Top 165 Castles Quotes & Sayings - Page 3

In the evaluation of the dominant moods of any historical period it is important to hold fast to the fact that there are always islands of self-sufficient order — on farms and in castles, in homes, studies, and cloisters — where sensible people manage to live relatively lusty and decent lives: as moral as they must be, as free as they may be, and as masterly as they can be. If we only knew it, this elusive arrangement is happiness.

They were viewed very much like castles, I suppose: as crumbling, obsolete relics, with no real modern function other than as tourist attractions. But when the skies darkened and the nation called, both reawoke to the meaning of their existence. One shielded our bodies, the other, our souls.

And if she asks you why you can tell her that I told you That I'm tired of Castles in the Air I've got a dream I want the world to share in castle walls Just leave me to despair Hills of forest green where the mountains touch the sky A dream come true, I'll live there 'til I die I'm asking you, to say my last good-bye The love we knew, ain't worth another try

What comes to your mind when you think of the word Transylvania, if you ponder it at all? What comes to my mind are mountains of savage beauty, ancient castles, werewolves, and witches - a land of magical obscurity. How, in short, am I to believe I will still be in Europe, on entering such a realm? I shall let you know if it's Europe or fairyland, when I get there. First, Snagov - I set out tomorrow.

Wishing is good for us. Daydreams, fantasies, castles in the air, and aspirations All drive us forward, Impel us to make things happen. They also tell us a lot about ourselves. Our wishes come straight from our core, And they are loaded with vital information About who we are and who we can become. Keeping track of our wishes Helps us tap into the energy That propels us to go after our happiness.

Frost grows on the window glass, forming whorl patterns of lovely translucent geometry. Breathe on the glass, and you give frost more ammunition. Now it can build castles and cities and whole ice continents with your breath’s vapor. In a few blinks you can almost see the winter fairies moving in . . . But first, you hear the crackle of their wings.

We start out postulating sharp boundaries, such as between humans and apes, or between apes and monkeys, but are in fact dealing with sand castles that lose much of their structure when the sea of knowledge washes over them. They turn into hills, leveled ever more, until we are back to where evolutionary theory always leads us: a gently sloping beach.

I was getting really influenced by some darker, heavier electro stuff, like Crystal Castles. And I was listening to some dub-step elements, so I thought this was going to be the natural progression, taking my soft melodies and my soft voice and marrying it with something a little heavier.

... I see the green earth covered with the works of man or with the ruins of men’s work. The pyramids weigh down the earth, the tower of Babel has pierced the sky, the lovely temples and the gray castles have fallen into ruins. But of all those things which hands have built, what hasn’t fallen nor ever will fall? Dear friends, throw away the trowel and mortarboard! Throw your masons’ aprons over your heads and lie down to build dreams! What are temples of stone and clay to the soul? Learn to build eternal mansions of dreams and visions!

The heroes of obtrusiveness, people with whom no soldier would lie down in the trenches, though he has to submit to being interviewed by them, break into recently abandoned royal castles so that they can report, "We got there first!" It would be far less shameful to be paid for committing atrocities than for fabricating them.

The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures.

I must say that the biggest lesson you can learn in life, or teach your children, is that life is not castles in the skies, happily ever after. The biggest lesson we have to give our children is truth. We're all built with illusions. And they break.

We see then how far the monuments of wit and learning are more durable than the monuments of power, or of the hands. For have not the verses of Homer continued twenty-five hundred years or more, without the loss of a syllable or letter; during which time infinite palaces, temples, castles, cities have been decayed and demolished?

Observe that noses were made to wear spectacles; and so we have spectacles. Legs were visibly instituted to be breeched, and we have breeches. Stones were formed to be quarried and to build castles; and My Lord has a very noble castle; the greatest Baron in the province should have the best house; and as pigs were made to be eaten, we eat pork all year round; consequently, those who have asserted all is well talk nonsense; they ought to have said that all is for the best.

It is well to fetter the wings of our fancy and restrain its flights. It is quite possible we may have formed entirely erroneous ideas of what we actually see. The greenish gray patches may not be seas at all, nor the ruddy continents, solid land. Neither may the obscuring patches be clouds of vapor. Man is too quick at forming conclusions. Let him but indistinctly see a thing, or even be undecided as to whether he does actually see it and he will then and there set himself to theorizing, and build immense castles of conjecture on a foundation, of whose existence he is by no means certain.

Once we begin to appreciate that the apparent destructiveness of the toddler in taking apart a flower or knocking down sand castles is in fact a constructive effort to understand unity, we are able to revise our view of the situation, moving from reprimand and prohibition to the intelligent channeling of his efforts and the fostering of discovery.

Apart from The Holiday, I haven't really spent a huge amount of time in LA. Not that I avoid it, it's just that I don't often go there unless I'm doing press. The one thing I have discovered about LA with kids is that it's really great for children. They really like the sun and making sand castles.

Mention the gothic, and many readers will probably picture gloomy castles and an assortment of sinister Victoriana. However, the truth is that the gothic genre has continued to flourish and evolve since the days of Bram Stoker, producing some of its most interesting and accomplished examples in the 20th century - in literature, film and beyond.

You may build castles in the air, and fume, and fret, and grow thin and lean, and pale and ugly, if you please. But I tell you, no man worth having is true to his wife, or can be true to his wife, or ever was, or will be so.

Let none, however difficult the circumstances, consider himself as debarred from the way of holiness. Have we but God and the cross of Christ, we have the means for becoming altogether holy in our walk and conversation. What dungeon is there that can shut us out from this? Only let us use the present location and means faithfully and truly, taking them from God's hand, and we shall find him able to free us from all that is really a hindrance. Let us each one desire to be a saint in his own place and calling, instead of building 'castles in the air' of future holiness.

Wealth from trade was the mainspring of Western material advance; the visible agents of change were great guns. These came of age in Europe in the 15th century. On land their potency in reducing castle walls favoured central over local power, since in general only monarchs could afford siege-trains; so nation-states were consolidated and extended into great territorial empires. At sea, guns transformed sailing ships into mobile castles virtually impregnable to opponents who lacked equally powerful ordnance. With the ocean-going gunned warship, western Europe began to extend around the globe.

Your street, rich street or poor Used to always be sure, on your street There's a place in your heart you know from the start Can't be complete outside of the street Keep moving on through the joy and the pain Sometimes you got to look back To the street again Would you prefer all those castles in Spain? Or the view of your street from your window pane?

How often are the beauties of nature unheeded by man, who, musing on past ills, brooding over the possible calamities of the future, building castles in the air, or wrapped up in his own self-love and self-importance, forgets to look abroad, or looks with a vacant stare.

He was dancing to some music No one else had ever heard He'd speak in unknown languages She would translate every word And then when the world was laughing At his castles in the sky She'd hold him in her body Till he once again could fly.

I wrote about real people and real circumstances and real neighborhoods. There was no crypt or castles or H.P. Lovecraft-type environments. They were just about normal people who had something bizarre happening to them in the neighborhood.

It is so easy for us theorists who build wonderful castles, beautiful ideas. Sometimes, it is remarkable, sometimes these beautiful ideas prove to be close to what the observations tell us. But often and also they turn out to be wrong.

America is subsidizing what is left of the prestige and strength of the once mighty Britain. The sun has set forever on that monocled, pith-helmeted resident colonialist, sipping tea with his delicate lady in the non-white colonies being systematically robbed of every valuable resource. Britain's superfluous royalty and nobility now exist by charging tourists to inspect the once baronial castles, and by selling memoirs, perfumes, autographs, titles, and even themselves.

The trees are coming into leaf Like something almost being said; The recent buds relax and spread, Their greenness is a kind of grief. Is it that they are born again And we grow old? No, they die too. Their yearly trick of looking new Is written down in rings of grain. Yet still the unresting castles thresh In fullgrown thickness every May. Last year is dead, they seem to say, Begin afresh, afresh, afresh.

In this life you have to be your own hero. By that I mean you have to win whatever it is that matters to you by your own strength and in your own way. Like it or not, you are alone in a forest, just like all those fairy tales that begin with a hero who’s usually stupid but somehow brave, or who might be clever, but weak as a straw, and away he goes (don’t worry about the gender), cheered on by nobody, via the castles and the bears, and the old witch and the enchanted stream, and by and by (we hope) he’ll find the treasure.

Knowledge signifies things known. Where there are no things known, there is no knowledge. Where there are no things to be known, there can be no knowledge. We have observed that every science, that is, every branch of knowledge, is compounded of certain facts, of which our sensations furnish the evidence. Where no such evidence is supplied, we are without data; we are without first premises; and when, without these, we attempt to build up a science, we do as those who raise edifices without foundations. And what do such builders construct? Castles in the air.

A large part of how an actor works and their process is the stimulation of what's around you, and none more so than in a period piece. This is a modern piece, as much as it is set in a different time, age and myth. If it wasn't relevant, it wouldn't have been made and we wouldn't be putting our energy into it. It's relevant for us today because, in some ways, it throws up a mirror to all of us. As an actor, you get stimulus and you're effected by that, whether it's costumes or funny beards or castles.

As a child I used to watch clouds, and in them, see faces, castles, animals, dragons, and giants. It was a world of escape--fantasy; something to inject wonder and adventure into the mundane, regulated life of a middle-class boy leading a middle-class life.

You can only win the game when you understand that it is a game. Let a man play chess, and tell him that every pawn is his friend. Let him think both bishops holy. Let him remember happy days in the shadows of his castles. Let him love his queen. Watch him lose them all.

What it 't to us, if taxes rise or fall, Thanks to our fortune, we pay none at all. Let muckworms who in dirty acres deal, Lament those hardships which we cannot feel, His grace who smarts, may bellow if he please, But must I bellow too, who sit at ease? By custom safe, the poets' numbers flow, Free as the light and air some years ago. No statesman e'er will find it worth his pains To tax our labours, and excise our brains. Burthens like these with earthly buildings bear, No tributes laid on castles in the air.

Don't sow your desires in someone else's garden; just cultivate your own as best you can; don't long to be other than what you are, but desire to be thoroughly what you are. Direct your thoughts to being very good at that and to bearing the crosses, little or great, that you will find there. Believe me, this is the most important and least understood point to the spiritual life. We all love according to what is our taste; few people like what is according to their duty or to God's liking. What is the use of building castles in Spain when we have to live in France?

There is something about the literary life that repels me, all this desperate building of castles on cobwebs, the long-drawn acrimonious struggle to make something important which we all know will be gone forever in a few years, the miasma of failure which is to me almost as offensive as the cheap gaudiness of popular success.

All cities are geological; you cannot take three steps without encountering ghosts bearing all the prestige of their legends. We move within a closed landscape whose landmarks constantly draw us toward the past. Certain shifting angles, certain receding perspectives, allow us to glimpse original conceptions of space, but this vision remains fragmentary. It must be sought in the magical locales of fairy tales and surrealist writings: castles, endless walls, little forgotten bars, mammoth caverns, casino mirrors.

How many may a man of diffusive conversation count among his acquaintances, whose lives have been signalized by numberless escapes; who never cross the river but in a storm, or take a journey into the country without more adventures than befel the knights-errant of ancient times in pathless forests or enchanted castles! How many must he know, to whom portents and prodigies are of daily occurrence; and for whom nature is hourly working wonders invisible to every other eye, only to supply them with subjects of conversation?

Perhaps this was what Queens did. Perhaps they held their Kings in the darkness, deep within their castles and allowed them that moment of weakness they could never show to anyone else. Perhaps they gave strength to their Kings, because everyone else only took it from them.

American fantasy is not a genre we think about too often. Sure, we are familiar with the worlds of English boarding school houses and castles and fairies, but true American fantasy, fantasy that is built on the land of this country, is hard to come by.

The Wikks are regular kids given a Galactic size challenge. Readers will follow Oliver, Tiffany, and twins, Mason and Austin as they trek through eerie catacombs, mysterious ruins, and creepy castles that defy imagination. One part Indiana Jones, a handful of Swiss Family Robinson, and some Intergalactic excitement, the Quest for Truth is a riveting tale of just how far mankind will go for the ultimate prize.

No sovereign, no court, no personal loyalty, no aristocracy, no church, no clergy, no army, no diplomatic service, no country gentlemen, no palaces, no castles, nor manors, nor old country-houses, nor parsonages, nor thatched cottages nor ivied ruins no cathedrals, nor abbeys, nor little Norman churches no great Universities nor public schools -- no Oxford, nor Eton, nor Harrow no literature, no novels, no museums, no pictures, no political society, no sporting class -- no Epsom nor Ascot Some such list as that might be drawn up of the absent things in American life.

I ask but one thing of you, only one, That always you will be my dream of you; That never shall I wake to find untrue All this I have believed and rested on, Forever vanished, like a vision gone Out into the night. Alas, how few There are who strike in us a chord we knew Existed, but so seldom heard its tone We tremble at the half-forgotten sound. The world is full of rude awakenings And heaven-born castles shattered to the ground, Yet still our human longing vainly clings To a belief in beauty through all wrongs. O stay your hand, and leave my heart its songs!

Now is our time. It's our time to chase rainbows and build castles in the sky. It's our time to create a life that we love. Because someday, it will no longer be our time.

Who are the happiest people on earth? A craftsman or artist whistling over a job well done. A little child building sand castles. A mother, after a busy day, bathing her baby. A doctor who has finished a difficult and dangerous operation, and saved a human life. Happiness lies in a constructive job well done. Get your happiness out of your work or you will never know what happiness is.