Top 470 Cartoons Quotes & Sayings - Page 6

Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up loving animation and loving cartoons, and the only difference between them and me is they don't know how to draw.

I'm a collector of cartoons. All the Disney stuff, Bugs Bunny, the old MGM ones. It's real escapism, it's like everything's alright. It's like the world is happening now in a far away city. Everything's fine.

Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig. To me, he's a great actor.

When I was a kid, I wanted to emulate Mel Blanc, who is arguably one of the most legendary voiceover recording artists of our time. I used to watch all the cartoons where he would voice Daffy, Elmer Fudd and Porky the Pig. I knew one day I wanted to do that.

The biggest threat to a better life is the desire to keep the future under control - to make the world predictable by reining in creativity and enterprise. Progress as a neat blueprint, with no deviations and no surprise, may work in children's cartoons or utopian novels. But it's just a fantasy.

I watch a lot of cartoons. I watch a lot of "SpongeBob SquarePants" and "Phineas and Ferb."

The pop musicians often leave meaning in the dust and substitute it for cartoons. The deeper artists - the grunge artists in the world and the emoticon people - tend to leave all of the happiness out of life like it just doesn't exist.

I will pick a raft of cartoons. And then later, it'll come time to run this cartoon. And I'll look at it, and I won't quite get it anymore. Because sometimes the grenade goes off in the moment, and then it doesn't repeat down the line.

I have sometimes done cartoons that are hurtful to people - immature, spiteful stuff. Some are so self-indulgent, and some have just failed. I look back and sometimes cringe. But one regret as I get older is that I haven't been radical and wild enough.

I had just had a daughter, who was three or three-and-half years old, and I had been watching nothing but cartoons. That's really it. There was no YouTube. You're in France and you're raising a kid, so you break out the Tex Avery.

I like cartoons. I like 'Foster's Home for Imaginary Friends.' It's funny! It has things that kids wouldn't get. It's like, if you're mature, you get it. I like that and 'The Fairly OddParents.'

I did an interview once where I was asked who I found attractive and I went on about cartoons and Nala from 'The Lion King' - and it's a bit weird but various of my ex-girlfriends actually did look like Nala.

We're all being segregated or sent to our different rooms to watch television that's geared only for adults, to be honest. There's very little fare - outside of cartoons and a few things for children (and) I guess (some reality shows like) The Voice - that can be watched by the entire family.

I had the impression in art school that cartooning was thought of as a lesser art than painting because cartoons are reproduced, so the "work" is not the single thing like a painting, but instead is the reproduced image.

E-cigarette companies are using shameful tactics, such as Joe Camel-like cartoons in advertisements and creating e-cigarette flavors like bubblegum and cotton candy, to addict our children early - and guarantee another generation of smokers.

I don't think you can beat your audience over the head with hard-hitting cartoons day after day after day.

When I was a kid, 'Land of the Lost' was my favorite show, just because it was - in the landscape of Saturday morning cartoons - it was so unique. It was a live-action show and kids were in it, these creatures, these Sleestaks and dinosaurs. Every week was a different adventure. I couldn't wait. I loved it so much.

We've seen violent responses to 'Satanic Verses.' We've seen violent responses to the cartoons depicting the Prophet Mohammed in an evil way.

I love Saturday morning cartoons. What do you like to do on a Saturday morning?

I'm not the most sophisticated person. I'm not the smartest person in the world. But, I know what makes me excited about life, from Spielberg movies to Michael Jackson music videos to cartoons on Saturday mornings, which made my childhood.

I'd say, don't listen to what anyone says: you're good. Go put your anorak on. Get your thick bottle-top specs. Draw your little cartoons and your comics and keep writing to the BBC.

I'm inspired by my surroundings. That's why I create dresses or videos around simple everyday things! I also love playing with nostalgic things from my childhood like cartoons. I like my art to trigger some sort of memory from my viewers, something they can relate to.

Cartoons are like fruit flies. Biologists use fruit flies because their large chromosomes and short life cycle make them ideal for studying hereditary changes.

It feels like a game, this work I do. It is totally heartfelt, and I love the sticky terrain, the straight-up cartoons, how the irrepressible and icky rise to the surface. But I am not just trying to call forth bugaboos and demons for the sake of it, for fun.

There was a point where I was just saying to myself, breathe. Inhale, because I felt really heavy - I felt like those cartoons when they experience G and your face is just sagging down.

You don't make a fortune doing cartoons. It's a lot of fun, it keeps you busy, and it's better than a kick in the pants, absolutely. But doing voiceover work doesn't make you rich. It just doesn't.

I've watched cartoons my entire life, and I know my mom has always wanted me to turn off the TV if she hears annoying voices too often from the television - if she hears sort of cartoon 'acting.'

That's the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.

I'm a huge fan of Warner Brothers cartoons. I would spend many hours alone after school watching Daffy Duck. I think Daffy Duck is one of the great comedic villains.

If you look at wrestling when I started to get my big break back in 1992, I changed wrestling from the cartoons of Hulk Hogan and Iron Sheik and the matches with the leg drop and the hand behind the ear and the playing to the crowd. They were just cartoon characters if you ask me.

We moved amazingly fast because our product was acceptable to a broad market: tots, teenagers, adults. Even to some people who never before liked cartoons. When we started we knew Disney already had the kids. So we figured we should be broader.

In truth, I've never been a big superhero fan. I don't mind some of the movies, and a couple of the cartoons were alright - that Batman series from the early nineties where Mark Hamill voiced the Joker is sweetness. But largely, I've not really had much time for superheroes.

I think perhaps Pakistan can take the lead. Perhaps Turkey can as well, being part of Europe. But someone has to start talking about why the Muslim world has become a boiling pot and look beyond these cartoons to what the ideological reasons are for this divide.

I didn't want to go to college - I was bored by junior high. So I was in church one day, staring at the stained glass windows and thinking about things, when suddenly I decided that if I could start selling cartoons to magazines, they'd let me quit high school.

I grew up, obviously, watching tons of animation; Saturday morning cartoons or anything that we could get our hands on. And then when 'The Simpsons' premiered, that just kind of changed the landscape of everything. We hadn't had prime time animations since 'The Flintstones.'

Political satire is a serious thing. In democratic newspapers throughout the world there are daily cartoons that often are not even funny, as is the case especially in many English-language newspapers. Instead, they contain a political message, and the artist takes full responsibility.

I used to draw cartoons of my teachers which used to get passed around the class and I'd always wind up getting caught which often meant detention. But they sometimes said the drawings were good!

Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.

I actually grew up watching a lot of these cartoons - a lot of the animated series. 'Batman: The Animated Series,' 'Justice League,' all the stuff that would come onto Cartoon Network.

None of the cartoons that I ever did are basically, if they're about sex, they're about sex in sort of this, you know, this ironic way, or the way that people actually treat it.

I was diagnosed with ADD - see also: raised on sugary cereals and cartoons - and manic depression. So I was prescribed Ritalin for the ADD, and for the manic imbalances I was prescribed mostly benzodiazepines, which I loved, and antidepressants.

All my art is in some way about other art, even if the other art is cartoons.

Being raised Muslim, we had to get up at the crack of dawn to pray. There was no sleeping in, no getting up Saturday morning to watch cartoons because there was no TV in the house. But you got up and you worked, cleaned the house.

I had studied William Shakespeare in Oxford, England and I had this sort of high faluttin' education but I had also worked in comic books. So, I wasn't too proud to work in something like cartoons.

I was honestly a cartoon kid. I loved cartoons. That was more my dream than anything else. But now, it's the films of people like John Cassavetes and Gena Rowlands. Those are the kinds of characters I want to play, and that's the kind of filmmaking I'm fascinated by.

The biggest idea of a good time for me is making the Batman videos that we did. That is my ideal day. That is exactly what I want to be doing... I like doing cartoons. I like writing things.

I dont want to win? If that were the case why the heck am I on the bus 16 hours a day, shaking thousands of hands, giving hundreds of speeches, getting pillared in the press and cartoons and still staying on message to win?

I feel like I was hit by all of geek culture at once while I was growing up in the '70s and '80s. Saturday morning cartoons like 'Star Blazers' and 'Robotech.' Live action Japanese shows like 'Ultraman' and 'The Space Giants.'

I love going to the movies; I grew up going to the movies. I didn't really watch TV, growing up, other than weird cartoons like 'Beavis & Butt-Head.'

In Nirvana, it is you, my friend, who goes away. You take an eraser and erase yourself. It's like the Road Runner cartoons where in the middle of the cartoon, the hand of the artist appears on the screen and erases the Road Runner.

If you ask anyone in animation, how long they've been into animation, they'll pretty much always tell you that it's since they can remember, and I'm no exception. I've always just loved drawing and loved cartoons.

I'm trying to build a Disney. Not only as a creator, but also be able to create universes where then that content can go into toys, and live on multimedia platforms, whether it's apps, books, movies, cartoons. It's like building a whole world, which takes a lot of money.

Madrid is a big and beautiful city with great parks where I like to walk. There are a lot of squares and museums, historic monuments. But I'm more a home guy; I feel most comfortable there with my wife and kids. We play, watch cartoons, like all families do.

I watch the same cartoons over and over again. I watch Adult Swim. I watch 'Futurama' repeatedly.

... the hardest studio music to play is Tom & Jerry - cartoons. The music makes absolutely no sense, as music. You can't get into hearing it. There's nothing to hear-'bleep!, blop! scratch!' and it comes fast; everything's first take. That'll change the way you look at life.

I don't let Molly watch much television. The only stations I let her watch are PBS and the Disney Channel. The cartoons on the other stations are too violent and filled with obnoxious commercials.

If you were to look at an old 'Betty Boop' cartoon or an 'Out of the Ink Well' animation, there are many things about 'Adventure Time' that really remind you of that, even though it doesn't look like any of those cartoons.

When you become a comedian a lot of stuff that made you laugh before just stops. You stop watching your old cartoons you used to watch. You stop reading the funnies. It's like working at a strip club. You don't come home and turn on the Playboy Channel.

I get up and cook for my kids, who really like my scrambled eggs. Or we make pancakes and the requisite bacon. The kids either play or watch cartoons, and Daddy gets to read the 'New York Times' and do his puzzle.

Cartoons for girls don't have to be a puddle of smooshy, cutesy-wootsy, goody-two-shoeness. Girls like stories with real conflict; girls are smart enough to understand complex plots; girls aren't as easily frightened as everyone seems to think.