Top 1200 Character Actor Quotes & Sayings - Page 2

Explore popular Character Actor quotes.
Last updated on December 4, 2024.
I'm an actor, I created the character myself originally. I do tell the fans I appreciate that they think he's real. It all finally comes down to the writers who really got the character and wrote so many memorable lines.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
As an actor, particularly because I'm - I would call myself a character actor. I change my look, my physical appearance and my body, my hair color, my whatever all the time for a role.
As an actor it's like, go with whatever excites you as an actor. What are you're going to invest yourself in as a character? What are you going to get into? Have a variety of characters to play.
My job as a character actor is to make me fit the character, to serve the character. To present this human being who turns up in a piece of film or entertainment that's going, you know, exist as if it might exist after the film is finished and it existed before the film has started.
As an actor, it's important to feel for the character, as you will be watched by audience, and when you start feeling your character, you share a sense of happiness and achievement.
When you rehearse a play, you spend four weeks with one goal in mind - to wean the actor away from you. You want the actor to become completely independent and to understand all the emotional and psychological moves within the character.
I guess, as an actor, you have to bring something personal to the character - you've got to identify and love one element of the character, or else you can't really inhabit and find ownership.
I don't understand when people say character actors. You either have the protagonist or the antagonist and I've played both. It's an actor's role to play a character. Does that mean that main stream heroes and heroines are characterless?
I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.
What's actually amazing is that, after a couple of years of living with characters and writing characters and talking about characters, as we sit in the writers room and break episodes, it strikes you, every once in awhile, that you're talking about a character that's played by the same actor, who you've been talking about forever. We talk about a character dying, so you get emotional, and then you realize, "Oh, but wait, that actor is still on the show."
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen. — © Abhimanyu Singh
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.
An actor doesn't change thought, theme, or mood unless the character does, and the character only does it within the words of the play.
As an actor, I come to set, and I have already broken the character down by writing a poem about the character. I try to write in his voice, the way he would write it.
I am an actor and I do not have to relate to whatever I play on screen them at a personal level. What is important is to understand the character, do enough homework to know the frame of mind of the character or his back story.
Though I'm considered a leading man, I still consider myself a character actor. Because acting, to me, is creating a character, not playing the same thing all the time.
I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.
Well, Ive always been a character actor, you know, and you always get your share of character actors who are bad guys.
Well, I think probably when I first got in the business, I wasn't thinking of being strictly a character actor. But I knew I wanted to be a working actor, and as the years have gone on, I just naturally evolved into that. Because, y'know, I'm not a leading guy. Never was.
If you're an actor, always be true to your character. If you are not an actor, have character and always be true to yourself.
Every actor is a character actor.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
Oh, I'm dying to play Donald Trump someday, just because he's an unbelievable character. I'm a character actor; that's what you look for: outsized human beings.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
I call myself a character actor all my life. I've done a certain amount as a leading man, but character actors in my estimation - it's a lost art these days.
I feel it's very important for an actor to believe in the character that he/she is playing and do full justice to it in order to convince others that you are the character you are portraying.
Bob Duvall is a great actor because each time out, he creates a whole, complete character. You have the feeling that you're not seeing an actor at all, but a fully realized human being. Think of how he was in The Godfather. If you didn't know Bobby, you'd think that he really was Tom, the consigliere. Then you see him in Santini, and he's completely different. He's not only a personality, he's a consummate actor.
The chance to play a romantic character who kisses somebody onscreen was one of the elements that made me want to do 'The Stand.' The more you can do, the better, and I've been known as a character actor.
How many times can you play an action character, or a quirky romantic? Every actor has to find his own way to make each character unique. — © Edward Herrmann
How many times can you play an action character, or a quirky romantic? Every actor has to find his own way to make each character unique.
The actor is there to translate what's on the page onto the stage or the screen. So I find it important that an actor manages to actually get out of the way, vanish as a person behind the character, never to be seen or talked about again. That's my philosophy.
I think as an actor... I don't like to compare a character to anybody else, just because I respect other people's work, and I want that character to have his own identity.
The theatre has built a whole art round the actor, based on the man and his double - the actor and his character.
I'm not really a Method actor. I'm always afraid of working with someone who's afraid to [break character] and won't talk to anyone because they're in character. — © Kaitlyn Dever
I'm not really a Method actor. I'm always afraid of working with someone who's afraid to [break character] and won't talk to anyone because they're in character.
Every actor has his own approach towards acting. I believe you do not become the character you are playing. You may get closer to it but you do not lose yourself. There's just a reflection of the character in you.
When an actor comes to you and starts working with the script, the image of his character that you had in your mind gets substituted with an image of that particular actor. And this is the right way to go. An actor has to be absolutely truthful - this is the only thing required of him, apart from talent of course. It's very easy to understand: you need to absolutely believe in what you see.
Because I came to acting quite late, I kind of think one of the few attributes that I do have is that I try to be honest with the character, with the writing. I'm not a tricksy actor; I'm not exactly a scenery-chewing kind of actor.
My approach to the work is the same, whether I had the lead or a supporting role. I consider myself a character actor in the true sense of the word. Unless I'm doing my autobiography, I'm playing a character.
In every character you play, as much as you hate to admit it as an actor, but there's an element of you that you bring to it. Either the character helps you discover that element of you or the other way around, where that element of you helps you discover the character.
As an actor, I need to convince the audience that the character that I'm playing is real, and the situation that this character is in is also real.
As a character actor, you have to understand that it's not about you. You have to remember it's about someone else's life. And your character is just passing through.
When a director from Hindi cinema is looking for an actor from another language, it will be only because he feels the character justifies this and that can only be for a well-written character.
My job has always been to not only make my character look like a badass but to also make the actor I am fighting opposite to be the character they need to be too.
I gained a lot of confidence after 'IP Man' as being a true actor. I went on to tackle what it is an actor is supposed to do before a film. Do a lot of research, get into the character. That's what I did with 'Dragon.'
I would love nothing more to participate in a real struggle to find a character, and really delve into and develop a character. That's why I'm an actor.
Dubbing can change the 'sur' of the character. Doing it for another actor and to make it believable is tricky but interesting because you do not know the graph of the character.
As an actor, I always feel that each and every character in my films has to be distinct. The character Thilak that I play in 'Kavan' will be one such unique role in my career.
I can't negotiate and collaborate with a character to create a distilled dramatic investigation of the raw material. I need to work with an actor. That stuff about actors who stay in character all the time is nonsense.
I would love to do more acting; I really would love to do it, particularly character acting. I'm a character type of actor; I love situations where I've got a bit of room to improvise on the character.
I am a professional actor, and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do.
The most important thing you can do as an actor is bring as much of yourself to the character to ground the character in some sort of reality, and then you build around it and on top of it.
I'm a character actor and that's what I do. All the roles that I've had have been mainly support roles, because character actors don't usually get the lead in movies. It rarely happens.
Well, I've always been a character actor, you know, and you always get your share of character actors who are bad guys. — © Colm Meaney
Well, I've always been a character actor, you know, and you always get your share of character actors who are bad guys.
I have to say from an actor's perspective, to work with a director who has been an actor through most of their career is a pleasure. They generally have a very deep understanding of the process of what you're doing, of how you are building and exploring the character.
You know, I always got offered other stuff. Not the romantic leads, obviously. But very often it's a role that's underwritten, where the character has no personality at all. And they need a character actor who can fill it in.
I'm a character actor - always have been, always will be - and historically, character actors don't come into their own until later in their professional and chronological lives.
It is very satisfying to see people praising you and your character, and the journey of the character moved them. It gives you a lot of confidence as an actor.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
When you're playing a character, as an actor or actress, you can't judge them for what they do. You really have to find what is in them that you have compassion for and fall in love with that character, regardless of what they do or how they behave.
When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.
When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.
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