Top 993 Casting Quotes & Sayings - Page 17

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Last updated on November 5, 2024.
Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
Reason sits firm and holds the reins, and she will not let the feelings burst away and hurry her to wild chasms. The passions may rage furiously, like true heathens, as they are; and the desires may imagine all sorts of vain things: but judgment shall still have the last word in every argument, and the casting vote in every decision. Strong wind, earthquake-shock, and fire may pass by: but I shall follow the guiding of that still small voice which interprets the dictates of conscience.
There's a difference in our ages [with Leonardo DiCaprio], but we were both in the same sort of position [on The Quick and the Death movie].Everyone below us in a casting position were all these really famous character actors like Keith David. And they were looking at the two of us going, 'Who are these guys?' So that naturally kind of put us together in a way where we'd just hang out together because we didn't care about status. We just wanted to enjoy the experience. The two things that have changed about Leo [ DiCaprio] since that time: he can drink legally and he's no longer a virgin.
I think it was Alfred Hitchcock who said 90 percent of successful moviemaking is in the casting. The same is true in life. Who you are exposed to, who you choose to surround yourself with, is a unique variable in all of our experiences and it is hugely important in making us who we are. Seek out interesting characters, tough adversaries and strong mentors and your life can be rich, textured, highly entertaining and successful, like a Best Picture winner. Surround yourself with dullards, people of vanilla safety and unextraordinary ease, and you may find your life going straight to DVD.
I worked so hard on that role [of Debra in Dexter]. And I barely worked on Rita. But I read for casting - both parts - and they said, "That's great, we're going to bring you in for producers." So I read for some producers - both parts - and they said, "That's great, we're going to bring you in to meet the creator." And I went in, and as soon as I walked in the room, he looked at me and he said, "Oh my god, you're our Rita!" And I said, "No! I'm Deb! I'm a total Deb!" "No, you're Rita!".
Am I the only person who hopes that David Beckham has sex with Brad Pitt? I don't know who's in charge of casting in Hollywood, but make it happen before one of them is out of their prime. Can you imagine those two men together making love? If there's a man in here that's junk doesn't wiggle just a little bit at the thought of those two men together - this has nothing to do with your homophobic sexual preference. At that level it's art, you monkey. You should be honored that you share the same restroom with those Greek gods.
At every moment you choose yourself. But do you choose *your* self? Body and soul contain a thousand possibilities out of which you can build many I's. But in one of them is there a congruence of the elector and the elected. Only one--which you will never find until you have excluded all those superficial and fleeting possibilities of being and doing with which you toy, out of curiosity or wonder or greed, and which hinder you from casting anchor in the experience of the mystery of life, and the consciousness of the talent entrusted to you which is your *I*.
The creative process for a musician is very different than for a filmmaker. I have an idea and I can pretty much execute it. As old as I am now and as long as I've been doing it, I can pretty much get it done in a week. While a filmmaker has a great idea that should be out tomorrow, but he has to go through this process of getting financing, then selling it, then casting. I've always been in awe of filmmakers and their patience in realizing their vision because I could never do that.
The smell of the sea, of kelp and fish and bitter moving water, rose stronger in my nostrils. It flooded my consciousness like an ancestral memory. The swells rose sluggishly and fell away, casting up dismal gleams between the boards of the pier. And the whole pier rose and fell in stiff and creaking mimicry, dancing its long slow dance of dissolution. I reached the end and saw no one, heard nothing but my footsteps and the creak of the beams, the slap of waves on the pilings. It was a fifteen-foot drop to the dim water. The nearest land ahead of me was Hawaii.
Ultimate peace begins within; when we find peace within there will be no more conflict, no more occasion for war. If this is the peace you seek, purify your body by sensible living habits, purify your mind by expelling all negative thoughts, purify your motives by casting out any ideas of greed or self-striving and by seeking to serve you fellow human beings, purify your desires by eliminating all wishes for material possessions or self-glorification and by desiring to know and do God's will for you. Inspire others to do likewise.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
False casting for practice is the best way to achieve the feel of the line in the air, but in actual fishing, false casts should be limited in number to absolute necessity. In the first place, the more false casts you make, the greater are the chances for the fish to see your arm waving, or the line in the air. And the greater are your chances to make a mistake in the cast and lose your timing. Most anglers, especially tyros, false cast too often. Three false casts should be sufficient for any throw and two is better. One is perfect.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
God has power to create, or destroy, make, or unmake at his pleasure, to give life, or send death, to judge all, and to be judged nor accountable to none: to raise low things, and to make high things low at his pleasure, and to God are both soul and body due. And the like power have Kings; they make and unmake their subjects: they have power of raising, and casting down: of life, and of death: judges over all their subjects, and in all causes, and yet accountable to none but God only.
I was always casting about for role models as a kid and the Star Trek was always available via reruns and also full of possibilities. I wanted to be like Spock because he was unflappable. I wanted to be like Kirk because he had magnetism and the ladies loved him. Bones was a grouch but he was sympathetic. The show worked like a boy band in that way... it had characters who embodied different psychic or emotional positions and that allowed me to see a great range of things.
Suddenly his expression turned to alarm. He sprinted toward us. For a moment I had an absurd vision of myself on the cover of one of Gran’s old romance novels, where the damsel wilts into the arms of one half-dressed beefy guy while another stands by,casting her longing looks. Oh, the horrible choices a girl must make! I wished I’d had a moment to clean up. I was still covered in dried river muck, twine, and grass, like I’d been tarred and feathered. Then Anubis pushed past me and gripped Walt’s shoulders. Well…that was unexpected.
Instead of looking at books and pictures about the New Testament I looked at the New Testament. There I found an account, not in the least of a person with his hair parted in the middle or his hands clasped in appeal, but of an extraordinary being with lips of thunder and acts of lurid decision, flinging down tables, casting out devils, passing with the wild secrecy of the wind from mountain isolation to a sort of dreadful demagogy; a being who often acted like an angry god — and always like a god.
I tried to read The Dubliners, when I went to Dublin a couple of years ago. I think I only go thurogh the first story. Gnomon is such an interesting word. So many different uses for a word nooone has heard of, or uses these days. I googled some pictures of sundials to check that it was the tall shadow casting bit (it is) and then discovered that Saint Sulpice in Paris has a rather fascinating large gnomon- which I shall endeavour to see on my next visit to that fair city. Thanks for such a great word, which I shall try to remember.
I came in rather late in the casting process of Reaper. I believe they had all the other roles cast. They were having trouble finding the devil. They had seen almost 100 actors for the role. I got the script and I liked it - it was clever and witty and very, very funny, and a nice, fresh take on an old story. I went in and did a scene for the producers, the kitchen scene from the pilot where I'm cooking a chicken-fried steak. At the end of it, they all had a smile on their face, and they realized they had found their devil.
People call you "director," but it really should be "economic manager." Because everything is "Well, we can do another take here, but then you're gonna lose that shot over there." Or "The sun's going down, sorry, you're outta luck. We can't afford to." You know? And meanwhile, how do you get the performer's performance? I'm thinking the whole time all about "How can I get my day done?" And my performances are primarily a result of casting the right people at the right time in the right parts. And then I do little modifications.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
Well, see, I think it's that most people don't like that lonely feeling. People don't like looking up and feeling small or lost. That's what I think prayer is all about. It doesn't matter which stories they believe in, they're all doing the same thing, kind of casting a line out to outer space, like there's something out there to connect to. It's like people make themselves part of something bigger that way, and maybe it makes them less afraid.
Originally I had a fear of rejection at the auditions, which is a lack of self-confidence ultimately. Now I have a production company and when you can look behind the scenes at the casting process, you know it's not about rejection. It might have been the most amazing performance ever, but if the person is too tall, too short, too brown, too white, has blond hair or whatever it is, then not getting the gig may have nothing to do with the performance. You have to learn to treat auditioning as matter-of-factly as drinking a glass of water.
Faith is rest, not toil. It is the giving up all the former weary efforts to do or feel something good, in order to induce God to love and pardon; and the calm reception of the truth so long rejected, that God is not waiting for any such inducements, but loves and pardons of His own goodwill, and is showing that goodwill to any sinner who will come to Him on such a footing, casting away his own performances or goodnesses, and relying implicitly upon the free love of Him who so loved the world that He gave His only-begotten Son.
Since Israel would rather re-experience Masada than renounce the core Zionist objective of establishing a Jewish state, the only one-state "solution" on the horizon of realistic possibilities is an Israeli "one state" that fulfills the messianic nationalist ideal embraced by deep Zionism, likely consisting of completing the expansionist process of recent years by incorporating all or most of the West Bank, casting Gaza adrift, consolidating control over Jerusalem, and transferring as many West Bank Palestinians as possible to Jordan.
But medicine has long had all its means to hand, and has discovered both a principle and a method, through which the discoveries made during a long period are many and excellent, while full discovery will be made, if the inquirer be competent, conduct his researches with knowledge of the discoveries already made, and make them his starting-point. But anyone who, casting aside and rejecting all these means, attempts to conduct research in any other way or after another fashion, and asserts that he has found out anything, is and has been victim of deception.
So it ends as I guessed it would,' his thoughts said, even as it fluttered away; and it laughed a little within him ere it fled, almost gay it seemed to be casting off all doubt and care and fear. And even as it winged away into forgetfulness it heard voices, and they seemed to be crying in some forgotten world far above: 'The eagles are coming! The eagles are coming!' For one moment more Pippin's thought hovered. "Bilbo! But no! That came in his tale, long long ago. This is my tale, and it ended now. Good-bye!' And his thought fled far away and his eyes saw no more.
The first class of readers may be compared to an hour-glass, their reading being as the sand; it runs in and runs out, and leaves not a vestige behind. A second class resembles a sponge, which imbibes everything, and returns it in nearly the same state, only a little dirtier. A third class is like a jelly-bag, which allows all that is pure to pass away, and retains only the refuse and dregs. The fourth class may be compared to the slave of Golconda, who, casting aside all that is worthless, preserves only the pure gems.
All my life one of my greatest desires has been to travel-to see and touch unknown countries, to swim in unknown seas, to circle the globe, observing new lands, seas, people, and ideas with insatiable appetite, to see everything for the first time and for the last time, casting a slow, prolonged glance, then to close my eyes and feel the riches deposit themselves inside me calmly or stormily according to their pleasure, until time passes them at last through its fine sieve, straining the quintessence out of all the joys and sorrows.
Peace happens when people pray. "Cast all your anxiety on him because he cares for you" Casting is an intentional act to relocate an object. Let this "throwing" be your first response to bad news. As you sense anxiety welling up inside you, cast it in the direction of Christ. Do so specifically and immediately. Find a promise of God that fits your problem, and build your prayer around it. These prayers of faith touch the heart of God and activate the angels of heaven. Miracles are set into motion. Your answer may not come overnight, but it will come. And you will overcome.
Instead of casting away all our old prejudices, we cherish them to a very considerable degree, and, to take more shame to ourselves, we cherish them because they are prejudices; and the longer they have lasted and the more generally they have prevailed, the more we cherish them. We are afraid to put men to live and trade each on his own private stock of reason; because we suspect that this stock in each man is small, and that the individuals would do better to avail themselves of the general bank and capital of nations and of ages.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
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