Top 1200 Cartoon Character Quotes & Sayings - Page 15

Explore popular Cartoon Character quotes.
Last updated on November 25, 2024.
I didn't really look like a character actor, yet those were the roles I loved to play. If you were a character actor who didn't necessarily look like a character actor, you had to play bad guys.
There's no need for a female character that does things like a male character; that's not what makes interesting female characters in my view.
When I was a kid, 'Scooby Doo' was, hands down, my favorite cartoon. Even when I was older, when I was in college studying and I needed to tune out for a while, I'd watch 'Scooby Doo.'
In 'Out of the Dark,' I'm talking about my own life. I'm not talking as a character or speaking as a character. I was not as free as when I write fiction. — © Nikki Grimes
In 'Out of the Dark,' I'm talking about my own life. I'm not talking as a character or speaking as a character. I was not as free as when I write fiction.
I had much rather be adorned by beauty of character than by jewels. Jewels are the gift of fortune, character comes from within.
I prefer not to wink out from behind the character as myself, saying to the audience, "It's just me here, right, guys?" Peter Sellers is my model, and he didn't do that - he wore his character from head to toe.
You just play what a writer writes, in terms of what a character chooses to do and how a character chooses to deal with their various relationships.
With a standard editorial cartoon, you're taking tons of information and synthesizing it down to a single bite - a single moment in time. With animated editorial cartoons, it's more storytelling.
As a character actor, you have to understand that it's not about you. You have to remember it's about someone else's life. And your character is just passing through.
When I'm inside the character, I feel like I'm a different person, and then when you see that character on screen and I see that it's me, I find that disappointing.
'The Simpsons' was about children and married parents; 'Futurama' is about people in between; they're growing up and haven't settled down. Every other cartoon show seemed to be, you know, dumb dad, bratty kids.
I loved the movies and I loved cartoon superheroes - superheroes in general. I had all the pajama costumes and I would wear my underwear on the outside of the pajamas because that's what Superman does.
The daily calendar seemed, to me, like a kind of cartoon black hole, and you didn't have to be a rocket scientist to know that that couldn't be sustained indefinitely. That's why I pulled the plug on that one after the '02 edition. Kind of a preemptive strike.
Quite often my narrator or protagonist may be a man, but I'm not sure he's the more interesting character, or if the more complex character isn't the woman. — © Ann Beattie
Quite often my narrator or protagonist may be a man, but I'm not sure he's the more interesting character, or if the more complex character isn't the woman.
I do love that witches haven't really been explored that much. Usually, witches are the little side character... a bad female character that comes in and leaves.
I know my own limitations. And if somebody says, "I need songs for a cartoon garage band - they look like this and they should sound like this," it gives you a direction. I like having that kind of assignment.
I thought of making a film with an animal. But many movies have already come with the same idea. On the other hand, what I have observed is, when children watch cartoon shows, they usually get excited with the presence of pigs or piglets in those shows.
It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.
What I need, as a reader, is a character with a heart and a voice and a pulse. I need a character so vivid and so specific that she doesn't feel like fiction.
Many thanks for all of the love and good wishes sent our way from my friends out there in cartoon land... the only place where a nine month pregnant woman can still play a hot goth chick in a belly shirt!
Every characteristic of my character and my moves always came from my real life. My character is kind of close to my real personality.
Character develops in stream of struggle and adversity. Character is foundation of your inner beauty which reflects in your personality.
My cartoon life is in my office, and it's very separate and getting very in my own head. My television life is I'm begging one of the actors to say the line in the way I'd like them to.
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
When I was a kid, 'Scooby Doo' was, hands down, my favorite cartoon. Even when I was older, when I was in college studying and I needed to tune out for a while, I'd watch 'Scooby Doo.
I'm an actor, I created the character myself originally. I do tell the fans I appreciate that they think he's real. It all finally comes down to the writers who really got the character and wrote so many memorable lines.
The more a character wants and the less a character has the ability to get what they want, the more you have an endless fuel for storytelling in comedy.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
A lot of Gorillaz songs were very personal. I mean, that's why it was interesting, because it wasn't music being made for a cartoon. It was something different. It was a much more emotional affair. I wasn't necessarily thinking in the third-person then.
I'm not really a Method actor. I'm always afraid of working with someone who's afraid to [break character] and won't talk to anyone because they're in character.
That's what we do in the WWE: we tell stories; we're characters. We go into the ring, and my character is telling a story in the ring against another character.
...Intelligence and character of the masses are incomparably lower than the intelligence and character of the few who produce something valuable for the community.
I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.
You want, in a sense, to relate to the main character, so often, the main character POV is a bit more of a blank slate.
My key interest in choosing scripts is character-driven stories, because there are so many stories that sacrifice character for plot.
I find it really hard to throw myself into something artistically where I'm making up a whole character and finding something for that character to do.
Sometimes when I flick through a magazine and see these thin models I'm left wondering what effect they can have on an insecure person. But I say to girls: forget what you see in the magazines, that is a world which has nothing to do with reality; think of it as a cartoon.
I have long thought that his [Rupert Murdoch's] social philosophy was contained in his cartoon show, The Simpsons: all politicians and public officials are crooks, and the masses are a vast lumpen proletariat of deluded and exploitable blowhards.
An actor doesn't change thought, theme, or mood unless the character does, and the character only does it within the words of the play. — © Jason Robards
An actor doesn't change thought, theme, or mood unless the character does, and the character only does it within the words of the play.
I named myself Flash many years ago, as I loved the cartoon. Then my own fans said that I should call myself 'Grandmaster,' because of the way I operate turntables. I put the two together and that was it.
Character in many ways is everything in leadership. It is made up of many things, but I would say character is really integrity.
I guess I'm the perfect young lead actress. I'm not Chloe Sevigny - I'm not really a character actress. Some actors have "character" faces.
When you're building a character, or at least when I'm building a character, you start saying, 'How am I going to make people like him?'
In 'Kalank,' I am playing a character, which is quite strong, quiet a little complex yet interesting, that drew me towards the character when I heard the narration from director Abhishek Varman.
Undeniably, character does count for our citizens, out communities, and our Nation, and this week we celebrate the importance of character in our individual lives... core ethical values of trustworthiness, fairness, responsibility, caring, respect, and citizenship form the foundation of our democracy, our economy, and our society... Instilling sound character in our children is essential to maintaining the strength of our Nation into the 21st century.
You get to know a character that you play on-stage in a pretty profound way over a length of time. I don't want to sound highfalutin and say you become the character, you just start bringing more and more of yourself to the part until the character and actor, it's hard to tell them apart. It's some weird amalgam. In film, because of the period of time, I don't know that you ever get that deep into it.
My history is that I will create a character, and they will have a book to themselves, and then I'll integrate the character into the larger world of all my books.
The way it works for us is, when I watch a character and I connect to a character, I'd love to bring them back and see them again.
That's kind of my ideal sequel - a movie that continues the story, takes one character and moves on, and moves forward with that character that survived with the first one.
I remember hearing the name... 'Teenage Mutant Ninja Turtles - what the hell is that?' But I was hit by the bug as well. I used to watch the cartoon every morning before I went to school, played the video game at the arcades, and was a big fan of the comics.
My father will never say no to a character, as I never go to him and talk about a character for which he won't give the nod. — © Rakul Preet Singh
My father will never say no to a character, as I never go to him and talk about a character for which he won't give the nod.
I parody myself every chance I get. I try to make fun of myself and let people know that I'm a human being, and these things that have happened to me are real. I'm not just some cartoon who exists and suddenly doesn't exist.
If you can find a way your character moves, you know more about your character than you'd ever dream.
I would rather be adorned by beauty of character than jewels. Jewels are the gift of fortune, while character comes from within.
I try mainly to just focus on character and what my character's point of view is, with each person, and try to figure out story.
I need to be able to write a poem after every film and to kind of cleanse myself from the character because for about three months or so, I'm constantly living through the character's eyes.
The political cartoon, in a way, is one of the highest forms of expression about our times. I don't believe in dramatic statements when it comes to political critique. It doesn't communicate in a way that's subversive enough.
Well, I've always been a character actor, you know, and you always get your share of character actors who are bad guys.
When you get to play a character that's in love, it's cool. Once you have love as a motivator in a story, your character is free to do anything.
Our estimate of a character always depends much on the manner in which that character affects our own interests and passions.
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