Top 1200 Character Flaws Quotes & Sayings - Page 16

Character in many ways is everything in leadership. It is made up of many things, but I would say character is really integrity.

If you can find a way your character moves, you know more about your character than you'd ever dream.

You just play what a writer writes, in terms of what a character chooses to do and how a character chooses to deal with their various relationships.

I guess I'm the perfect young lead actress. I'm not Chloe Sevigny - I'm not really a character actress. Some actors have "character" faces.

The more a character wants and the less a character has the ability to get what they want, the more you have an endless fuel for storytelling in comedy.

I've never met a woman who thinks they've got a good enough figure - however perfect they look - which is sad, because no one else can see these perceived flaws; they're entirely internal

Character develops in stream of struggle and adversity. Character is foundation of your inner beauty which reflects in your personality.

Every characteristic of my character and my moves always came from my real life. My character is kind of close to my real personality.

Think of every character as a main character. They believe they're the main characters in their stories. No one should just be an obstacle.

You don't realize how much a part of your character is part of yourself until you are no longer playing that character.

I'm not really a Method actor. I'm always afraid of working with someone who's afraid to [break character] and won't talk to anyone because they're in character.

When you get to play a character that's in love, it's cool. Once you have love as a motivator in a story, your character is free to do anything.

Our estimate of a character always depends much on the manner in which that character affects our own interests and passions.

One of the things that I love so much about the character of Sally Bowles is that she is such a huge character - she is so roomy.

Every time you see someone saying a character's too this or too that, those are the things that make a character.

My history is that I will create a character, and they will have a book to themselves, and then I'll integrate the character into the larger world of all my books.

Quite often my narrator or protagonist may be a man, but I'm not sure he's the more interesting character, or if the more complex character isn't the woman.

As a character actor, you have to understand that it's not about you. You have to remember it's about someone else's life. And your character is just passing through.

The day people around me stop questioning my character is the day my character begins to grow vulnerable.

In 'Out of the Dark,' I'm talking about my own life. I'm not talking as a character or speaking as a character. I was not as free as when I write fiction.

It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.

People in Seattle and Tacoma know who I am as a person, and I don't think I am a character risk or have a character issue at all.

My key interest in choosing scripts is character-driven stories, because there are so many stories that sacrifice character for plot.

I've never met a woman who thinks they've got a good enough figure - however perfect they look - which is sad, because no one else can see these perceived flaws; they're entirely internal.

I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.

In old days the public didn't really mind much about accuracy, but nowadays readers take it upon themselves to write to authors on every possible occasion, pointing out flaws.

I do love that witches haven't really been explored that much. Usually, witches are the little side character... a bad female character that comes in and leaves.

...Intelligence and character of the masses are incomparably lower than the intelligence and character of the few who produce something valuable for the community.

I would rather be adorned by beauty of character than jewels. Jewels are the gift of fortune, while character comes from within.

I wanted to do something about a really optimistic character: a character who was so optimistic, no one could burst her bubble.

I had much rather be adorned by beauty of character than by jewels. Jewels are the gift of fortune, character comes from within.

I didn't really look like a character actor, yet those were the roles I loved to play. If you were a character actor who didn't necessarily look like a character actor, you had to play bad guys.

I'm a character actor but unlike a lot of character actors, I don't look radically different from film to film and there was a bunch of them at once.

Well, I've always been a character actor, you know, and you always get your share of character actors who are bad guys.

When I'm inside the character, I feel like I'm a different person, and then when you see that character on screen and I see that it's me, I find that disappointing.

The character wherewith we sink into the grave at death, is the very character wherewith we shall re-appear on the day of resurrection.

I find it really hard to throw myself into something artistically where I'm making up a whole character and finding something for that character to do.

What I need, as a reader, is a character with a heart and a voice and a pulse. I need a character so vivid and so specific that she doesn't feel like fiction.

Every character is a baby. You can't choose between them. If you can, you didn't do your job. You have to fall in love with every character.

I try mainly to just focus on character and what my character's point of view is, with each person, and try to figure out story.

You could say I'm a character actress. Or maybe a character actress who does peculiar, interesting lead roles.

I'm so critical, especially of the movies I do. If the movie flows and I buy it, that's important. Beyond it working, if I buy the character, especially if I'm close to the character.

No, I don't have to practice that grunt. You just do it. Once you're in character, you're in character. You don't sit there purposely thinking, Well, I'll grunt here, or I'll groan there.

The truth is I've always been a Christian. What's amazing, is that the flaws that come with Christianity are really weird, because mine have a microphone and a camera attached to them. Most people don't have to live under that microscope.

Whatever flaws or personal failings afflict them, it remains the case that the overwhelming majority of priests and politicians are honourable and honest - seeking to live out their beliefs and serve society.

We love to receive praise, but usually we're not certain what message, precisely, we should take from it. On the other hand, when someone points out our flaws, we realize immediately that something needs to change.

My father will never say no to a character, as I never go to him and talk about a character for which he won't give the nod.

That's kind of my ideal sequel - a movie that continues the story, takes one character and moves on, and moves forward with that character that survived with the first one.

I don't want to be a nobody in a film. It's okay if it is not a lead character, but it should be a central character and it should make an impact.

There's no need for a female character that does things like a male character; that's not what makes interesting female characters in my view.

The same way that you are the main character of your story, you are only a secondary character in everybody else’s story.

An actor doesn't change thought, theme, or mood unless the character does, and the character only does it within the words of the play.

The way it works for us is, when I watch a character and I connect to a character, I'd love to bring them back and see them again.

When you're building a character, or at least when I'm building a character, you start saying, 'How am I going to make people like him?'

I just don't play a character for the heck of it. Rather, I always look for a human element in every character that I play.

The hardest thing for - not only an artist but for anybody to do is look themselves in the mirror and acknowledge, you know, their own flaws and fears and imperfections and put them out there in the open for people to relate to it.

That's what we do in the WWE: we tell stories; we're characters. We go into the ring, and my character is telling a story in the ring against another character.

I think if you find that you're making a judgment on the character, than your audience will make a judgment on the character.

You want, in a sense, to relate to the main character, so often, the main character POV is a bit more of a blank slate.

The character and mentality of the keepers may be of more importance in understanding prisons than the character and mentality of the kept.