Top 993 Casting Quotes & Sayings

Casting is really exciting. With 'Twilight,' I wasn't involved at all with the casting in the original. They kept me in the loop, which was great. They'd be like, 'Hey Kristen Stewart's gonna do it' and I was like, 'Really? Awesome.'

I used Vamps as a casting couch! I pretty much did, because I was casting 'L!fe Happens' while I was on the set of Vamps, and anybody I had ever worked with, I asked to be in this movie.

I started casting. I cast music videos, but I kept getting fired from jobs because I was iconoclastic in my ways of casting.

Casting Captain America is really casting two roles... Steve Rogers before and after the transformation from 98 pound weakling to perfect physical specimen. I can't divulge how we're going to do it, but the performance will be Chris Evans from beginning to end.

I got an internship with the casting director of The Girl Next Door. I would hold the clipboard and help them in their casting sessions and get them lunch.

If you work in casting, it's sort of not cool to want to act. A lot of people think that casting directors are frustrated actors, but it wasn't true with any of the casting people I knew.

I was in a TV show called 'Lucky' on FX. The casting director from 'Lucky' was casting 'Dragon Wars'. She called me in to meet with the producer and audition, and I got it from there.

I can't even begin to tell you how many casting couches I was attacked on. Not just by casting people, but by stars.

[Sylvester] Stallone and I were in a meeting for Rocky Balboa. We were laughing about something, and he looks at my mouth and says to the casting director, "Wow, your lip even hooks down like mine does." Then he looked at the casting director and nodded, and I guess that was the nod of saying, "Hire this kid." So yeah, I have a really crooked mouth. They don't work, but I can feel everything.

Even when you're casting, casting is always one of the weirdest subjective areas. You can get a group of people who would decide and say, "This person is a great actor and this person is less than a great actor," but there will always be somebody else who likes that person better than you based on their experience in their other films.

I try not to have too specific notions because it messes up the process later on. I leave it very open to interpretation until I start casting. Everything changes a lot when you start casting. I mean everything.

I think one of the things when you're casting children is you're also casting their parents.

I was modeling while I was in university and my agency said, 'There's this fashion campaign, can you go?' And I didn't want to; I told him I wanted to focus on my acting, but I ended up going, kind of dragging my feet, and it turns out, the casting director for it was the casting director for Lars von Trier's new movie.

Casting is storytelling.

A lot of the stuff that's happening now, I can trace back to 'Death of a Salesman.' Francine Maisler, the casting director, saw 'Death of a Salesman' and called me in for 'Unbroken.' The casting director of 'Normal Heart' had seen 'Salesman' too. I look back on it now, and it's like one thing led to another; it was a chain reaction.

In this, the late afternoon of my life, I wonder: am I casting a longer shadow or is my shadow casting a shorter me?

I tried out for another show while I was in college so I could pay off my student loans, and it sort of led to The Real World. The same people that were casting that show were casting The Real World, so they asked me to do it.

I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.

Sometimes it's all about the casting.

My casting in 'Halo' produced by Steven Spielberg, which I am doing, is just color-blind casting; Asians have been questioning why best roles should not come to them and I am so happy about this color-blind casting. I am going to be just what I am in that film.

I've always been lucky in casting. The trick in casting is to hire great people, and let them do what they do, don't interfere with them too much. And then when they're great, take credit for it in the end.

I think casting in a comedy is all important.

Foremost is the casting; you need convincing faces. Most of our films suffer from casting.

I have a very simple philosophy when it comes to casting, and it really is casting the best person for the role.

I like interesting casting, and casting people who you think might be slightly different in parts.

For me, when you're casting known talent, you're not just casting their performances. You're casting the public's relationship with them, their public images to a degree.

Step 1 in casting vision is to make sure your people love Jesus more than they love the vision you are casting.

Transgender casting is a kind of literalism. It is the same with racial casting. This means that you can now only play Othello if you are black. There is something quite tainted about it. It is a form of racism in itself.

There are always discussions about casting stars in lead roles in theater - especially when you're working with commercial producers - and it's not something I'm against, not at all. But any casting has to be right for the project.

What a casting director does is they're a connector.

Allison Jones, a big casting director out there, was like, 'They're casting 'The Daily Show' right now - you should submit a tape.' I remember leaving school to go shoot an audition.

Casting director was a part-time thing, which later became a full-time job because there was a lack of casting directors in our industry and people were looking for professionals to do it.

It was a very, very intense and long casting process [for The Killing] because we really had to find the right people who could carry the weight of this story, who had the chops and who had the spirit, where they could bring in so much of their own selves to these characters. So, the casting process took many months.

I think the writing and the casting and all of that has so much to do with actors becoming their characters. I think if an actor is right for a role, casting sees that and the words that are on the page, depending on how it's written, can really help your character develop.

Acting in itself is changing. This change is because of the advent of the casting director. Earlier, there would be stock characters, who would be seen in every film. Now, casting directors are bringing fresh faces.

Are you casting asparagus on my cooking?

Casting directors I don't think are the best in Mexico at street casting. Whereas, I think, in New York and in L.A., that's more common; not so in Mexico. So it's up to you as a director in a lot of ways to go out and do that.

People don't always understand the way it works with casting. TV projects tend to be commissioned to screen at a particular time of year, so your shooting dates are chosen to meet that. And then the casting is a matter of choosing from the actors who are available for those dates.

Casting is really a black art. It's a huge part of directing and it's the most invisible. It's one that people don't really think about or talk about. But you can really destroy your movie by casting it badly before you've shot a foot of film. And yet there are no guidebooks for it, there's no rule book to tell you how to do it. It's all your own experience and your own sensibility and your own intuition.

You'll find that street casting in America is a lot different than street casting in different nations.

Sometimes, it's all about the casting.

Making a movie is casting a spell.

Casting is a big deal.

The most exciting part of the casting process was casting out of Israel, which was a really unique process, mainly done remotely from California, looking at casting tapes.

There's racist casting, and there is normal casting. Normal casting, to me, is a process that strives for representation and, in many cases, strives to simply portray the world as it actually is instead of as falsely non-inclusive. And sadly, sometimes that involves removing the whitewash that exists on history.

Casting is an art, and if you're interested in people, like I am, casting is essential.

I can't even begin to tell you how many casting couches I was attacked on. Not just by casting people, but by stars. And when I wouldn't give them my number, they'd say, "Who the hell do you think you are? You will never make it in this town. I'll make sure of it."

The casting of any film is around 60% of the film, but it's also about the right casting insight. It's a bit like a house of cards, everyone has to match up in a certain way so the whole structure is grounded. So that's essential, and yes, it's about finding the right people and the right constellation around the lead character.

I guess I always knew going into the movie that casting that part would be difficult. Oliver just felt likeable. I felt it would be hard to dislike this man. I don't know why, but I'm sure other directors have felt the same when casting him. Oliver is goofy yet formidable, smart but likeable... I didn't want the character of Alex to be nasty or demonised. I wanted him to be struggling with his actions.

Where having been an actor was extremely helpful to me was in casting. That's where I think a director who has acted can really shine, and casting is the most important thing you do.

Quentin [Tarantino] called me and said: "Yeah, you've got to be in my movie. You've got to be in Death Proof." But he made me audition. I was like: "Dude, I don't even want to do this..." So I left the casting of Hostel: Part II to drive to Venice, where Quentin was holding his casting, and the person ahead of me was Derek Richardson from Hostel 1 and he was like: "Dude, what are you doing here?" I said: "Don't ask!"

Casting is great fun, except for the business of it. I love the casting process. I love the editing process. I love working with the music. And even prep is very exciting. But once you get there and the clock is ticking, all it is is stress.

I think that anytime you're doing casting and you're casting something that has a lot of existing fans you're going to get a lot of opinions about whether it matches fans vision.

There's a time for casting silver; a time for casting cannon. If that isn't in the red, it should be!

Those first memories of my modeling career are not my favorite. At the beginning, it was tough. I was very lucky, my career took off very quickly, but still. All the memories I have about first casting in general - they're not nice. Just because there's so many girls, so much competition. I don't blame those casting directors, they see so many girls and they can't be nice to everybody. But you don't feel like a person, you feel like a number.

Casting is everything. I put a huge amount of work into casting, and consistently across my career, I am most proud of my bold choices I made in casting.

I randomly went to a casting session in my hometown in North Carolina, and the casting director introduced me to my manager. I really lucked into it!

We did casting in L.A. and a lot of people came against the advice of their agents. The agents said, "You shouldn't be in Postal, it will damage your career." So Zack Ward came to casting and played one of the cop parts, and then later I looked at the DVDs again and said, "This guy is Postal Dude." He's like white trailer trash. He's had a long time in the film industry, but no real success. He needs money; he's two-times divorced in real life. He said he works only to pay off his Philippine ex-wife.

People obsess about casting and representation, but really, all the real work is behind the camera. Casting an Asian American into a bad role where they're shoehorned into these stereotypes is worse than not having cast them at all.

The total mental efficiency of a man is the resultant of the working together of all his faculties. He is too complex a being for any one of them to have the casting vote. If any one of them do have the casting vote, it is more likely to be the strength of his desire and passion, the strength of the interest he takes in what is proposed. Concentration, memory, reasoning power, inventiveness, excellence of the senses, all are subsidiary to this.