Top 470 Cartoons Quotes & Sayings - Page 4
Explore popular Cartoons quotes.
Last updated on December 22, 2024.
PowerPoint is like being trapped in the style of early Egyptian flatland cartoons rather than using the more effective tools of Renaissance visual representation.
A lot of people think I'm going to be like someone who's stepped out of one of his own cartoons. And maybe I am. But I sure have a hard time analyzing it.
Cartoons are not real drawings, because they are drawings intended to be read.
I don't think there's more than half-a-dozen cartoons that I've been really truly happy with in all the time I've been doing it.
I think that - whether I should admit this or not - Joe and I, going back to 'Tom and Jerry,' have been very lucky in being able to do cartoons that have universal appeal.
The way people love sci-fi is how I love cartoons.
I saw one of the old 'Tom and Jerry' cartoons the other day. I hadn't seen it for 30 years and I didn't remember it. We made 160 of them! I thought it was a very funny cartoon.
I liked the girly cartoons. I was very much a girly-girl.
They weren't impatient for the boys to turn into cartoons again. They awarded sympathy, gave compassion. Because deep down they had found parts of themselves in the characters. You said it George.
With 'Worst. Person. Ever.' I knew where it started and where it had to end, but I threw Raymond as many curveballs as I could along the way. He's like the coyote in the 'Road Runner' cartoons.
I've learned to look like I'm listening to long confusing plots of cartoons and comic books when I'm actually sound asleep or making grocery shopping lists in my head.
It's great that we can, however subtly, offer important lessons through cartoons that it's important to protect the environment.
For me, the question was, how can one take a live-action performance and put it in the parameter of one of those cartoons? How much can you get away with?
So far as I am concerned, I am not at all aware that there indeed exists a serious side as well to my cartoons drawn in an inspired mood of mischievous abandon.
I grew up, probably like a lot of people, on cartoons. And I never thought I would have the chance to be in an animated movie. It's good also to show the world my sweet side with them.
I was deeply distressed that the cartoons were seen by many Muslims as an attempt by Denmark to mark and insult or behave disrespectfully towards Islam or the Prophet Mohammed.
I think it's best to know about lots of different things besides comics. I don't think you can become a cartoonist if you look at nothing but cartoons.
The reality is that much of the stuff you see in film, television, comics, and children's cartoons got its start inside the inspired, disruptive halls of science-fiction and fantasy literature.
I love political cartoons from the 19th century, and whenever I complete a piece of acting work that I'm particularly proud of, be it a film or play, I treat myself to a picture by caricaturist James Gillray.
I like the old-school Warner Bros. Looney Tunes cartoons. I'm talking Wile E. Coyote, Road Runner, Bugs Bunny and Marvin the Martian!
I remember when I was a kid, whenever you'd see cartoons cross over with each other, it always ranged from a delightful, magical surprise to a cynical, annoying cash grab.
I quite liked Sharkey and George and then there was a cartoon with rapper MC Hammer in it - Hammertime - I loved that cartoon, it was genius! They don't make cartoons like that anymore.
100% of the people who get the magazine say they read the cartoons first - and the other 2% are lying.100
I'd been brought up on musicals. Instead of cartoons, we watched videocassettes of musicals at home.
I was very lucky all three newspapers approached me and asked me to draw their cartoons for them.
I watch cartoons the way most adults watch reality-TV shows.
I think that, ultimately, there are so many characters in G.I. Joe that even all the iterations - the comics and the different cartoons and everything - have been a big ensemble. Lots of crossing storylines and stuff.
I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
When I was 12 years old, I was hanging out with 23-year-olds. I was into cartoons and Pokemon, and they're all talking about girls. It was a strange way to grow up.
I've done a lot of death cartoons - tombstones, Grim Reaper, illness, obituaries... I'm not great at analyzing things, but my guess is that maybe the only relief from the terror of being alive is jokes.
If the creators of cartoons are intentionally or unintentionally giving children the idea that gay people are part of the big, happy human family, that's a good thing, not a bad one.
I grew up on Charles Addams' cartoons, particularly 'The Addams Family,' and Uncle Fester was always one of my favorites.
I didn't always spell my name Bil. My parents named me Bill, but when I started drawing cartoons on the wall, they knocked the 'L' out of me.
My parents are cartoons. When they come up and visit, they're hilarious. My mother somehow finds a way to get in the way of everything.
In television writing, you want to hear what the characters say as opposed to giving them something to say. It's the same with the cartoons.
My grandchild has taught me what true love means. It means watching Scooby-Doo cartoons while the basketball game is on another channel.
I was doing political cartoons and getting angry to the point where I felt I was going to have to start making and throwing bombs. I thought I was probably a better cartoonist than a bomb maker.
Slice open one of my veins and cartoons will pour out; open another vein and you'll get a flood of motor oil.
I always loved cartoons but the process seemed so difficult. Then I told myself, "Nothing good comes easy." So, I took a plunge and started my first animation stint in 2003.
For me, off the field, cartoons are something that can ease my mind and get me back into having fun and just relaxing.
One of the great things about cartoons is that they're not real - you're not watching real people and it engages your imagination. One of the cornerstones of America is that we are creative thinkers. We're innovators.
There was a lot about the military that I thought was pretty silly, but these cartoons weren't meant to take a poke at anybody or anything. They were meant to make people laugh.
I can still do clothing, movies, cartoons. I'mma get mine regardless. Whether I put an album out or not, I'm still gonna see a check.
Just doing voices for cartoons is just a dream come true.
I have no idea what readership is of written editorials, but it doesn't come anywhere close to the readership of editorial cartoons.
When we grew up, we had three channels on television and only one day of cartoons and if you missed it, you missed it.
There are as many great superhero movies as there are comedies and dramas and cartoons. People just want to see good movies.
Making cartoons means very hard work at every step of the way, but creating a successful cartoon character is the hardest work of all.
I dont really watch a lot of TV, but I do watch Adventure Time, The Amazing World of Gumball, and Looney Tunes and old classic cartoons.
There is too much illustrating of the news these days. I look at many editorial cartoons and I don't know what the cartoonists are saying or how they feel about a certain issue.
In my career, I have done more than a thousand voice-overs in commercials, cartoons, and radio shows, so I'm very familiar of my voice capabilities and its range.
I don't really watch a lot of TV, but I do watch 'Adventure Time', 'The Amazing World of Gumball', and 'Looney Tunes' and old classic cartoons.
I don't watch a lot of TV, but I watch cartoons. And documentaries.
In Roslyn, Pennsylvania, we started our real-life family circus. They provided the inspiration for my cartoons. I provided the perspiration.
Cartoons, often, that you do for the New Yorker don't appear for months afterwards, and the record for that is a cartoon that was bought by James Stevenson in 1987 and didn't appear until 2000.
I used to spend summers in the Czech Republic with my grandmother. I'd watch Czech cartoons.
I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies, and Loony Tunes cartoons.
Sometimes I fantasize about becoming a cartoon and only making music for cartoons. I can easily visualize my future in music when I go into that fantasy in my head.
I notice when I'm at a party where I don't know anybody - even if I have nothing in common with somebody - we can still talk because we were raised by the same TV and cartoons and movies.
One of my favorite things was I got to work with Avi Arad on a movie for Sony, and we don't realize this, but he's the reason toys were sold off of cartoons, more or less. He created the Gobots!
