Top 1200 Cartoon Shows Quotes & Sayings - Page 2

I did game shows, I did interview shows, I did talk shows, I did commercials, I did acting. But all of that was a million years ago.

The rock-star thing became very destructive, like, wow. I didn't know what I was doing. I just kind of became that thing. The hair, that rock-star kind of lifestyle, just living a dream. It kind of took over. It started out very innocent and then I turned into a cartoon character. And I started to feel like a cartoon character.

I did 15 shows a week when I lived in New York. I did five shows on a Friday and seven shows on a Saturday. It was everything I did and it was my sole source of income.

It's weird because we live in this age of reboots. Everything is getting rebooted: 'The X-Files,' 'Twin Peaks.' We have shows like 'Gravity Falls' that were inspired by these shows, that are now ending and being followed up by reboots of the shows that inspired them.

I get really frustrated during a crisis when I go through all the cable channels and find - very often with the exception of CNN - that I'm not watching news at all. You think, 'Well, God... there are talk shows, talk shows, talk shows and everyone is an expert!'

It's the cable shows that are really the most interesting - 'Mad Men,' 'Breaking Bad,' those shows are really the premiere shows on television right now.

I started performing at home as a kid putting on shows and lip-syncing Michael Jackson for the grown-ups. Then, in musicals and plays in school. At 17, I was performing in coffee shops and in parking lots at Phish shows. At 18, I had a band that played local shows in the Northwest.

I think heroes are important in the lives of kids because it shows a child what to become, it shows a child what's possible; it shows a child not just by theory but by active example.

I didn't want to start acting like a cartoon

I've done the voice for the Hulk for the animated cartoon.

I'm like a Dilbert cartoon.

For so long, TV consisted of a limited number of shows a year, and those shows had to appeal to as many people as possible. The joy of TV now is that shows don't have to be broad anymore - they can be small, weird, and niche.

That's very, very important to me, to give another narrative. And Netflix has not been afraid of doing that, as we see from the plethora of shows that they have, from British shows to American shows like 'Master of None,' which I've been very grateful to be on, too. Just giving platforms to people who haven't seen themselves on TV.

I'm not good at entertainment. I don't give myself to all the interviews, game shows, or talk shows.

I'm a big cartoon fan! Bugs is my favorite.

I chose 'The Voice' because I knew they had a lot more respect for each artist, as opposed to the other shows. They don't get it. I don't think those shows ever got it. I was turned off by some of the other shows and how they did things.

I was a big comic, cartoon, animation nerd.

The only cartoon I ever liked was 'Fantasia.'

There's a reason there are 50,000 cop shows and firefighter shows: Watching them is cool.

The stuff that I find really intriguing is always how do ordinary people behave in extraordinary circumstances. And that's why we have a lot of cop shows and lawyer shows and medical shows is that you're looking for situations that just always heighten the stakes.

I still play solo shows. And some of those shows are still some of the best, most gratifying shows.

Fear is your friend. It is an indicator. Sometimes it shows you what you shouldn't do, more often than not it shows you what you should do.

Islamic ethics is based on 'limits and proportions,' which means that the answer to an offensive cartoon is a cartoon, not the burning of embassies or the kidnapping of people designated as the enemy. Islam rejects guilt by association. Just as Muslims should not blame all Westerners for the poor taste of a cartoonist who wanted to be offensive, those horrified by the spectacle of rent-a-mob sackings of embassies in the name of Islam should not blame all Muslims for what is an outburst of fascist energy.

What's really fun is seeing mothers bringing their daughters to the shows. And the best part is the mothers know they don't have to worry about sexual innuendo in the songs. The shows are family shows.

I think all shows change as they age as do the people who make the shows. As do the people who watch the shows. All targets are moving.

I've been around a long time and I've found that these forms, whether it's the cartoon, or whether it's a play, or all these dying forms refuse to die. Something happens to rejuvenate them and it will certainly happen to the political cartoon. It will come back. But whether it's on the internet, or whether it's in some other form, however that works, whether it looks the way it looks now, or entirely different, I have no idea. And thank God I don't have to worry about it.

I always loved putting on shows - when you're the youngest of seven and five are older sisters, you've got to get noticed somehow! I did puppet shows and magic shows... even ventriloquism. My doll's name was 'Dan,' and I used to write these scripts, and my schoolmate hid under the table and supplied Dan's voice.

I think I love fiction shows more than the reality shows. I have been offered many shows, but I don't think I am tailored for reality TV.

I've been on shows that are very comedic and happy, and you really only get to see one side of my personality. They're not shows about my life or my music, or my struggle or anything like that. They're shows where you pretty much see me laughing and smiling all the time.

It's funny: wrestlers and comics bond over remembering their best shows and their absolute worst shows.

I started at home as a kid putting on shows and lip-syncing Michael Jackson for the grown-ups. Then, in musicals and plays in school. At 17, I was performing in coffee shops and in parking lots at Phish shows. At 18, I had a band that played local shows in the Northwest.

The point is that you see candidates running in these different kinds of contests. A primary shows you something that's different from a state party convention, which shows you something that is different than what a caucus shows you.

I didn't want to start acting like a cartoon.

The music I was always attracted to and the shows I was really into like, you know, those weekend Don Kirshner shows, "Midnight Special," those shows, I remember watching those and the music was just on; it was the greatest radio stations.

I hate reality shows. It's funny because me and my wife be arguing all the time about reality shows 'cause she loves reality shows and watches them all day, all the time. And I be like, 'C'mon. No. No.'

The most amazing live shows that I've ever seen were Rain Parade shows.

A comic book is the opposite of a cartoon. In a cartoon, you want to simplify the idea, so when they look at it at a glance, they get it. Boom. Simple. Direct to the point. But when you're drawing Groo, now it's a narrative, a story. You want the viewer to get involved in the story. You want him to feel like he's in the town to follow your main character. So I love to add lots and lots of things in it. Things that people will enjoy going back to and say, "Oh yeah, that's how a market must have looked in this fantasy world, with people selling meat here and dishes here."

Six good guest shots on top shows during one season are more than enough and any producer who wants to make me happy could offer some floating guest dates for discussion and panel shows. It's generally agreed that I love to talk, so shows of this kind are right down my alley.

I grew up on variety shows. I'm from the '60s and '70s. I loved watching Flip Wilson. I loved watching Sid Caesar's 'Your Show of Shows,' 'The Ed Sullivan Show.' I love all of those variety shows.

I think of myself as a living cartoon.

I was never interested in reality shows or dance shows, as they have become so common.

When I watch medical shows or other shows where characters die, it kind of bums me out.

I like physically-demanding reality shows, not dance and music shows.

I did speak out about celebrities because I thought it was appalling. I thought that if the cartoon became popular, it was only going to last as long as the career of the people who are in it. They didn't make up timeless voices. They used their own. They brought nothing to the table, in other words. There was no alchemy. That's why a cartoon was so alluring, was that a human being went into a place and created this supernatural sound, or whatever sound it was supposed to be that was totally unlike their own, and did it in multiples.

Usually, comedy shows only influence other comedy shows. 'M*A*S*H' is one of the few comedies that influenced dramatic shows as well.

I don't own a radio. I listen to everything through apps or on my iPhone. And then I download the shows I like. Shows like 'Fresh Air', 'Radiolab', 'Snap Judgement', all those shows.

My guilty pleasure is competitive cooking reality shows. I don't like cooking shows when it's just about cooking. It has to be competitive - they're fighting and yelling at each other. I am obsessed with those shows, and I have no idea why.

I'm in a Road Runner cartoon, Sinclair. And I'm the coyote.

I could always open shows, perform through the middle, and close shows.

Amazingly, much of the best cartoon work was done early on in the medium's history. The early cartoonists, with no path before them, produced work of such sophistication, wit, and beauty that it increasingly seems to me that cartoon evolution is working backward. Comic strips are moving toward a primordial goo rather than away from it . . . Not only can comics be more than we're getting today. but the comics already have been more than we're getting today.

Shows should just be able to be shows without hyphenating their lead characters.

I've always wanted to do stuff to help encourage more women to play, whether it's booking women on my shows at home, even when I was just playing DIY shows, or booking benefit shows and having all women play.

Not a lot of gay guys end up coming to alt-comedy-ish shows. They like all these '80s shimmer shows, or they like going to drag shows. It is always weird and interesting when I meet somebody at a gay bar who is familiar with my stuff.

I make a living off of playing shows; the albums only make me a fraction of what I make off of shows, especially since I'm doing around 100 shows a year.

I think there's great stuff on television. I'm hooked on all these shows. I love watching these shows.

I've had the joy of working on critically acclaimed shows, but unfortunately, those shows aren't always in the Golden Globe or Emmy categories, which bums me out because they are really good, quality shows.

There is no longer one way to consume TV. Some shows you want to watch live, some shows you only discover through streaming, some shows you just feel you need to DVR.

I've done seven shows at the Palladium - long running shows I'm talking about.

I get really frustrated during a crisis when I go through all the cable channels and find - very often with the exception of CNN - that I'm not watching news at all. You think, 'Well, God... there are talk shows, talk shows, talk shows and everyone is an expert!

What kind of a god is it that's upset by a cartoon in Danish?