Top 1200 Character And Reputation Quotes & Sayings - Page 8

I think when you're playing a character in any film it's so crucial to have the costume that makes you feel like you're going to be that character.

I strongly believe that when you are cast in a role, there will be similarity in the character and you - why else would you be chosen for the character?

To a large extent, people's interest in the character is the mystery of the character.

Never does a man portray his character more vividly than when proclaiming the character of another.

I don't live that much with the character. I find it hard enough having to spend so many hours with the character during the day.

You think football builds character. It does not. It reveals character.

Remember what Bogie and my mother both used to say: 'Character is the most important thing. All that matters is character!'

A clown's makeup and character, that's all he has to sell. He loves and believes in that character.

When I developed the Ultimate Warrior character and kept evolving the character, I knew, there was no question that it would work because it was working.

It's nice to play a character that has a soulful, dependent, close relationship. It must mean my character is interesting in some way.

Every great institution is the lengthened shadow of a single man. His character determines the character of the organization.

My take is that every character requires a different character to be cast.

In every film, whether it's a fictional character or not, you create an idea of the character and for me I always do a bad impersonation to start with.

When you look at "American Crime" and you have the character Terri LaCroix is a pharmaceutical executive - why does that character always have to be white?

Thrilled that Gov. Romney enjoys my old character. I enjoyed the character he used 2 b 2. If he'd embrace that again, he'd b a great candidate.

If you do a black character or a female character or an Asian character, then they aren't just that character. They represent that race or that sex, and they can't be interesting because everything they do has to represent an entire block of people. You know, Superman isn't all white people and neither is Lex Luthor. We knew we had to present a range of characters within each ethnic group, which means that we couldn't do just one book. We had to do a series of books and we had to present a view of the world that's wider than the world we've seen before.

The great thing about 'Mirzapur' is that no one character is clear black or white, every character is working in a grey shade.

When you come out of the other end of a long process, working with a character [you realize] this character has really shaped my ideas.

I questioned everything. I didn't see a character developed in Platoon at all. The character in Blue Velvet was much more fascinating to me.

A character is what he does, yes - but even more, a character is what he means to do.

When I was growing up, there was a character on TV; there was a character stereotype: it was personified by Mel on 'The Dick Van Dyke Show.'

TNA has been great as far as allowing me to have more input creatively on my character and the direction of my character and promos.

Adversity builds character and character takes you places money can't.

One of the ways that you reveal character is by getting a character into a situation and seeing what they do.

Look for players with character and ability. But remember, character comes first.

As long as a character doesn't die, the character can always come back.

It's always fun to layer a character, to make the character a little bit more dynamic than it is on paper.

I really feel our job as actors is to find a human experience in the character. So, for me, genre comes second; it's about script and the emotional journey of that character. Genre definitely has an impact, but it has more of an impact on the way the character is expressed. We all have the same core emotions of love, jealousy, rage - it's just how they're expressed.

Music or sound in a film is a character as important as another character.

To create a character who really interests you, try combining aspects of your favourite fictional character with a real person.

If my sense of security lies in my reputation or in the things I have, my life will be in a constant state of threat and jeopardy-a fear that these possessions may be lost, stolen, or devalued. If I'm in the presence of someone of greater net worth, fame, or status, I feel inferior. If I'm in the presence of someone of lesser net worth, fame or status, I feel superior. My sense of self-worth constantly fluctu-ates. I don't have any sense of constancy, anchorage, or persistent selfhood. I am constantly trying to protect and insure my assets, properties, securities, position, or reputation.

What makes a strong female character is a character who has weaknesses, who has flaws, who is maybe not immediately likable, but eventually relatable.

Unless the character is suffering from tremendous self doubt or pangs of conscience, you have to get morally behind the character and their values.

I never like to refer back to anything I've done when I'm working on a character, even if that character has the same occupation.

A dinosaur out of context is like a character without a story. Worse than that, the character suffers from amnesia.

It's definitely my responsibility not to stereotype any character, but especially a gay character because of the misperceptions people still have about gays.

The truth is that, to me, a likeable character is a character that is really flawed, so I don't know what people mean when they say 'likable.'

The first thing I do with any script is read it and try to visualize if I can play the character - if I can feel what the character's feeling.

The main thing I would say is: Lady Loki in the comics is a very different character to our character, obviously.

When I become a character in a movie or drama... I can think about the character only and not the complicated matters of my own life.

I questioned everything. I didn't see a character developed in Platoon at all. The character in Blue Velvet was much more fascinating to me

I'm quite excited to not play a Xena type character - it's probably closer to me than any character I've ever played.

I want to play a character which is as far away from myself as possible and a character that isn't even human, a superhero is just that.

It's a real challenge to have someone perform a character vs. imitate a character.

When you're playing a character, I think it's always better not to judge that character.

Honesty and integrity is an important part of our character, my character.

If you're writing about a character, if he's a powerful character, unless you give him vulnerability I don't think he'll be as interesting to the reader.

A well-written character is one where you don't know in which direction it's going; the character could spring a surprise any moment.

Just working on a character and his mannerisms, but not looking the part, is not my thing. It is your duty as an actor to be honest to the character.

If you have a character named Captain America, he is, by default, a political character.

I choose a film only if my character has got importance. My character should have some weight. I shouldn't be someone who just comes and goes.

I think if you've held onto a character for several years and then you're getting rid of that character, it's going to be traumatic.

You draw the character from all angles - side, profile, back, etc. so the animator has this character in all the ways it looks like.

Everyone tries to define this thing called Character. It's not hard. Character is doing what's right when nobody's looking.

Human character evermore publishes itself. The most fugitive deed and word, the intimated purpose, express character.

Leadership consists of character and strategy. If you can't have both, opt for character.

There's really one character for every actor. The voyage is to find that one character.

I don't think voters give a hoot about the character of their political advisors, except to the extent that character reflects on the candidates.

My character in 'Casa de mi Padre' is an ambitious woman. I had never played that kind of character before.

As an actor, you have to be able to put yourself into the character since your job is literally making the character and the situation he is in believable.