Top 1200 Cartoon Character Quotes & Sayings - Page 4

Explore popular Cartoon Character quotes.
Last updated on November 25, 2024.
This character matters so much to so many people. I want to get that right. I want to do it justice. I want people to believe in the character and have faith in the character and kids to grow up wanting to be Superman. Or, God forbid, there's people who are going through hardship and wishing that this character would turn up and save them.
My character's kind of grown up with Katniss. The beginning of the story, they're more or less brother and sister than anything. They're best friends. They've been keeping each other alive. It's a little frustrating, for the character. As the character, not as me.
'She-Ra' was truly my favorite cartoon growing up. — © Lauren Ash
'She-Ra' was truly my favorite cartoon growing up.
Beanie and Cecil was the first cartoon I remember watching and I think there are analogies.
There's a kind of chemical spark that comes sometimes with the character, that you don't even have to think about how she is reacting, you just let yourself go. You just let the character take you, instead of taking the character.
If I have an audition, I go to the audition in character. I'm in character when I walk in the room. I mean, I'm still sweet to everyone, but I'm very much the character.
Sensitivity and sex appeal are wonderful qualities to have whether you're cartoon or human.
I loved 'Dungeons & Dragons'. That was actually a good cartoon to me.
My wife, Katey Sagal, has transformed herself from a sitcom cartoon to a dramatic powerhouse.
I was involved in a web cartoon of Kung Fu with WB a few years back.
We shouldn't confuse singers and performers with actors. Actors will say, "My character this, and my character that." Like beating a dead horse. Who cares about the character? Just get up and act. You don't have to explain it to me.
I hated Woody Woodpecker and Scooby-Doo, but I was a cartoon freak.
I thought it would be fun to make a cartoon about this sad, misanthropic horse.
A character like Baahubali required a preparation that I had to undergo mentally and physically - from undertaking a strict routine and a lifestyle, which helped me become the character physically, to knowing the character's depth and a lot more.
I can do a really high-pitched cartoon voice. Everybody always say they like that. — © Corbin Bleu
I can do a really high-pitched cartoon voice. Everybody always say they like that.
I played this character twice in live action, and now I've become an animated character. It was actually fun to see myself drawn - I've never been a drawn character before.
I just felt like there was a world of cartoon voices that had to be discovered by me.
George of the Jungle is a cartoon. He's a guy who swings around on a vine all day. Are you not buying that?
I've been lucky that even when I was younger, just because of my look or whatever, I was afforded the opportunity or called on to try. 'Can you do this Hispanic character?' 'Can you do this Italian character?' 'Can you do this Jewish-American character?' I just had to develop a facility for their accents.
My first encounter with Cyborg was through the 'Teen Titans' cartoon.
I must admit I don't watch a lot of Adult Swim or Cartoon Network.
Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?
It's fun to take two topics and mix them into one cartoon.
Comedy is all about the character. When you're too focused on the gags, the character suffers, and you don't get the laugh. Comedy has to come from the character.
I first sold a cartoon for five dollars. I was in the fifth grade.
I think I think in the moment. So when I'm in character, I'm in character, and I'm obviously thinking about what's going on around me, but it's easier to do stuff when you're in character.
If you look at a cartoon on a computer screen, it really jumps and can be quite effective.
When you start out on a project as an actor, you know, you approach the character from the standpoint of maybe writing a list - even if it's a mental list that you make - of the adjectives that the character has or that character possesses.
A black character is much more than just a black character; he's a character, period. So show the world as it is. Even with all your artistic license, you make a political choice.
Joker' is, of course, a character of my generation grew up with, and it's a character you know really well and have strong opinions about. He's been a larger-than-life character in fiction. He's one of these rare characters that have had such strong performances.
I'm a big fan of character actors like Johnny Depp and Gary Oldman. My goal is to continue playing character roles in indie films and move into playing character leads.
Music helps define the character and is an extension of the character somehow, so that you are able to use both the songs themselves and the way that you sing them to tell something about the character and his story, as well as develop a performance style.
I still do the standard editorial cartoon: that is my bread and butter. I absolutely love doing that.
A lot of my cartoon voices are basically just variations on my natural voice.
Josie needed more of a personality than what the cartoon had to offer.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
I like to create a character where you believe, deep down, that they don't really care if they live or die. That's very liberating for the character because, if the character is prepared to die, then they can do anything. It's impossible to stop them.
You have to have a character; you have to build your character. If you understand the pro wrestling scheme of things, then you understand what the promoting is. These guys are friendly backstage, but as soon as the cameras turn on, it's a whole different story: you become that character.
Sometimes I'm convinced that one day I'm going to draw the cartoon that offends everyone, and that'll be the end. — © Gary Larson
Sometimes I'm convinced that one day I'm going to draw the cartoon that offends everyone, and that'll be the end.
Since I am first of all a character writer, that character's emotions are as vivid to me as my own. I always begin with an emotion after I have established a character in my mind. I feel what they feel. I guess that is why it comes across so strongly.
When you work on a pre-existing character, when you end up getting invited to be part of a legacy character like Superman, I don't feel like it would be true to the character if all I did was go in looking to express my own voice.
We build character in order for us to withstand the rigors of combat and resist the temptations to compromise our principles in peacetime. We must build character in peacetime because there is no time in war. Character is the most important quality you can find in any person, but especially in a soldier. It is the foundation that will get anybody through anything he may encounter. Reputation is what people think you are; character is what you are- that is the staying power.
As a writer, you have to put yourself in service to the character, get behind their eyes by delineating the world where the character develops. You have to listen to the character and see him inside his certain world to know what conclusions he would draw.
If anything, in the podcast world, I'm relieved that I don't have to dress like the character. I don't necessarily have to do all of the physicality that conveys the character, but do as much as I need to help me feel like the character.
Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B.
I think 'Prince Valiant' was the first cartoon I ever did.
'The New Yorker' didn't invent the magazine cartoon, but it did really establish it.
Usually cartoon characters stay a certain age; that's part of their appeal. Usually they don't grow up.
(Cartoon caption:) I never really rallied after the birth of my first child.
I see our veterans as American heroes, not as cartoon characters. — © Blake Farenthold
I see our veterans as American heroes, not as cartoon characters.
On Career Day in high school, you don't walk around looking for the cartoon guy.
If the cartoon were completely accurate, though, life would be a cacophany of spoinks.
I did do, well before Pop Art, all the cartoon characters as paintings.
'Dragonball' is the coolest television cartoon in the last 50,000 years.
I do feel privileged to play Elektra, because definitely she is a strong female character. She's a strong character. It would be nice if eventually we'd just say she's a strong character, not a strong female character.
Every character gives you something or the other, and you can't calculate it unless you are living the character. You learn something about the character that stays with you.
I want adults to be the last ones to switch off a cartoon on TV.
Character - We describe the character of a person in reference to moral judgments about the worthiness of a person. Thus, to have a strong, great or honorable character is to be a person of merit, worthy of admiration and honor.
When I get excited about a character, I'll start doing things as the character and thinking about what the character would do.
When you're drawing from observation and experience, whether you intend to or not, you'll create a more relatable cartoon.
This site uses cookies to ensure you get the best experience. More info...
Got it!