Top 394 Cassette Tapes Quotes & Sayings - Page 5

I don't like the way recording to digital sounds. Most of the time when I'm recording to 2-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.

People are buying more vinyl now than they did in the late '90s or 2000s. I like having different mediums of the record. It's always interesting to see how the tapes end up looking because they are so tiny.

I study a lot of tapes. I have a passion for the business, and I've always wanted to be the best ever since I got in the business. I have a love for this sport and just want to be the best in it.

We searched around the globe and looked at well over a hundred 'Marco Polos,' came down to the wire, and went back and looked at our Italy tapes, and we realized that we had overlooked someone. That was Lorenzo Richelmy.

I don't have tapes of meditation, but I put on the meditation station. I did as a player, too. I used to always play the game before the game happened. As a coach, I do the same thing.

I grew up listening to Commission, Kirk Franklin and Hezekiah Walker. If I was found listening to any rap, my pops would throw them out, or crush the CDs and tapes - literally.

When we were younger, we sang at the dinner table. We started doing two part harmony, then three part, and then we added back up tapes and instruments.

I grew up in the early 2000s, being one of the first-generation wrestlers to have access to the Internet and watch independent wrestling. We usually didn't have to trade tapes anymore. We could just get online and search A. J. Styles or Low Ki.

The most exciting part of the casting process was casting out of Israel, which was a really unique process, mainly done remotely from California, looking at casting tapes.

I just said, casually, 'You know, I passed up on auditioning for Einstein.' And my friend was like, 'You idiot, you have to do it!' She made me do it. I sent the tapes off assuming that somebody would say, 'Ha ha, very funny.'

I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed.

Monty Python only became valuable when it was sold to Public Broadcasting Service (PBS) in America. They didn't pay much either, but the series has been shown repeatedly, which led to lucrative tapes, CDs and DVDs.

After Nixon resigned in 1974, he engaged in a very aggressive war with history, attempting to wipe out the Watergate stain and memory. Happily, history won, largely because of Nixon's tapes.

When I was a little girl, whenever I would get sick, my mom would go and get stacks and stacks of VHS tapes from Blockbuster.

We would get VHS tapes from wrestlers who wanted to come to Smoky Mountain. I got this tape from a guy called Lance Storm who I saw leaping from the top rope and cutting these great dropkicks. And the kid Chris Jericho he was with wasn't too bad either.

I'm not an Internet artist, I didn't get discovered on the Internet - I got discovered pushing my mix tapes on the street, walking on foot, going to parties, passing them out.

We sent out tapes to the others but they didn't wake up. It was worth it just to have one kid wake up. I got to meet him after he woke up.

Like with me, like around '97, for Christmas my parents bought me an MPC 2000 sampler and a little eight-track cassette recorder. And I started sampling records and, you know, producing hip-hop beats. And it got to the point where I realized - I innately realized that the music I liked the most was made by people that played instruments.

The key to writing for Richard (Pryor) was to just push his buttons and then know when to push the buttons on your cassette recorder. You'd get him started, then surreptitiously start recording when he got inspired and started walking around the room and improvising in character. Then you'd get it all transcribed and take credit for it.

After waiting four long years since the Lost CHIC Tapes were recovered, I'm finally putting out our first record. I'm like a child waiting for Christmas morning.

My earliest memories of football were watching and being taught about the legends. Hearing about the likes of Diego Maradona and Pele and watching them on VHS tapes.

One of the few times I'm hit emotionally is when I listen to the tapes sadists make of torturing their victims. There the person is currently suffering, you can hear them suffer, and that calls out for an empathic response. But when they're dead, when they're no longer suffering, when it's over, it's hard to feel empathetic for the corpse.

I loved the Oscars, and I had V.H.S. tapes for the Oscars, and I used to watch them over and over. There was probably one year where I watched it, like, 20 times or something.

Not one song on the charts is being played naturally. But when you go see someone live it's special. Even though you can fool people, I know there are people out there who still play along to tapes.

I hope you're ready, because I'm about to tell you the story of my life. More specifically, why my life ended. And if you're listening to these tapes, you're one of the reasons why.

Growing up, I was definitely surrounded by music all the time. My parents used to always play music; my dad used to have reggae on. I remember walking around with a cassette recorder, and I used to just record the songs I would hear on the radio so I could play it back when I feel like.

I went to Washington to ask for a little residual payment for the people who had written films in the early, early days, people who never got any residuals on tapes or anything at all.

I've taken salsa classes. I love dancing and I love to karaoke. So I bought a microphone with some tapes and my son and I karaoke. I know the entire 'Dora the Explorer' soundtrack.

I always loved music and would listen to the radio and watch out for new stuff. When I was about nine or ten, I would go around to me friend's house on a Sunday when the top twenty was broadcast on the radio at 6 P.M., and we would tape it on a cassette, and then we would take turns in sharing it over the next week.

I love the Beatles. I haven't named any kids after them but I still really love them. They were the first group that I was ever properly aware of. In my early teens I would sometimes stay in and listen to the radio all day in the hope that I would catch a song by them that I'd never heard before and be able to tape it on my radio-cassette player.

I know a lot of people who thrive on self-tapes, but for me, it does come down to first impressions. I like to be in the room, I like to talk to the people I'm acting with.

I was 14 and madly in love for the first time. He was 21. He made me suddenly, unaccustomedly beautiful with his kisses and mix tapes. During the year of elation and longing, he never mentioned that he had a girlfriend who lived across the street.

I always try to go back and check my old stuff. It's like watching the tapes of the game. You want to go back and go as hard as before.

Walt Disney had always tried to get more dimension in his animation and when I saw these tapes, I thought, This is it! This is what Walt was waiting for! But when I looked around, nobody at the studio at the time was even halfway interested in it.

When digital technology started becoming the norm, you've got 50, 60, 70 years of recordings on tapes that are just deteriorating. Like, a two-inch reel of recording tape won't last forever. It dissolves. It will disappear.

In the late '70s, I had a band - the David Johansen band, for lack of a better name - and I started collecting, not records, but tapes from people I knew who had jump-blues records.

The Astonishment Tapes will now take its place within the growing field of international research about postwar American poetry's important contribution to world literature. Miriam Nichols has once again done exceptional scholarship.

I don't think my life would be significantly poorer if I don't impersonate Nick Clegg. Life is short enough without sitting up night after night listening to tapes of him.

My mom usually does my self-tapes, and we've built a kind of shorthand with one another... Also, just having fun with it and not feeling restricted in your space and giving yourself enough space filming the shot to move around, things like that.

My nana used to tape 'The Simpsons' when it aired on Sky. We'd get the VHS tapes - my dad would courier them from Nana's house to us - and we'd watch them on Sunday nights.

I mean, I'm twenty years in the business, I still watch tapes. I still watch matches on Youtube. I'm trying to learn. I watch my old stuff to see what I used to do that worked, that didn't work. You never stop learning.

Individuals in various countries like Egypt and Saudi Arabia listen to the tapes of bin Laden. They gather in groups of four or five. They feel they want to do something to express their support for what they've heard. The idea that they were taking orders is a particularly Western idea.

I was shooting for 'Maaya' when I got a call from John Abraham's office. They told me about the film and asked if I could audition. But since I was shooting, I recorded my audition and sent them the tapes. The next thing I know, I was on board.

At about 17, I decided I wanted to take kiteboarding seriously and compete, so my agents were like, 'Just keep sending in a few audition tapes anyway, just for good stuff.'

I got this call that they wanted me to join this cast. They called it a family show, and it thought that it would be similar to all family shows. I wasn't sure about this until I watched some tapes, and was amazed.

For any producer I've ever worked with, their toughest job is to convince me to not to obscure my vocals. A lot of people don't like the sound of their own voice on, like, cassette tape or something. It's like that for me, and other songwriters I know. Like, "Oh God, that's what I sound like?"

The one thing I learned about myself going back and watching tapes of all the losses that we've had is that I'm physically capable of doing this and dominating the game, but the mental part was not there. I don't know if it comes with age, but I had to learn to be mentally tough.

People have reacted to the length of "Aquarius" in very positive ways. For example, at the beginning, you have people in a car on the beach at night. One character says, "I'm going to play you this great track." She pushes in a cassette tape, and they listen to about 45 seconds of Queen's "Another One Bites the Dust." You can actually see the pleasure registering on their faces, but it takes time, and audiences have appreciated that.

I have a lyric journal that I write in a lot. When I'm going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It's a kind of discipline.

The less said about Inner Space Fungus the better. I've still got the tapes in my house, but I'm afraid to play them back for fear that bacterial growth will take over my house.

I have a lyric journal that I write in a lot. When I’m going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It’s a kind of discipline.

I don't like the way recording to digital sounds. Most of the time, when I'm recording to two-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.

I try to keep myself busy creatively; it's for my own sanity after auditioning in the city for bad television shows and bad scripts and not being a name and having the clout to get my tapes passed on further.

I had all these tapes in my closet that I had shot years ago with my friend Jean-Michel Basquiat. I was working on a film about him when he died, and then I just put everything away. It was too sad.

I dare Hillary Clinton, Barack Obama to watch these tapes. Watch a former organ harvester describe a fully formed fetus on the table, its heart beating, its legs kicking while someone says we have to keep it alive to harvest its brain.

I'm very, very private; I don't enjoy talking about myself to strangers. Particularly strangers with tapes going.

When I had my first camera - I was a child of the '80s. I remember what it was like reusing the same tapes over and over again, and having really bad quality and images kind of bubbling up from under the surface.

My first super-worn-out tapes were Michael Jackson's 'Bad' and the soundtrack to 'Dirty Dancing.' The soundtrack to 'Dirty Dancing' is actually really phenomenal.

In 1980, I moved to Chicago, and I recorded demo tapes for my friends' bands, and in 1981, the first Big Black record - the first thing I did that was an actual record.

I'm a big fan of the American Tapes label. But that's very hard to keep a grip on that because you blink your eyes and they've released three records, all of which are limited edition, all sold at one show. So you have to follow in drips and drops on eBay, which I do.