Top 1200 Capturing A Moment Photography Quotes & Sayings

Now, at a moment when photography is so pervasive that it's been forced to grapple with its own identity and look inward, it feels like a natural moment for painting to look out, to reclaim that directive of picturing America.

Inside movement there is one moment in which the elements are in balance. Photography must seize the importance of this moment and hold immobile the equilibrium of it.

What makes [photography] obscene is its terrible cruelty. Happiness may be fleeting, but it's the reason we go on living. Photography is the joy that precedes pain, the moment of life just before death.

Now that photography is a digital medium, the ghost of painting is coming to haunt it: photography no longer retains a sense of truth. I think that's great, because it frees photography from factuality, the same way photography freed painting from factuality in the mid-nineteenth century.

Great photography comes about at the right time but it also needs the right cut that enhances that precise moment. Photography must feed on both contents and form, if it gives up the one for the other it is not going to last.

Photography obviously lends itself so well towards fashion. It's capturing that moment and that inspiration, and as a designer you are constantly walking through the world assimilating those visual references you have and so being able to solidify that into a photograph and keep it on your mood board is essential to creating a collection.

Computer photography won't be photography as we know it. I think photography will always be chemical.

What is truth in photography? It can be told in a hundred different ways. Every thirtieth of a second when the shutter snaps, its capturing a different piece of information.

Most importantly, postmodernism comes down on the side of photography and power, not photography as power. As a consequence, photography continues to be conceived as an inconsequential vehicle or passage for real powers that always originate elsewhere.

There is a lot of social photography being done now to point to the untruth of photography. It's getting very dull now. So, okay photography doesn't tell the truth. So what? Everyone has known this forever.

I'm into capturing the moment. Sometimes, I'll rip the camera out of my assistant's hands and he'll be shouting, But there's no film in the camera! and I think, Never mind! Let's go.

My favorite type of photography - apart from fashion photography - is journalism, which in a way documents something that exists in a very precise moment, that didnt exist in a moment before and will not exist ever again. This has influenced my work a lot - I usually try to make my images look like they just exist, like no effort was put into it.

The thing with my workshops is, photography is a thoughtful process. In an atmosphere of fast photography, and generally thoughtless, quick, automatic photography, I think that there is an interest in the slowed down, thoughtful approach.

Of all the means of expression, photography is the only one that fixes a precise moment in time.

If you are able to see on a monitor what it's actually going to look like and have that kind of feedback informing your decisions, then you're bringing back a lot of the decision-making process of the designer, the director of photography and the director away from the post-production process and bringing it back into the actual capturing of the event on film.

Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay.

Photography has become so fundamental to the way we see that 'photography' and 'seeing' are becoming more and more synonymous. The ubiquity of photography is, perhaps ironically, a challenge to curators, practitioners, and critics.

I learned from Van Morrison and BB King that the first take is the best. It's about capturing a moment. It's the same as love's first kiss. If you try to do it again, it doesn't work so well.

I believe that street photography is central to the issue of photography—that it is purely photographic, whereas the other genres, such as landscape and portrait photography, are a little more applied, more mixed in the with the history of painting and other art forms.

I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.

I paint on the ground. I paint with sticks, with big paint cans, and whatever else falls in it. Basically, what I'm doing is capturing unbridled emotion and putting it on canvas. It's like capturing lightning in a bottle.

The truth is a trap: you cannot get it without it getting you; you cannot get the truth by capturing it, only by its capturing you.

I like capturing stuff that is disappearing - that’s the point of photography. What I am photographing is an imaginary place that never existed, but is connected to something that has already been.

Photography has always been about capturing light.

[Photography] remains servile to a thoughtless vision of the world... As the term snapshot suggests, photography seizes the moment and exhibits it.

Photography is all about capturing a mood, a feeling. I feel a special connection with nature, often very powerful. This late afternoon was phenomenal. Standing on the edge of the ocean, I gasped in awe as the holy light illuminated this cathedral window. Witnessing such a moment and capturing it is what I live for. Mother Nature is so powerful, I never underestimate Her.

What's happened is that the digital age has made photography more accessible to people. Everyone is a photographer. But to do it [photography] at a certain level, well, there's a skill to it. Still, it's a good time for photography now.

I feel that film, as opposed to theatre, is about capturing that one, real moment.

Capturing a beautiful moment in a photo is something I'm very passionate about.

Photography can still be used to champion activism and change. I believe this, even while standing in the cool winds of postmodernism... Postmodernism looked radical, but it wasn't. As a movement it was profoundly liberal and became a victim of itself. Precisely at this historical moment, when multicultural democracy is the order of the day, photography can be used as a powerful weapon toward instituting political and cultural change. I for one will continue to work toward this end.

But you really - I always think that a director has got to adapt to whatever the needs of the actor are. You know, so if you take someone like Eddie Murphy, who is not a big fan of rehearsal. You know he comes out of stand-up. He comes - it's all about capturing the moment - in the moment, you know.

I think that's the strength of photography - to decide the decisive moment, to click in the moment to come up with a picture that never comes back again.

Anthropology... has always been highly dependent upon photography... As the use of still photography - and moving pictures - has become increasingly essential as a part of anthropological methods, the need for photographers with a disciplined knowledge of anthropology and for anthropologists with training in photography has increased. We expect that in the near future sophisticated training in photography will be a requirement for all anthropologists. (1962)

You can't overthink the music. Mood and intensity can't be manufactured. The blues isn't about structure; it's what you bring to it. The spontaneity of capturing a speci?c moment is what drives it.

As is often said of photography, this photograph is a frozen moment. A frozen moment is not a moment at all.

When I was in the 12th standard itself, I decided to join the Adyar Film Institute and study photography. I specifically chose photography because I see photography as an applied science. There is an artistic element also in it. If you perfect your scientific element, you can attain certain quality.

To know whether photography is or is not an art matters little. What is important is to distinguish between good and bad photography. By good is meant that photography which accepts all the limitations inherent in photographic technique and takes advantage of the possibilities and characteristics the medium offers. By bad photography is mean that which is done, one may say, with a kind of inferiority complex, with no appreciation of what photography itself offers: but on the contrary, recurring to all sorts of imitations.

In the '70s, in Britain, if you were going to do serious photography, you were obliged to work in black-and-white. Color was the palette of commercial photography and snapshot photography.

I collect art on a very modest scale. Most of what I have is photography because I just love it and it makes me happy and it looks good in my home. I also have a pretty big collection of art books mainly, again, on photography. A lot of photography monographs, which is great because with photography, the art itself can be reproduced quite well in book form.

The history of photography needs clearing out. It needs something else now. Because photography always acknowledged there were cameras before photography.

It's funny how sometimes historians sneer at journalists, yet they depend on us in the future for the material that they mine. You realize that some of the stories wouldn't have been told if you hadn't gotten to them. There is that sense of capturing a moment that was just about to go over the horizon.

You dont make music for immortality you make music for the moment of capturing the sheer joy of being alive on planet earth, WOW! is this fun... this is just the greatest everybody should live it that way.

I was obsessed from the moment I took my first photograph. I wanted to make photography my career.

It's more about capturing an idea than about capturing a moment.

Photography is a response that has to do with the momentary recognition of things. Suddenly you're alive. A minute later there was nothing there. I just watched it evaporate. You look one moment and there's everything, next moment it's gone. Photography is very philosophical.

For photography is a way to capture the moment - not just any moment, but the important one, this one moment out of all time when your subject is revealed to the fullest - that moment of perfection which comes once and is not repeated.

For the artist who practises photography, capturing the image is learning how to sketch on some medium, but is only half the challenge; learning how to print is applying a subjective pallet to that sketch, and completes the creative process.

My photography is the result of being there at the right moment.

I have problems with a lot of photography, particularly street photography and photojournalism - objectifying the other, finding the contempt and exoticism that you might feel within yourself or toward yourself and projecting it out to others. There can be an abusive power to photography, too.

Painting is as close as a person can get to actually capturing the heat of the moment.

I like getting my ideas from the things of now. I am very conscious of the moment, of images that belong to this moment instead of another period. Fashion is really a reflection of our lives. You see women today and they don't do their hair up; they all wear their hair undone. So you have to reflect that in your photography .

What is creativity? Having spent my life in one creative endeavor after another, I can tell you it's not something magical or mystical. It's something very simple. To me, it's just a moment - a moment where we look at the ordinary, but we see the extraordinary. It happens all the time in my photography.

With photography, you've captured a moment time - it's that moment only - and in painting, you play with it; you manipulate how time is presented. It's about fantasy and illusion and the creation of desire.

First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.

Now, there are roles which are capturing a vibrant moment in an older woman's life. There was a time when those interesting roles stopped at 28. A few years ago we would have been finished by our age.

Few photographers have ever considered the photography of wild animals, as distinctly opposed to the genre of Wildlife Photography, as an art form. The emphasis has generally been on capturing the drama of wild animals IN ACTION, on capturing that dramatic single moment, as opposed to simply animals in the state of being.

Cartier-Bresson has said that photography seizes a 'decisive moment', that's true except that it shouldn't be taken too narrowly...does my picture of a cobweb in the rain represent a decisive moment? The exposure time was probably three or four minutes. That's a pretty long moment. I would say the decisive moment in that case was the moment in which I saw this thing and decided I wanted to photograph it.

In the world of photography, you get to share a captured moment with other people.

No photographer should be blamed when, instead of capturing reality, he tries to show things he has seen only in his imagination. Photography is the youngest art form. All attempts to enlarge its frontiers are important and should be encouraged.

Photography's vaunted capture of a moment in time is the seizure and freezing of presence. It is the image of simultaneity, of the way that everything within a given space at a given moment is present to everything else; it is a declaration of the seamless integrity of the real.