Top 1200 Character Of A Man Quotes & Sayings - Page 18

Explore popular Character Of A Man quotes.
Last updated on November 19, 2024.
When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
The final estimate of men shows that history cares not an iota for the rank or title a man has borne, or the office he has held, but only the quality of his deeds and the character of his mind and heart.
The theatre has built a whole art round the actor, based on the man and his double - the actor and his character. — © Jean-Louis Barrault
The theatre has built a whole art round the actor, based on the man and his double - the actor and his character.
I prefer not to wink out from behind the character as myself, saying to the audience, "It's just me here, right, guys?" Peter Sellers is my model, and he didn't do that - he wore his character from head to toe.
Man can have strength of character only as he is capable of controlling his faculties; of choosing a rational end; and, in its pursuit, of holding fast to his integrity against al! the might of external nature.
Be thankful that sometimes God lets you struggle for a long time before that answer comes. Your character will grow; your faith will increase. There is a relationship between these two: the greater your faith, the stronger your character, and increased character enhances your ability to exercise even greater faith.
I want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is - which I'm a lot more interested in than what they do under the pressure of a gunfight.
Obama is a man of first-class intellect and first-class temperament. But his character remains highly suspect.
The decision to do it [play Maigret] was related to the fact that the character is a very ordinary man, and generally speaking I haven't played very many ordinary men.
You get to know a character that you play on-stage in a pretty profound way over a length of time. I don't want to sound highfalutin and say you become the character, you just start bringing more and more of yourself to the part until the character and actor, it's hard to tell them apart. It's some weird amalgam. In film, because of the period of time, I don't know that you ever get that deep into it.
I need to be able to write a poem after every film and to kind of cleanse myself from the character because for about three months or so, I'm constantly living through the character's eyes.
Manliness means perfect manhood, as womanliness implies perfect womanhood. Manliness is the character of a man as he ought to be, as he was meant to be.
On the last day of every character I've ever played, I lay the clothes out on the floor with the shoes and socks, so that it looks like the character has literally vanished. That's the way you have to leave them.
You just play what a writer writes, in terms of what a character chooses to do and how a character chooses to deal with their various relationships.
But what man does out of despair, is not necessarily a key to his character. I have always thought that the real key is in that which he seeks for his enjoyment.
I think it is kind of important to direct someone so the character is appealing, but, as an actress, I find it frustrating because I think, "Why do I have to be more likable than a man would have to be saying the same line?"
I'm an actor, I created the character myself originally. I do tell the fans I appreciate that they think he's real. It all finally comes down to the writers who really got the character and wrote so many memorable lines.
Undeniably, character does count for our citizens, out communities, and our Nation, and this week we celebrate the importance of character in our individual lives... core ethical values of trustworthiness, fairness, responsibility, caring, respect, and citizenship form the foundation of our democracy, our economy, and our society... Instilling sound character in our children is essential to maintaining the strength of our Nation into the 21st century.
If you can find a way your character moves, you know more about your character than you'd ever dream. — © Rita Moreno
If you can find a way your character moves, you know more about your character than you'd ever dream.
If men do not comprehend the character of God, they do not comprehend themselves..." If the veil were rent today, and the great God who holds the world in its orbit, and who upholds all worlds and all things by His power, was to make Himself visible, - I say, if you were to see Him today, you would see Him like a man in form - like yourself in all the person, image, and very form as a man.
What you can do with visual effects is enhance the look of the character, but the actual integrity of the emotional performance and the way the character's facial expressions work, that is what is going to be created on the day with other actors and the director.
My history is that I will create a character, and they will have a book to themselves, and then I'll integrate the character into the larger world of all my books.
Each movie was a challenge for me, as a man, as an actor. After each movie, something changed in my life, in my character.
The only way in which one can make endurable man's inhumanity to man, and man's destruction of his own environment, is to exemplify in your own lives man's humanity to man and man's reverence for the place in which he lives.
[A]s a lady adjusts her dress before a mirror, a man adjusts his character by looking at his journal.
I feel like I've been playing Spider-Man my whole life. He's a character I've been pretending to be in my bedroom since I was a kid - so I've been preparing for this forever, I think.
Adversity is a crossroads that makes a person choose one of two paths: character or compromise. Every time he chooses character, he becomes stronger, even if that choice brings negative consequences.
All the time that I'm acting with an animated character, I'm looking at a tennis ball or sticky tape or an eyeline or a man in a green suit. There's no real environment, just this electric green that's blaring into your brain.
I still, to this day, get people talking about Curry Man; for a character that hasn't wrestled, technically, since 2008. So, it's cool to think that that part of my career is still respected and enjoyed and it's awesome.
There's no need for a female character that does things like a male character; that's not what makes interesting female characters in my view.
Shields Green was not one to shrink from hardships or dangers. He was a man of few words, and his speech was singularly broken; but his courage and self-respect made him quite a dignified character.
We live in an age fit for heroes. No time has ever offered such perils or prizes... The test of this century will be whether man confuses the growth of wealth and power with the growth of spirit and character.
Most of the comedy characters I played have been extensions of my own personality and very similar to Mike Channel. It's a weird eclectic mixture of your genuine character and the character you portray.
The first thing I read was of my character on the phone talking to Sydney's fiance. Though short, it was so beautifully written, and it made me laugh. I thought if I wanted to play a character, this would be it.
Old Mr. Rarx was not a pleasant man to look at, nor yet to talk to, or to be with, for no one could help seeing that he was a sordid and selfish character, and that he had warped further and further out of the straight with time.
...Intelligence and character of the masses are incomparably lower than the intelligence and character of the few who produce something valuable for the community.
When I create a character, particularly my central character, I want someone who is interesting and feels real and who might have quite a few virtues but is unlikely to be perfect, who hasn't necessarily made all the right choices.
I would love to do an anthology show based on the character of Jesse B. Semple that Langston Hughes wrote about. He's sort of a Forrest Gump character in the midst of 20th century Harlem.
Unless a man has pity he is not truly a man. If a man has not wept at the worlds pain he is only half a man, and there will always be pain in the world, knowing this does not mean that a man shall dispair. A good man will seek to take pain out of things. A foolish man will not even notice it, except in himself, and the poor unfortunate evil man will drive pain deeper into things and spread it about wherever he goes.
My approach to the work is the same, whether I had the lead or a supporting role. I consider myself a character actor in the true sense of the word. Unless I'm doing my autobiography, I'm playing a character.
You want, in a sense, to relate to the main character, so often, the main character POV is a bit more of a blank slate. — © Jane Goldman
You want, in a sense, to relate to the main character, so often, the main character POV is a bit more of a blank slate.
My key interest in choosing scripts is character-driven stories, because there are so many stories that sacrifice character for plot.
Every characteristic of my character and my moves always came from my real life. My character is kind of close to my real personality.
It was seriously just a name. They didn’t tell you what to do. They didn’t tell you how they wanted the character to be - nothing. You went in to audition for this character name and that was it. When I started, before I came onto the set, I went to Gene Roddenberry and said: hey, what do you want from this guy? Who is he? And being as smart as he is, he said: don’t listen to what you’ve heard or read or seen in the past, nothing. Just make the character your own. And that’s what I did.
Every movie I work with the costume designer to see what feels like the character, not what Columbus would wear but what is right for the character. Outside of the armored truck standard issue security guard uniform, this guy is trying to make ends meet. He might have one pair of jeans, the same boot, maybe changes his shirt but he doesn't have a walk-in closet full of things, so I wanted something comfortable that felt like the character.
Character is something each one of us must build for himself, out of the laws of God and nature, the examples of others, and - most of all - out of the trials and errors of daily life. Character is the total of thousands of small daily strivings to live up to the best that is in us. Character is the final decision to reject whatever is demeaning to oneself or to others and with confidence and honest to choose the right.
There were episodes where I would wear seven or eight outfits. It took a lot of time to get those together. What the character wears is very essential to how I create the character.
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
There's nothing like being in fashion. A man that has once got his character up for a wit is always sure of a laugh, say what he may. He may utter as much nonsense as he pleases, and all will pass current. No one stops to question the coin of a rich man; but a poor devil cannot pass off either a joke or a guinea without its being examined on both sides. Wit and coin are always doubted with a threadbare coat.
A man's magic demonstrates what sort of person he is, what is held most deeply inside of him. There is no truer gauge of a man's character than the way in which he employs his strength, his power. I was not a murderer. I was not like Victor Sells. I was Harry Blackstone Copperfield Dresden. I was a wizard. Wizards control their power. They don't let it control them. And wizards don't use magic to kill people. They use it to discover, to protect, to mend, to help. Not to destroy.
It's one of the reasons why Spider-Man: Homecoming is so exciting. Because it's a new genre for us, a new character, the first time that Spider-Man is in our cinematic universe and you can see what he was meant to be in the comics. He's such a young teenager in comparison to these other heroes. But I think, because we're film fans who go and see everything, it's much more natural that you're inspired by other work. And then of course that influences your work, and the way you make films.
In 'Kalank,' I am playing a character, which is quite strong, quiet a little complex yet interesting, that drew me towards the character when I heard the narration from director Abhishek Varman.
I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he's made of sugar.
If man is reduced to being nothing but a character in history, he has no other choice but to subside into the sound and fury of acompletely irrational history or to endow history with the form of human reason.
What is the importance of human lives? Is it their continuing alive for so many years like animals in a menagerie? The value of a man cannot be judged by the number of diseases from which he escapes. The value of a man is in his human qualities: in his character, in his conscience, in the nobility and magnanimity, of his soul. Torturing animals to prolong human life has separated science from the most important thing that life has produced - the human conscience.
If I find great material, or a great character, or a great director that wants to do something on TV, or whether it's in film, or whatever it is, man - as long as it's good, and on the level, I'm open to it.
The language denotes the man. A coarse or refined character finds its expression naturally in a coarse or refined phraseology. — © Christian Nestell Bovee
The language denotes the man. A coarse or refined character finds its expression naturally in a coarse or refined phraseology.
That's what we do in the WWE: we tell stories; we're characters. We go into the ring, and my character is telling a story in the ring against another character.
Yet I am not more sure that my soul lives, than I am that perverseness is one of the primitive impulses of the human heartone of the indivisible primary faculties, or sentiments, which give direction to the character of Man.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
This site uses cookies to ensure you get the best experience. More info...
Got it!