Top 1161 Capture Quotes & Sayings - Page 16

I learned to be a hot-air balloon pilot to take tourists over the Masai Mara Reserve in order to earn some money and finance the work I was doing with my wife, Anne. We were studying the life of a family of lions for more than two years. Taking pictures was a way to capture information we could not put in words.

Writing prejudicial, off-putting reviews is a precise exercise in applied black magic. The reviewer can draw free-floating disagreeable associations to a book by implying that the book is completely unimportant without saying exactly why, and carefully avoiding any clear images that could capture the reader's full attention.

One of the problems with the kill-or-capture metric is that it has often been to the exclusion of having a deeper, richer understanding of the movement, its origins, and our adversaries' mindset. The nuances are absolutely critical. Our adversaries are wedded to the ideology that informs and fuels their struggle, and, by not paying attention, we risk not knowing our enemy.

It's not realistic to imagine that any poem will last forever. Our species won't last forever! We try to capture and preserve our impressions of reality because it's all going away: everything we think and remember, everything we've ever felt, everyone we love.

He had had a severe shock some weeks earlier, when, having narrowly failed to capture a large grey-brown hare for his dinner, it had stopped at the edge of the forest, looked at him with disdain, and said, 'Well, I hope you're proud of yourself, that's all,' and had scampered off into the long grass

I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.

I hope that 'Gambit' doesn't take ten years, but it takes a little honing to get that tone and that voice exactly right. The character has such a specific voice in the comic, in the same way that Deadpool has a specific voice in the comic, that we want to make sure that we capture that voice on the page.

I like drawing most everything I see, but sometimes the light will hit something in a certain way that I just cannot capture the thing the way I would like with a drawing, so I think taking a picture might be the way to document what I am seeing better.

Chess programs don't play chess the way humans play chess. We don't really know how humans play chess, but one of the things we do is spot some opportunity on the chess board toward a move to capture the opponent's queen.

I would like to see us find Osama Bin Laden, but let's say we did capture him. Let's say we did kill him. How much good would that do? There's still thousands of people behind him. It's this huge thing.

The most dangerous moment of the War, and the one which caused me the greatest alarm, was when the Japanese Fleet was heading for Ceylon and the naval base there. The capture of Ceylon, the consequent control of the Indian Ocean, and the possibility at the same time of a German conquest of Egypt would have closed the ring and the future would have been black.

There's so much more subtlety to this new recording. There's a subtlety in the playing. There's also a subtlety in the way I approached the singing. The band was able to really capture the feeling of the songs and not really trade anything that we had sort of arranged for the live presentation, but the songs just aren't as loud.

Because too many times in life there's just one person that I met, just one thing that I heard, one movie that I saw, one song that was sung, that changed my life. So I'm always trying to stay awake to be in the moment, and capture the moments when they come, because they come and go all the time.

If we practice hard enough, we can become thoroughly interested in even the simplest things of daily life, the way a child would. The smallest things would become so meaningful, they might even be worth a few words or a photograph, whatever method you use to capture them.

My take is that acting is acting. A performance is a performance. With performance capture, if you don't get the performance on the day, you can't enhance the performance.

For Twilight, I wasn't thinking it was going to be a crazy success, or anything. It had been rejected by all the major studios. Nobody wanted to make it and they didn't think it would make any money, but I read the book and I thought, "Wow, I want to capture that feeling of just being crazy in love. I wonder if I can do that in a film." That was my challenge.

I think, in a written novel, the way in which you play with the readers' emotion or the way in which you engage the readers' emotions can be very indirect. You could come at it through irony or comedy, etcetera, and you could capture people's sympathies and feelings kind of by stealth if you like.

I don't ever want to do a movie where you shoot it on a motion capture stage. I just don't like taking the reality out of it. I like being on the set in real environments. I don't like shooting on green screen. I think it gives the actors so much more to play with when there's real stuff happening on the set.

It's definitely a difficult thing to capture and I mean, I've seen a ton of movies where I've believed the couple and I've seen a ton of movies where I have not believed them at all. Unfortunately, as an audience member, you check out if you don't believe them.

Since humans first huddled around campfires, stories have been told of wild horses with wind in their manes, fire in their eyes and freedom in their hearts. Those horses eluded capture, and scorned the comforts of civilization. Americans have insisted they want their wild horses to live that way, forever.

We have been developing an ever closer relationship with China on climate change for many years which has led to collaboration on carbon trading, offshore wind development, on low-carbon buildings, on nuclear energy, and on carbon capture and storage - to name just some of the ways in which we're working together.

It used to be that people had a way of dealing with the world that was basically, 'I have a feeling, I want to make a call.' Now I would capture a way of dealing with the world, which is: 'I want to have a feeling, I need to send a text.'

We want to get people of color out to vote, because their vote matters. Every politician tries to capture it. But it's More Than a Vote because we want to come up with what's our ask, and hold these politicians' feet to the fire to make real change.

Even if we planted a tree on every square yard available in the planet by the end of the century we would only capture at most 10 percent of the CO2 we need to reduce. This does not mean that we should not plant trees; we should, for biodiversity's sake, and for our long-term future together with the other species.

I capture reality, never pose it. But once captured, is it still reality? I've always tried to play with the false impression of reality, with the ambiguity of appearances. Things are what they seem to be, or maybe something else. I use people as unconscous actors in little dramas they don't know they're in. These pictures are about Earthlings, but I'll let you in on a secret: I'm an Earthling myself.

Whether you make an action blockbuster or a comedy or a drama, you've got the right camera and all the right technology to do it. In games, it's not the same yet, and I would like to see technologies dealing with cameras the way we do - dealing with bouquet, dealing with performance capture, with lighting - with all this stuff the way we do.

Some of the writers definitely got inspired by some of the story lines, but we are evolving in the 'Daredevil' story. So when it comes to 'Elektra', they didn't follow one of her specific story lines, you know. They really tried to capture what comes through the comics, but there's not one specific storyline.

His hands are holding my cheeks, and he pulls back just to look me in the eye and his chest is heaving and he says, "I think," he says, "my heart is going to explode," and I wish, more than ever, that I knew how to capture moments like these and revisit them forever. Because this. This is everything.

Learn their lesson, that if you would teach people you first must capture their interest with news; that your service rather than your sermons must be your claim upon their attention; that what you say must be simple, and brief, and above all sincere - the unmistakable voice of true regard and affection.

So we can do a better job of homeland security. I can do a better job of waging a smarter, more effective war on terror and guarantee that we will go after the terrorists. I will hunt them down, and we'll kill them, we'll capture them. We'll do whatever is necessary to be safe.

Many first-time founders fail to understand the difference between the potential of the Total Addressable Market (TAM) and the very finite subsection they can hope to capture. No company ever captures the entire market they pioneer. Innovation doesn't happen in a vacuum, and others will jump in from the moment you've identified the potential.

Little-boy love...the cleanest pain I've ever known. Love without desire, conditions, or limits - a pure and radiant glow in the heart that could make me giddy and sad and glorious all at once. Where does it go? Why, in all their experiments, did the Magi never try to capture that purity in a bottle? Perhaps they couldn't.

There's this message to comedians in particular, that you shouldn't write it, and a television writer should write it. And that's a prevailing conventional wisdom that I think is really wrong. That's not to say that television writers aren't great, but I think that the belief that some comedy writer's going to be able to capture your voice is naive.

Had the United States and the United Kingdom gone on alone to capture Baghdad, under the provisions of the Geneva and Hague conventions we would have been considered occupying powers and therefore would have been responsible for all the costs of maintaining or restoring government, education and other services for the people of Iraq.

I used to work with mentally disabled people when I was 18 or 19, changing diapers and catheters. I was working, like, 16 hour night shifts, having to distribute meds and go capture people who would break out of the house. Sometimes they'd have seizures, and we'd have to rush them to the hospital. That was an interesting time, very humbling.

I don't get too political in my music, because some people tend to get bored with the message: I say what's necessary and leave it at that. The books of Malcolm X go deeper than any song. But entertainers can be educators. Music touches the soul. Knowledge touches the mind. When you combine the two, you capture the whole.

It wasn't until I realised that I could actually take nice photographs that I started to become passionate about it. I then got a few jobs working for magazines in London, and I would get terribly excited and intense about doing a job and taking photographs and looking through the lens to capture something amazing.

The movement for women's liberation was about an emotional transformation, an explosion, a feeling all over the country that things must be different, and ideas about how they should be. I think fiction can capture that kind of thing better than other genres because in fiction you can explore the feelings of your characters - the before and the after.

I've come to realize that I'm a image maker, not an object maker. Images come to me as photographs because I don't have any other way of express them. I have to translate everything into still or moving pictures. I've learned that reality is not important to me. In the end it is the representation of reality that I'm striving to capture.

Vladimir Nabokov was a writer who cared nothing for music and whose favorite sport was the pursuit, capture, and murder of butterflies. This explains many things; for example, the fact that Nabokov's novels, for all their elegance and wit, resemble nothing so much as butterflies pinned to a board: pretty but dead; symmetrical but stiff.

I grew up playing video games. And the cool thing about the EA Sports games is they took me through the whole motion-capture thing, where they put little sensors on my body so the video game really is me. It actually moves the way I move.

There are five dangerous faults which may affect a general: recklessness, which leads to destruction; cowardice, which leads to capture; a hasty temper, which can be provoked by insults; a delicacy of honour, which is sensitive to shame; over-solicitude for his men, which exposes him to worry and trouble.

I've done all sorts of different kinds of action. We did a thing in 'Blood Diamond,' the attack on Freetown, where I carefully staged the action but did not show the camera operators what we were going to film - so it has the feel of documentary, trying to capture something, and that gave it a whole different feel.

The first scene I ever shot for 'Louie Bluie,' on that first day, I had never seen the camera before. I didn't know where to put it. I just knew what was strong about these guys and what I wanted to capture, so I tried to work backward from there and figure it out. Trial and error. Hopefully I got a little bit better at it.

Anything other than free enterprise always means a society of compulsion and lower living standards, and any form of socialism strictly enforced means dictatorship and the total state. That this statement is still widely disputed only illustrates the degree to which malignant fantasy can capture the imagination of intellectuals.

A good simulation, be it a religious myth or scientific theory, gives us a sense of mastery over experience. To represent something symbolically, as we do when we speak or write, is somehow to capture it, thus making it one's own. But with this appropriation comes the realization that we have denied the immediacy of reality and that in creating a substitute we have but spun another thread in the web of our grand illusion.

Performing with a hologram in a three-dimensional world feels somewhat strange. But you know, the experience of playing live in a room full of people is most exciting, it's something that the social media has not been able to recreate. There's some kind of intensity about it, something that the social media doesn't capture.

Issues to do with corruption, issues of how we can straighten out our state-owned enterprises, and how we deal with 'state capture' are issues that are on our radar screen.

I really liked Quentin Blake, who did all of Roald Dahl's stuff. I don't think I really got Quentin Blake as a kid, but as I grew older, I really appreciated the kind of knowledge and the skill that went into those seemingly effortless drawings, and I really wanted to capture some of that in my own work.

When you're at the basketball court watching a game, one person may be talking about a fight he had with his wife, another is talking about the last hard-on he got, someone else is talking about the presidential election. The language and the tone and the voice - I'd love to be able to capture that spontaneity.

I think there, there also had been just before I got to Honduras a rather spectacular capture of an arms shipment that from Nicaragua across Honduran test, territory destined for El Salvador and I think that some of that equipment had been also to Cuba and the Soviet bloc.

One day I am at home, watching dramatic images of Iraqi Yazidis fleeing for their lives being aired nonstop on 24-hour news channels. Days later, I am there, staring at tens of thousands of displaced Iraqis and feeling a 35-millimeter frame cannot capture the scope of devastation and heartbreak before me.

As the CG in motion capture made it look realistic, it put more of an onus on the game makers to make the dialogue they're saying more realistic. It doesn't matter what they say when they're 8-bits, but if they look almost photo-real, it matters. More and more, the games industry is realising that.

I remember having been with this book [Into the Forest] for a long time, and I remember the moment that she [Patricia Rozema] sent me the script and what it was like to read it for the first time. I just was so blown away by how she managed to capture the story and their relationship to each other, and the nuances of that.

Why did I elope with my husband after knowing him for only four months? I wish I could show people the picture of the two of us that night and have them feel what I felt. But it's just a picture. It can only capture how things looked, not how they felt.

Some people accuse us of too much emotionalism. I say we have too little. That is why we are losing church people to other interests. We need not only to capture their minds; we've got to touch their hearts. We've got to make people feel their faith.

Learn how to draw. It's the basis of what we [animation directors] do. Keep a sketchbook. Try making a very simple little film. Try and tell a story clearly and entertainingly. Study the way people move and animate move. Observe all you can, and try and capture that simply in a few lines on paper.

Romance novels are tales of brave women taming dangerous men. They are stories that capture the excitement of that most mysterious of relationships, the one between a woman and a man. They are legends told to women by other women, and they are as powerful and as endlessly fascinating to women as the legends that lie at the heart of all the other genres.

Any acting is a stretch of the imagination. That's your job. Acting is truth in imaginary circumstances. Acting with green screen or a motion capture stage, you're striving for absolute truth in absolutely imaginary circumstances.

I think that people are constantly thinking about capturing things that they're not actually present for the moment they're trying to capture. I'm quite sure of this. I think it's insane how many pictures have to be taken these days. We have to realize there's a level of documentation that's just chatter, it's noise, and beyond that, people who are truly documenting are going to have to find a way to puncture that.