Top 1200 Cave Paintings Quotes & Sayings - Page 19

Whenever I'm in Edinburgh, which I visit often, I always try to hop on a train to Kirkcaldy to visit the art gallery, where my grandfather was convenor for 36 years, to revisit the marvellous paintings from my childhood - as do other family members.

I imagine as long as people will continue to read novels, people will continue to write them, or vice versa; unless of course the pictorial magazines and comic strips finally atrophy man's capacity to read, and literature really is on its way back to the picture writing in the Neanderthal cave.

There's a cave, we go inside of ourselves because we want to know more, and we turn this one corner and we go, Oh my god - I didn't know that was in here. We can never go back to the way we were. It's like a horrible car accident - you're never the same after that. It's something that you'll think about every day for the rest of your life.

Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-existing film.

Woven through Timothy J. Clark’s paintings are unique combinations of visual and emotional stimuli.His sense of space, light and composition combine to create graphic tensions which intrigue beyond the beautifully-painted forms of the subjects.

The poet existed among the cave men; he will exist among men of the atomic age, for he is an inherent part of man. Even religions have been born from the need for poetry, which is a spiritual need, and it is through the grace of poetry that the divine spark lives forever in the human flint.

Cinemascope has become synonymous with 'epic,' and absolutely if you're shooting armies and certain kinds of vast landscapes, you do want that panoramic canvas to work on. But if you look at art history there's not a whole lot of epic paintings that are in that aspect ratio.

When there's a painting in the room, my eye goes right to it. It's like if you go into a bar and there's a television on, you can't take your eyes off the television. Paintings have that effect on me. It's where my eye settles.

I love you more than anybody in the world... I love you for millions and millions of things, clocks and vampires and dirty nails and squiggly paintings and lovely hair and being dizzy and falling dreams.

I like eating out. I like buying beautiful paintings and being surrounded by beautiful things. I have to finance that life. I can barely afford a pension scheme because I don't make enough money.

Back in medieval times, Victorian repression hadn't come in yet. People were bawdy and wild and more in touch with their true natures. If you look at the Bosch paintings or Bruegel, you see, when people are dancing, they're totally cutting loose.

Some films really do take years to get going, but I'd say that most of the films I want to do are slightly smaller projects. Some could be sketches. They're not all oil paintings.

Another way to look at meditation is to view thinking itself as a waterfall, a cascading of thought. In cultivating mindfulness, we are going beyond or behind our thinking, much the way you might find a vantage point in a cave or depression in the rock behind a waterfall. We still see and hear the water, but we are out of the torrent.

In an era when museum curators were busy introducing the public to photographs of daily life taken by Robert Frank, Henri Cartier-Bresson, and Diane Arbus, why did they simultaneously disdain paintings depicting the same kind of people?

Learn to trust yourself. That's very vital. ... Just stand with yourself. Remember, in his lifetime, Van Gogh sold only two paintings. I personally sold even fewer.

This morning I got up early and I was glazing the paintings and they just looked so beautiful. I had a private moment of "yeah, I'm behind this." Which is all that matters as an artist, to believe in what you're doing. It sounds like an obvious thing but it takes a lot of work.

Outside the world of politics, one person in the world of the arts I would mention as an influence is Nick Cave, another person who has been around since the late 1970s. He has developed and changed remarkably, whilst remaining true to his vision. He has been a great help to me as well, without his knowing it.

People often ask me if I consider myself to be an architect, fashion designer, or artist. I'm an architect. The paintings I've done are very important to me, but they were part of a process of thinking and developing.

Pseudo-critics prefer to direct their remarks to the artist - Heaven forgive them - but one due rather to a common impression that such an attitude is the correct one, that all paintings should be figuratively mutilated, and that all artists are fair game, or really grateful perhaps for a few tips.

I don’t suppose I really know you very well - but I know you smell like the delicious damp grass that grows near old walls and that your hands are beautiful opening out of your sleeves and that the back of your head is a mossy sheltered cave when there is trouble in the wind and that my cheek just fits the depression in your shoulder.

It's a shame when other people's gambling habits change the meaning of paintings or when fluctuations of value start to dictate how people perceive art because it's too expensive to be interesting or moving. That's when I get bummed out.

In my 20s, as I began to travel in Europe, I found comfort in religious paintings. Even though my own belief in Catholic dogma had been shaken and weakened, I found that the beauty and the richness of the art still held me.

I find the history of toys very interesting on an academic level - they're very much products of their time, just like paintings and furniture tell us about their time.

A well-designed home has to be very comfortable. I can't stand the aesthetes, the minimal thing. I can't live that way. My home has to be filled with stuff - mostly paintings, sculpture, my fish lamps, cardboard furniture, lots of books.

I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.

The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind.

In October 1959, I could scarcely wait to get off the plane that had brought me to New Delhi so that I could go to the Indian Arts Palace in Connaught Place and begin buying miniature paintings.

One of the interesting things I discovered is that in the late 19th century, painters actually had black-and-white copies made of their own paintings. They chose it even over photographs because they knew the photographic medium would distort their work.

Puck flapped up to the happy couple. "Wait a minute! You have to ask someone to marry you? No one told me that! I thought you just hit them with a club and dragged them back to your cave!" Henry put his arm around Sabrina. "You're officially grounded from ever getting married." "Thank you," Sabrina whispered sincerely.

When you live on Cold Mountain long enough the autumns pass quickly When you live alone you have no worries When you leave the doors open no one bothers you The bubbling stream runs forever In the cave a clay pot boils over a fire on the ground A wandering breeze stirs the fragrant pines When hungry I eat one simple meal And lean against the rock in complete harmony

When you see Hitler burning paintings by Salvador Dali and Picasso he's telling you that this time period and these men and this culture didn't exist, and I've seen that happen in other countries, Sudan for instance, it's not enough to kill them you have to destroy all of their markings that they left that was their history.

I noticed that the large windows between the paintings [in the Musee d'Art Moderne] interested me more than the art exhibited. From then on, painting as I had known it was finished for me.

Some people would say my paintings show a future world and maybe they do, but I paint from reality. I put several things and ideas together, and perhaps, when I have finished, it could show the future.

Sometimes my kids might tell me they had a dream or and maybe I'll paint some paintings from their dream. That's one good thing you get from your kids. Rob them of their dreams.

I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings of birds.

Monarchs, aristocrats, and other powerful and wealthy individuals have usually been happy to have themselves and their possessions and families immortalised in oil paintings and sculpture. But before the 20th century, such dynasts rarely commissioned artworks that set out to represent society as a whole.

There is that interesting thing that Haughton Forrest was imagining the landscapes. They are so dramatic. They are dark, big, gloomy paintings and he was making them during some of the most ominous massacres in Tasmania. Forrest was recording history but missing the human story.

[Modern science] passed through a long period of uncertainty and inconclusive experiment, but as the instrumental aids to research improved, and the results of observation accumulated, phantoms of the imagination were exorcised, idols of the cave were shattered, trustworthy materials were obtained for logical treatment, and hypotheses by long and careful trial were converted into theories.

Life isn't perfect and that's the kind of world where Jesus showed up. He wasn't born in a palace on a perfect day. He was born in the middle of the night during tax season to an unwed couple in a stable or a cave in a sheep field. That was God's way of showing us that nothing is perfect. Life is chaotic. It's messy. That's what Jesus was stepping into.

Discussing religion was like discussing which cave will be better to live. If you want to follow a religion, follow any religion. It does not matter. If you have decided to commit suicide, does it matter how you do it?

Just because you're paranoid doesn't mean the bastards aren't out to get you. ... Painters of paintings, writers of books, never could tell the half. In each scenario, you can depend on the end where the lovers agree. Where's my Lothario? Where does he roam, with his dome Vaselined as can be?

Any legend, any creature, any symbol we ever stumble on, already exists in a vast cosmic reservoir where archetypes wait. Shapes looming outside our Platonic cave. We naturally believe ourselves clever and wise, so advanced, and those who came before us so naïve and simple...when all we truly do is echo the order of the universe, as it guides us.

'The Bradshaws' is the appropriately inappropriate English title given to an enigma - some hundreds of thousands of mysterious rock art paintings scattered through the wilds of the Kimberley, an area larger than Germany in the remote, scarcely populated northwest of Australia.

I love telling stories. And even in single images, I tend to have stories inside them. I've always loved film, but I was making drawings and paintings and photographs. And you put art and narrative together, and that really is comics.

In Sparta, paintings have been taken out of certain walls by cutting through the bricks, then have been placed in wooden frames, and so brought to the Comitium to adorn the aedileship of [C. Visellius] Varro and [C. Licinius] Murena.

Someday I would love to write about Vincent van Gogh - his paintings and letters continue to inspire me very much. But it remains hard to find the time and inner rest to write.

Unlike television, reading does not swallow the senses or dictate thought. Reading stimulates the ecology of the imagination. Can you remember the wonder you felt when first reading The Jungle Book or Tom Sawyer or Huckleberry Finn? Kipling’s world within a world; Twain’s slow river, the feel of freedom and sand on the secret island, and in the depths of the cave?

My idea is to paint paintings so that when you walk into a room, I'm pulling you in, or that makes you suddenly stop and wonder: 'What is this? There is something groovy, something else going on here.' Also, I want to give you what is obvious and what is not obvious to the eye.

Paintings are not like the Internet. They're not like movies. They're not electronic-friendly. You have to go see them. You have to stand in front of them. That's the great thing about them.

I think probably the first time I wanted to be an artist was when I was about six or seven years old. I used to get British comics and I clearly remember seeing my first American comic: an issue of 'Action Comics', with Superman on the cover with a treasure horde in a cave, and Lois saying something like 'I don't believe Superman is a miser!'

I like when people have opinions - especially about art. You can hate my art. I made my art to be hated. That's why I made the name paintings.

Oriental DreamWorks did a lot of the surfacing of the village [in Kung Fu Panda 3] and you know all the little paintings on all the gables and everything? They have meaning, and they could do that because they know what that means, we don't necessarily know about that over here.

That's partly the success of my work-the ability to have a young black girl walk into the Brooklyn Museum and see paintings she recognizes not because of their art or historical influence but because of their inflection, in terms of colors, their specificity and presence.

My lovely wife Janet has been in a few paintings. She is basically a reserved woman who has never sought the limelight. She has always been there throughout my career and continues to be at my side.

We always go to downtown Oklahoma City to look at all the Christmas lights that have been put up... We go to the Christmas Eve service at church, and we always beg my parents to open a present - just one present - on Christmas Eve. We get them to cave.

The reason these paintings are destined for New York is not because I am disappointed about a lack of German interest, but because MoMA asked me, and because I consider it to be the best museum in the world.

At a lecture, a guy said to me, "You know, when I look at your work, I don't know what I'm looking at, but when I look at a Willem de Kooning painting, I know what that is." I said, "Well, the paintings I'm doing have a very legible sentence at the top of the canvas." At a lecture, a guy said to me, "You know, when I look at your work, I don't know what I'm looking at, but when I look at a de Kooning painting, I know what that is." I said, "Well, the paintings I'm doing have a very legible sentence at the top of the canvas."

What really interests me about capturing and suspending movement is that I get to experience something invisible and inaudible, as elusive and fleeting as thought itself, and give it form... Maybe my paintings are all just little fragments of the Cosmic Dance suspended in time.

Galleries in the West have probably been looking for exoticism. That's the reason my paintings initially sold well, I think. And then once they started selling, people said my works were very detailed. They may have represented something Japanese to them.

I have no education, I have no academic background in painting or in music, but I write music and I compose music and I write and I sell paintings, and my rule is, well, they can't arrest me.