collective image, but in my opinion it is Capablanca who most closely approaches this.

When I used to go to the Manhattan Chess Club back in the fifties, I met a lot of old-timers there who knew Capablanca, because he used to come around to the Manhattan club in the forties - before he died in the early forties. They spoke about Capablanca with awe. I have never seen people speak about any chess player like that, before or since.

I have known many chess players, but among them there has been only one genius - Capablanca!

I can remember a case where Capablanca worked out an impressive combination, but then chose to make a simple move in answer to which his opponent resigned at once!

He can be regarded as the great master of simplification. The art of resolving the tension at the critical moment and in the most effacious way so as to clarify the position as desired is Capablanca's own.

The greatest compliment one can pay a master is to compare him with Capablanca.

Capablanca's play produced and still produces an irresistable artistic effect. In his games a tendency towards simplicity predominated, and in this simplicity there was a unique beauty of genuine depth.

The essence of Capablanca's greatness is his rare talent for avoiding all that can complicate or confuse the conflict.

You will already have noticed how often Capablanca repeated moves, often returning to positions which he had had before. This is not lack of deciciveness or slowness, but the employment of a basic endgame principle which is 'Do not hurry'.

No one has ever played these endgames with such elegant ease as Capablanca.

For my victory over Capablanca I am indebted primarily to my superiority in the field of psychology. Capablanca played, relying almost exclusively on his rich intuitive talent. But for the chess struggle nowadays one needs a subtle knowledge of human nature, an understanding of the opponent's psychology.

Poor Capablanca! Thou wert a brilliant technician, but no philosopher. Thou wert not capable of believing that in chess, another style could be victorious than the absolutely correct one.

Without technique it is impossible to reach the top in chess, and therefore we all try to borrow from Capablanca his wonderful, subtle technique.

Capablanca was among the greatest of chess players, but not because of his endgame. His trick was to keep his openings simple, and then play with such brilliance in the middlegame that the game was decided - even though his ooponent didn't always know it - before they arrived at the ending.

Capablanca's phenomenal move-searching algorithm in those early years, when he possessed a wonderful ability for calculating variations very rapidly, made him invincible.