Top 37 Caption Quotes & Sayings

My belief is that you live your life by example, and not by a caption on a magazine!

To be an Instagram model, you absolutely cannot just post pictures of yourself in a bikini for the sake of people seeing you in a bikini - even if that is exactly what you are doing. No, you need to caption these photos with an inspirational quote so that people will know that you are not just a butt, you're a gosh dang philosopher.

On each landing, opposite the lift shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran.

You know how misleading an image is. You see an image in the newspaper, if they left the caption off, good luck knowing what's going on. There is something inherently misleading about images, so they need annotation.

I have lived my life very openly and have never hidden the fact that I am gay. Apparently the prerequisite to being a gay public figure is to appear on the cover of a magazine with the caption 'I am gay.' I apologize for not doing so if this is what was expected.

A drawing is always dragged down to the level of its caption.

Identity is marketed in national capitalism as a property. It is something you can purchase, or purchase a relation to. Or it is something you already own that you can express: my masculinity, my queerness . But identity need not be simply a caption for an image of an unchangeable concrete self. It is also a theory of the future, of history.

Apparently, the prerequisite to being a gay public figure is to appear on the cover of a magazine with the caption 'I am gay'. I apologize for not doing so if this is what was expected!

I woke up one day and there were loads of calls on my phone. My best friend was like: bro, go to Drake's Instagram. So I went and saw my big head on there, a picture and a caption or whatever, and it was 'Top Boy' related. Long story short: we got in contact and had a few conversations about him being a big fan of the show.

The BBC called me 'defiant' in a caption. I plan to frame and put it on my wall.

Time magazine put Chris Christie on the cover with the caption, 'The Elephant in the Room.' And People magazine named him 'Sexiest Garbage Truck in a Suit.'

I'm horribly hands-on, I'm afraid. I like to read every caption.

A picture, of Jock Semple kissed me,appeared in The New York Times the next day after Boston Marathon in 1973, and the caption was "The end of an era."

I think photography is closest to writing, not painting. It's closest to writing because you are using this machine to convey an idea. The image shouldn't need a caption; it should already convey an idea.

Nowadays, you can't broadcast dodgy special effects and then put up a caption saying, 'Sorry, this is what the budget was.' You have to do it with high production values because the audience has been spoilt by the special effects on things like 'The X Files' and 'Independence Day.'

If you want to trick someone with a photograph, there are lots of easy ways to do it. You don't need Photoshop. You don't need sophisticated digital photo-manipulation. You don't need a computer. All you need to do is change the caption.

Despite his reputation as one of America's foremost "serious" filmmakers, Oliver Stone's name under the "director" caption does not guarantee a good movie. I learned that lesson while enduring the seemingly-endless tedium of The Doors, and was reminded of it during some of the long, drawn-out portions of JFK. However, nothing that Stone has directed or misdirected prepared me for the grotesque mess that is Natural Born Killers.

I know I have a caption that I'm going to use when somebody tells me something I've never heard before. It's very rarely a thought, a philosophy, when somebody says, 'Oh, I don't like cheese' or 'Oh, I think the government should be overthrown,' because so many people share these thoughts. But what people don't share is stories.

You can talk about a caption underneath a photograph being true or false, because there is a linguistic element. You can claim that a photograph is a picture of a horse or a cow, but it is the sentence that expresses the claim, which is true or false, not the photograph.

The bottom half of the page had descended into a doodle of a tiny man giving the middle finger to a giant, angry eagle with razor-sharp talons. Beneath it, the caption: To Mock a Killing Bird.

To tell you the truth, I used an Instagram filter called Ginza to share a snippet of the song - I simply left the name in the caption in case anyone wanted to use the same filter. But everyone started calling the song 'Ginza.'

For many years, I have kept in my office an ink drawing of two smiling figures with their arms around each other: Jesus Christ and Gautama Buddha, with the caption: "Jesus and Buddha must be very good friends." They are not the same, but they are friends, not enemies, and they are not indifferent to one another.

With Instagram, you're captioning a moment. Twitter is the caption without the image. Even if it's there, the words come first.

Bored with obvious reality, I find my fascination in transforming it into a subjective point of view. Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken. Without a descriptive caption to justify its existence, it will speak for itself - less descriptive, more creative; less informative, more suggestive - less prose, more poetry.

Sometimes you're noodling around with a sketch and something incongruous in the drawing calls forth the caption and other times you think of a line and just have to find a place for it. A cartoon with a caption like "I don't want to live forever, but I sure as hell don't want to be dead forever either" sprang into my head and I just had to find the right venue for it which was an old couple talking to each other.

I don't know how many days I worked there [on Star Wars]. The thing I do remember was I somehow got a parking space next to Kermit the Frog. It was Jim Henson's space, with this Kermit the Frog sign. I took a photo of it and sent it to my mom with a caption that read, "Look, Mom. I made it. I got a parking space next to Kermit the Frog." I was always fascinated by the film-set infrastructures.

Runes, runes, runes... Runes. An inverted Algiz rune. The caption next to it said “Chernobog.” The Black God. Right. Of course, it wouldn’t be Chernobog, God of Morning Dew on the Rose Petals, but a woman could always hope.

My favorite thing to wear from about first to third grade was a blue t-shirt with an iron-on monkey and the caption 'Here Comes Trouble.'

Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken. Without a descriptive caption to justify its existence, it will speak for itself - less descriptive, more creative; less informative, more suggestive - less prose, more poetry.

(Cartoon caption:) I never really rallied after the birth of my first child.

Any picture that needs a caption is a weak picture.

What we must demand from the photographer is the ability to put such a caption beneath his picture as will rescue it from the ravages of modishness and confer upon it a revolutionary use value.

Equal justice under law is not merely a caption on the facade of the Supreme Court building, it is perhaps the most inspiring ideal of our society. It is one of the ends for which our entire legal system exists...it is fundamental that justice should be the same, in substance and availability, without regard to economic status.

It is the single image, as used in a photograph or a painting - or the frame of a film - to which words have been added to enlarge the context. The method is not the same as that by which most paintings are named. It is closer in its performance to what dialogue does to a movie, to what the caption does to a good poster.

I sat down and came up with a caption that I thought would fit well on the poster - something that was short and succinct but got a point across. The latest poster was a direct quote - it was exactly what the woman told me.

Legendary photographer Annie Leibowitz persuaded us to pose in our underwear. When the magazine hit the stands we were horrified to see the caption 'Go-Go's Put Out.' Regardless, I was extremely excited to see us at every newsstand on every corner, our faces on the cover of 'Rolling Stone!'

I have a lot of respect for advertising. If I didn't teach and could go back in time, I might try and become a copywriter. I especially like print ads that combine a photo with a short caption or tag line.