Top 1200 Character Assassination Quotes & Sayings - Page 20

You know, when you're in your twenties you use a great deal of symbolism. You somehow think that a character standing beneath a cross is more interesting than a character standing underneath a billboard, but when you get a little older you realize that there's not much difference.

People say that you want to be varied in your career, and I've done so many things and am very appreciative. But, the one thing I've never done and wanted to do was to be a regular on a TV show, where you get 22 weeks of the year to develop and play a character. I've done arcs of five or eight episodes on shows, but I'd like to have a character that's rich enough and deep enough to want to explore and live with for a few years. Playing the same character, but doing different scenes seems very exciting to me.

In every movie, there's always some physical thing that triggers the character for me. In 'The Long Walk Home,' it was the girdle. Every time I'd put that girdle on, I'd feel my character wiggle to life.

There are so many different ways to develop a character - physically, mentally, spiritually and all of that - but the research was really beautiful. I love the process of finding characters because, in the beginning, it's really unknown, and then, by the end of it, all of a sudden, you're walking and talking like that character.

Rahul Jaykar, my character in 'Aashiqui 2,' was a talented musician battling his demons, while Noor Nizami, my character in 'Fitoor,' is an artist who spends his entire life in pursuit of the love of his muse, Firdaus.

The [character] that I was able to crawl into the most was Lilo from Lilo & Stitch. This was sort of a cartoony-looking girl, but her problems were completely real. Her funky world that she createdI mean, you know kids like that. It was very honest and genuine and I wanted to do an honest job, so I thought about the character a lot before I animated it. I really got into the character, where [I] almost felt that pain that she had. The loss of the parents - you need to feel all that. That was a big learning experience for me.

I try to do as much as possible for every character. Some of them, it is easier to do the research because you have either real examples that you work with, maybe some specific person that inspires you in that case, or the performances from other people, or the characters, or a character from a book.

One character I always thought I could play is the Thing from 'Fantastic Four.' Another character I've always loved as a fan is Colossus. If there was a way to make that happen that worked, I would love to be Colossus.

Don't try so much to form your character - it's like trying to pull open a tight, tender young rose. Live as you like best and your character will take care of itself.

I really love this character I played called Becky Freeley in a T.V. show called 'Miss Guided'. We only shot seven episodes, and nobody watched it, and it was on for, like, a second, but I really liked that character.

My experience with video games is a far cry from 'WWE 2K17.' Did I ever aspire to be that character? Man, I just wanted to be a hero to kids. Whether it's a character in a video game, a movie or a TV series, it's an accolade that I'm greatly appreciative of.

I think there's something really positive about getting to explore a character for a long time on a TV show and live with that character and live with the choices they make, but it's also really great to step in.

I think Ryan Gosling is a really great actor who's meticulous about his work. And I'd love to have the guts that Johnny Depp has to actually go outside the box on a character. When he plays a character, he plays it in a way that nobody else would.

Five hours after presenting a ...lecture on cancer before an audience of about 400 in L.A., the windshield was shot out of my car on the road back to San Francisco. The next night the glass window in the tailgate (the back window) was shot out (300 miles removed from the first shooting)...The late Arthur T. Harris, MD, was threatened by two men with assassination if he continued to use Laetrile.

No one, and I mean no one, gets personally offended by someone saying a food that they like is just okay - as if I had just attacked one of their character traits - unless 'character trait' is exactly what they consider liking that food to be.

I have a journal, and every character that I play, I write as the character: how I feel about things and how I'm going to play it.

When you borrow on your character, it is your character that you leave in pawn.

Every character is a part of you and a part of the character that you are going to evolve into that you are not yet.

I have done scenes as Harvey Two-Face. It's interesting. I won't tell you exactly what we're going for, but I think that I can say that it will use all of today's technology to create this character. He's going to be interesting, and I think that's what makes this character important in the movie-you get to see him as he was before, as in the comic books. Harvey is a very good guy in the comic books. He's judicious. He cares. He's passionate about what he loves and then he turns into this character. So you will see that in this film.

The magnitude of the atomic weight determines the character of the element, just as the magnitude of the molecule determines the character of a compound body.

The true key to the declension of the Roman empire which is not to be found in all Gibbon 's immense work may be stated in two words: the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.

My character [in This Is Us], Randall, was adopted. He'd never met either of his biological parents so he seeks out and finds his biological father after 36 years. So that's where we find my character at the beginning of the show.

By the life we live through the grace of Christ, the character is formed. The original loveliness begins to be restored to the soul. The attributes of the character of Christ are imparted, and the image of the Divine begins to shine forth.

The strike of the miners in Arizona was one of the most remarkable strikes in the history of the American labor movement. Its peaceful character, its successful outcome, were due to that most remarkable character, Governor Hunt.

I try to give each performance my own soul, to bring a truth to my character. Hopefully, when I bring that much truth to a character, it resonates with somebody, and it sparks some kind of emotion in them.

The "magic if" is a tool invented by Stanislavski, the father of acting craft, is to help an actor make appropriate choices. Essentially, the "magic if" refers to the answer to the question, "What would I do if I were this character in this situation?" Note that the question is not "What would I do if I were in this situation?" What you would do may be very different from what the character would do. Your job, based on your analysis of the script, the scene, and the given circumstances regarding the who of your character, is to decide what he or she would do.

The thing that I love about 'Will & Grace' is that there's a clear-cut reason for my character to be there. I come in with the zinger. My character seldom has much to do with moving the story ahead. I know exactly what my job is there. It's just a party, basically. I'm just having a ball.

No, the Muppets are not communist. And the character of Tex Richman is not an allegory for capitalism in any way. The character is called Tex Richman.

The British tradition, basically, is to go to the character. And the Hollywood tradition, shall we say, is basically to take the character to the performer.

Life as a performance is just a way to look at life choices as character choices. Every morning you choose what to wear, you choose how to wear your hair, you choose your friends, you more or less choose your profession, and how hard you will work at it. Those are all things that an actor decides about his character when he is performing, and they are things that we decide in life. We create our "character."

The second term of the Bush administration and first five years of the Obama presidency have been devoted to codifying and institutionalizing the vast and unchecked powers that are typically vested in leaders in the name of war. Those powers of secrecy, indefinite detention, mass surveillance, and due-process-free assassination are not going anywhere. They are now permanent fixtures not only in the US political system but, worse, in American political culture.

No government can be strong and flourishing while the national character is weak and degraded. A government must flourish and decay with its subjects; and, when a prince makes a law or performs an action which has a tendency to injure the character or prosperity of the nation, he injures himself.

The struggle for your own character is the struggle for the nation's character.

I don't start a song with an idea of what ingredients are going to go into a song. It's not like a recipe. I will normally either talk from personal experience or I'll make a character and then try to allow that character to behave the way he or she naturally would.

'Fast & Furious' is Hollywood's 'Dabangg.' It is that big there, so it obviously feels amazing to have played a part in it. The role is small but very interesting. People will see me in full Hollywood accent, and the character is not like typical Indian character.

There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.

The character we exhibit in the latter half of our life need not necessarily be, though it often is, our original character, developed further, dried up, exaggerated, or diminished. It can be its exact opposite, like a suit worn inside out.

I sense a kind of fear of writing black or Asian characters from non-ethnic writers, who perhaps feel that they don't know the culture and therefore can't write about it. By and large, if there's an Asian character, I might get a call. But if the character is called 'Philip,' the chances are I won't.

Well, you know, with every character, if you're going to expose yourself, you've got to figure out every detail that you're going to play. So there's no character that you can just go put on his shirt and be fully prepared.

I don't have a favorite genre. I love to work and live vicariously through every character. It's all about trying to bring the character to life and get the story across in a way that resonates with the audience. It's always interesting and challenging in a gratifying and unique way.

I give the character a history and a full life; this way the tears come naturally for the character in whatever situation calls for tears. Also, sometimes a certain song will help me feel emotions that evoke tears.

I'd love to do comedy. I'd probably have to get my laughing fits in check, because generally if I've done comedy, I'm usually the straight character that plays against the very obviously funny character, so that's really hard when the person is really hilarious.

'One Day' is definitely heartbreaking in a few ways, but one of the main ways is that my character and Jim Sturgess's character are just people from two different worlds who love each other in so many ways and can't quite seem to get it together.

I like a character that goes on a journey. A character that has had it all, lost it all, and is trying to get back to just being OK. I love the agony of defeat just as much as I love the thrill of victory.

Never forget that a man is made great and perfect as much by his faults as by his virtues. So we must not seek to rob a nation of its character, even if it could be proved that the character was all faults.

I think the writers of 'Community' have moved on from my character. I'm pretty sure. I would love to go back on. I had a really good time and I really liked that character, but I don't think it's going to happen.

There's two sides to Trump's character, at least his pre-presidential character. One was, 'I'm the richest man you could possibly imagine, I live the life of Scrooge McDuck.' The other side was, 'I need your money. Give me money.'

There is no substitute for character. You can buy brains but you cannot buy character.

My character is very organic and an authentic representation of who I am as a person at the time. As a 28-year-old, I'm different as a man than I was as an 18-year-old. As you grow as a human being, the character evolves.

I am a character actress. Well, let's say, I am a leading character actress who does interesting, odd parts.

There are so many ways to approach a character. You have to figure out the similarities between you and the character, build on them, and at the same time, blur the dissimilarities. Since you do it day in and day out, it becomes a process and a part of you.

Kristina [Klebe] plays her character [in Don't Kill It] pretty straight, and because my character's so crazy and colorful, it works quite well. Kristina really loved the part, so she was very accommodating and willing to explore it and work hard.

I've found that when I'm having trouble solidifying a character or a scene, that music will often free my subconscious just that last little bit to allow me to move forward, and often it's in a direction that I didn't expect, but is 100 percent true to the character.

Allison Janney's character in 'The West Wing' was so rocking! I am a huge fan of Mary Louis Parker and her character in 'Weeds.' My manager says, 'you have to grow into yourself, Allison' because all the characters I want to play are, like, 39.

It was a strange season coaching under that new [Alderson] regime. I felt like I was watching the deterioration of the Mets organization. They seemed to have no identity. My concern was that the character of the players they were looking for superseded the talent they brought to the table. Character on a team is important, but you've got to have the horses to win.

For me, with any character, there are different ways that you approach understanding him, and in this film in particular, because I had the novel to refer to. It's always really helpful to have all of that information and all of those hundreds more words which give you an idea into the background and your character and all.

In the birth of societies it is the chiefs of states who give it its special character; and afterward it is this special character that forms the chiefs of state.

It's a different kind of acting, this 'Law & Order' thing. They want two partners who can play off each other well and are fun to watch, but depth of character is not necessary in this job. Too much character gets in the way of the story. This is a very specific gig.

I don't know what I am. I guess you can call me a character actor in the sense that I'll never be an ingenue. You know, that's over. My shot was missed. I take a normal person and make them more of a character. I don't know what that would be called.

In feature films, I used to be the hero's friend, a regular character. In short films, I played the hero; I got roles where I could work on my character and performance. They made me aware of myself as an actor.