Top 596 Charlie Hebdo Quotes & Sayings - Page 10

I think people are very cynical with actors trying to tell them what to believe in, or lobbying for any kind of changing of government policy. Even I get cynical about it. Like, Why is Sharon Stone telling me this? And there's just something annoying about having Charlie Sheen tell me, "It's your responsibility to vote," in an admonishing way on MTV.

Nobody likes me!" "I wish I could like you, Charlie Brown, but I can't... If I were to like you, it would be admitting that I was lowering my standards! You wouldn't want me to do that, would you? Be reasonable! I have standards that I have set up for liking people, and you just don't meet those standards! It wouldn't be reasonable for me to like you!" "I hate myself for being so unreasonable!

I exercise regularly. I eat moderate amounts of healthy food. I make sure to get plenty of rest. I see my doctor once a year and my dentist twice a year. I floss every night. I've had chest x–rays, cardio stress tests, EKGs and colonoscopies. I see a psychologist and have a variety of hobbies to reduce stress. I don't drink. I don't smoke. I don't do drugs. I don't have crazy, reckless sex with strangers. If Charlie Sheen outlives me, I'm gonna be really pissed.

I used to take musical instruments home from elementary school. There were some music teachers there - we all learned instruments. A lot of us got started in public schools. Charlie Parker and Bud Powell, for example. But now there are no more music teachers in public elementary schools. It's like (Senator) Moynihan said, 'benign neglect.' Just let it rot and fester.

Animals are a huge part of my life, so yes, if you are going to be a part of my life, you would need to have the same love for animals. Howard is so great in that aspect and he truly is my partner. We have six resident cats - Walter, Apple, Leon Bear, Charlie Boy, Bella, and Yoda-and we have fostered over fifty kittens in the last year. He even lets the kittens play in his hair! They love it!

[Charlie Parker] was kind of a sponge and intrigued by it all.That's similar to what Phil [Woods] told me about Bird, too. Like he was into cooking. He was just into a lot of things. Yeah, it's about dealing with bebop and jazz and Trane [John Coltrain] and post-Trane and knowing the history. But you've got to live. You have to experience things. Know something in this world. So it was a very deep education about what it means to try and be an artist.

In those days before hearing Charlie Parker and Dizzy, and before learning of the so-called bebop era--by the way, I have some thoughts about that word, "bebop"--my first jazz hero ever, jazz improvisor hero, was Lester Young. I was a big "Lester Young-oholic," and all of my buddies were Lester Young-oholics. We'd get together and dissect, analyze, discuss, and listen to Lester Young's solos for hours and hours and hours. He was our god.

Bop began with Jazz but one afternoon somewhere on a sidewalk maybe 1939, 1940, Dizzy Gillespie or Charlie Parker or Thelonious Monk was walking past a men's clothing store on 42nd Street or South Main in L.A. and from a loudspeaker they suddenly heard a wild impossible mistake in jazz that could only have been heard inside their own imaginary head, and that is a new art. Bop.

I think it's better to be too early and disturb a few people - but have other people say it was necessary - than to do it way after the fact. We shouldn't forget that Charlie Chaplin did a movie about Hitler while Hitler was alive, and Peter Sellers in Stanley Kubrick's masterpiece Dr. Strangelove was during the McCarthy time, where everybody was a communist and McCarthy was flipping completely out. I think it's important to have a movie like Postal now, where we are on the peak of the Iraq War, on the peak of terrorist attacks, where everything is actually happening.

At the end of a criminal’s life, it’s always the small mistake, the coincidence, the lark. The time we got too comfortable, the time we slipped up, the time someone aimed a little to the left. I’ve heard Grandad’s war stories a thousand times. How they finally got Mo. How Mandy almost got away. How Charlie fell. Birth to grave, we know it’ll be us one day. Our tragedy is that we forget it might be someone else first.

Charlie and I decided long ago that in an investment lifetime, it's too hard to make hundreds of smart decisions. That judgment became ever more compelling as Berkshire's capital mushroomed and the universe of investments that could significantly affect our results shrank dramatically. Therefore, we adopted a strategy that required our being smart and not too smart at that, only a very few times. Indeed, we now settle for one good idea a year.

Charlie Rangel is angry about the Iraq war, the one that Henry Kissinger has told us we can't win. Thanks, Henry, but most Americans figured that out before you did. Rangel saw combat in Korea. Kissinger has only seen combat on TV. That might have something to do with why Kissinger thinks our troops should stay in Iraq even though we can't win.

I always felt that I was born in the wrong era. I wanted to be friends with John Garfield, for instance. He was one of the only actors that refused to testify in front of the House Un-American Activities Committee back when the Hollywood Ten blacklist was happening in the McCarthy period. I wish I could've been friends with Charlie Parker and played with him. That's my period. I feel real close to the '40s - and actually I was born in '37, so I was a kid singing on the radio in the '40s. But I always dreamed of going to big cities.

Part of the strength that Charlie and I have as a team is we've been able to keep our priorities straight through our entire partnership. We've been able to maintain a life outside of skating, and though we've given up a lot of things and we've been training really hard our entire lives, we've been able to maintain great social lives.

I could never be Charlie Chaplin. But the films that were made by people like him, or Gene Wilder, or John Candy, the people that inspired me so much were the people that were able to combine humor with heartbreak so beautifully and fluidly. Those films I think were what inspired me to want to come to L.A. and audition for movies.

I just got into it like a lot of people through the rock 'n' roll bands in the late '60s that turned to country music, like The Byrds and Buffalo Springfield, but particularly through The Byrds because of Gram Parsons, Roger McGuinn and Chris Hillman (with their 1968 album Sweetheart of the Rodeo). They kind of introduced English kids to Merle Haggard and George Jones and the Louvins (brothers Charlie and Ira).

I was doing an interview with Charlie Rose and he said, "What do you think about Margaret Thatcher?" - and I had not heard she had died at this point - and he said, "Is there any kind of Shakespearian overtone here?" I said, "Well, actually, Julius Caesar, because ever if a politician was stabbed in the back, it was Mrs. Thatcher, by all her conspiratorial cabinet, which really did just stab her in the back." It's a rather interesting resonance.

Asleep by the Smiths Vapour Trail by Ride Scarborough Fair by Simon & Garfunkel A Whiter Shade of Pale by Procol Harum Dear Prudence by the Beatles Gypsy by Suzanne Vega Nights in White Satin by the Moody Blues Daydream by Smashing Pumpkins Dusk by Genesis (before Phil Collins was even in the band!) MLK by U2 Blackbird by the Beatles Landslide by Fleetwood Mac Asleep by the Smiths (again!) -Charlie's mixtape

I played upright bass. I wanted to write great tunes, play the bass, be a band leader, and smoke a big funny pipe like Charlie Mingus. So I went out and bought the pipe when I was around 18 or 19 years old. You know even women smoke a pipe in Glasgow. I worked with Carla Bley and she smoked a pipe, which I find fascinating.

By the latter part of high school, by the middle of junior year in high school, Jay Rodriguez played me some Irakere records that that Paquito [D'Rivera] was on. And he also played me and our friend, Curtis Haywood, some Phil Woods records. And when I heard Phil, I just about lost my mind. I was playing the Charlie Parker Omnibook as part of my lessons. This was the '80s. There was no YouTube and all that. And we had three or four jazz records at that point.

I'd like to thank all the indie stores from Florida to California and all points in between for being so welcoming in 2007. I played Park Ave CDs, Waterloo, Shake It, Horizon, Amoeba (LA & SF), Criminal Records, Shangri-La, Grimey's, Vintage Vinyl, Ear X Tacy, Twist & Shout,Record Exchange, and a few more I can't recall. Thanks for your help with my Grammy-nominated Charlie Louvin album and Live At Shake It Records CD. Look for my new CD in late 2008.

I love cookbooks for completely different reasons. I love 'The Harry's Bar Cookbook' and Marco-Pierre White's 'White Heat' for their feel. For pure learning, Gray Kunz wrote a great cookbook, 'The Elements of Taste', published in 2001. The first time I read Charlie Trotter's, the Chicago chef's first cookbook, I was blown away.

Do you have your own room, Charlie Brown?" "Oh, yes... I have a very nice room." "I hope you realize that you won't always have your own room... Someday you'll get drafted or something, and you'll have to leave your room forever!" "Why do you tell me things like that?" "It's on a list I've made up for you... I call it, Things You Might As Well Know!

Are we, as humans, gaining any insight on how to talk about ourselves and how something as abstract as a Charlie Parker record gets us into a dialogue about our emotions and our thoughts? Sometimes we lose sight that the music has a wider context. So I want to continue those dialogues. Those are the things I want to foster.

The way so many musicians slavishly imitated Coltrane, that's the way it was with Charlie Parker - only even more so, if that can be imagined. Everyone that I knew changed totally. But they took the worst things of his playing-that harsh sound; it just didn't come off the way they did it. The way he did it was great, Their way wasn't good at all. I just would listen to 'em, say: 'That's a Bird imitator', and that would be it; I would never care to listen to them again.

What's that?" "It looks like something from Linus... It is! He sent me a little birch-bark canoe from camp! He said he made it himself... Sometimes I think I don't deserve a nice brother like Linus..." "I have often thought the same thing." "Dear Linus, please send me another canoe. The first one broke when I threw it at Charlie Brown.

I've decided to call him Norbert,' said Hagrid, looking at the dragon with misty eyes. 'He really knows me now, watch. Norbert! Norbert! Where's Mummy?' 'He's lost his marbles,' Ron muttered in Harry's ear. 'Hagrid,' said Harry loudly, 'give it a fortnight and Norbert's going to be as big as your house. Malfoy could go to Dumbledore at any moment. Hagrid bit his lip. 'I- I know I can't jus' dump him, I can't.' Harry suddenly turned to Ron. 'Charlie,' he said. 'You're losing it too,' said Ron. 'I'm Ron, remember?

Black music has always known, and not been afraid to acknowledge just how high the stakes of Black thought are. To summarize the final soliloquy of Clay, the protagonist in LeRoi Jones’ (aka Amiri Baraka’s) play Dutchman. You’d better be glad Charlie Parker could play him some horn and Bessie Smith could sing, because if they didn’t make music they might murder you. One would be hard pressed to find another group of people on this planet whose music is a surrogate for murder. One would be hard pressed to another group of people on this planet whose life is a proxy for death.

He was Jimi Hendrix! He didn't sound like anybody else but himself. He was like Charlie Parker in his way of playing, he played well, he was a person that made waves. When you heard Jimi Hendrix you knew it was Jimi Hendrix, he introduced himself in his instrument... You know, many radio stations play records and a lot of the times they don't call out the names who you just listened to, but when they play Jimi Hendrix, you don't have to tell me, [you know] it's Jimi Hendrix.

I'm going to work with Dan Clowes. After Charlie Kaufman, it's hard to fill up the gap. It's hard to find somebody who... A lot of writers, I can clearly see the desire of succeeding before the desire of expressing themselves. Sometimes people get upset when you want to be different. You were talking about "whimsical," which is a nice word. But sometimes they use the word "quirky" in the pejorative sense. I get frustrated, because they feel like I'm doing whatever I want, and there is no ground, and I don't really care. They feel it's cynical. But I don't think I have any cynicism in me.

Aw, everybody knows that game, the day I hit the homer off ole Charlie Root there in Wrigley Field, the day October first, the third game of that thirty-two World Series. But right now I want to settle all arguments. I didn't exactly point to any spot, like the flagpole. Anyway, I didn't mean to, I just sorta waved at the whole fence, but that was foolish enough. All I wanted to do was give that thing a ride... outta the park... anywhere.

Being a nerd, which is to say going too far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm . . . At fifteen, I couldn't say two words about the weather or how I was doing, but I could come up with a paragraph or two about the album Charlie Parker with Strings. In high school, I made the first real friends I ever had because one of them came up to me at lunch and started talking about the Cure.

I'm not a star. I'll never be a Frank Sinatra or Elvis Presley or a Ray Charles. I'm just an imitator, man. I'm doing a very bad imitation on the bass of Jerry Jemmott, Bernard Odum, Jimmy Fielder, Jimmy Blanton, Igor Stravinsky, Jimi Hendrix, John Coltrane, James Brown, Charlie Parker... the cats, man. I'm just backing up the cats.

A couple of years ago, I went to see a production of Wicked in San Francisco with a friend of mine, one that Patty Duke was in, and he said, "Do you want to meet her?" And I said, "Yeah!" And I went backstage, and she walked out of her dressing room, looked at me, and said, "I know you." And I went, "Well, uh, yeah, I was in My Sweet Charlie." And she said, "Yeah! You were the guy in the car on the road!" And I was. It was amazing.

One day when I was fourteen, I told Charlie that I hated Mother. “Don’t hate her, Jo,” he told me. “Feel sorry for her. She’s not near as smart as you. She wasn’t born with your compass, so she wanders around, bumping into all sorts of walls. That’s sad.” I understood what he meant, and it made me see Mother differently. But wasn’t there some sort of rule that said parents had to be smarter than their kids? It didn’t seem fair.

Then I say, "Let's go and brush our teeth." So Lola says, "But Charlie, I can't brush my teeth because somebody is using my tooth." "But who would use your toothbrush?" I ask. Lola says "I think that lion. I saw a lion with my toothbrush and now he's brushing his teeth with it." "But it isn't this your toothbrush Lola?" "Oh," says Lola, "he must be using yours.

All right. Let's give you something to tell your grandkids about. Or great-grandkids. Or great-great-grandkids." I snort with glee, delirious with excitement. Charlie winks and pours me another finger's worth of whiskey. Then, on second thought, he tips the bottle again. I reach out and grab its neck. "Better not," I say. "Don't want to get tipsy and break a hip.

If you know how to value businesses, it's crazy to own 50 stocks or 40 stocks or 30 stocks, probably because there aren't that many wonderful businesses understandable to a single human being in all likelihood. To forego buying more of some super-wonderful business and instead put your money into #30 or #35 on your list of attractiveness just strikes Charlie and me as madness.

Well, one time some attractive woman sat next to Charlie and asked him what he owed his success to, and, unfortunately, she insisted on a one word answer. He had a speech prepared that would have gone on for several hours. But when forced to boil it down to one word, he said that was "rational". You know, he comes equipped for rationality, and he applies it in business. He doesn't always apply it elsewhere, but he applies it in business and that has made him a huge business success.

What makes someone an artist? I don't think is has anything to do with a paintbrush. There are painters who follow the numbers, or paint billboards, or work in a small village in China, painting reproductions. These folks, while swell people, aren't artists. On the other hand, Charlie Chaplin was an artist, beyond a doubt. So is Jonathan Ive, who designed the iPod. You can be an artist who works with oil paints or marble, sure. But there are artists who work with numbers, business models, and customer conversations. Art is about intent and communication, not substances.

I've done two motorcycle pictures: I did 'Beyond The Law,' and I did one produced by Tarantino called 'Hell Ride,' with Dennis Hopper and David Carradine and Vinnie Jones. And I just think 'Hell Ride' was a lot more of what a biker movie should be. But the good part of 'Beyond The Law' was that I had a good time with Charlie Sheen.

I wish - I wish instead of just recommending these books, I could set them down at your doorstep. The collected stories of John Updike, the second volume of T.C. Boyle's collected stories, and Stanley Crouch's book about the rise and times of our genius saxophone player Charlie Parker. These are deep books, books that you can get lost in.

There were little Charlie Chaplins that you would wind up, and they would walk. I remember vividly. I was sitting in the high chair with the little tray in front of me. My parents would wind it up, and it would walk to me.

There are people that I am in love with, totally in love with them. I would die for them. I love Michelangelo. I love Charlie Chaplin with all my heart. I love Walt Disney. These are the people I am nuts over. These are my people. I love the great ones.

My dad grew up with straight-up no running water. He slept in a twin bed with his two sisters and his mom, like 'Charlie And The Chocolate Factory' style: like, feet at the head, feet at the head alternating. And then I think his dad slept on, like, a bed of newspapers on a floor in their apartment.

Good rock 'n' roll is something that makes you feel alive. It's something that's human, and I think that most music today isn't. ... To me good rock 'n' roll also encompasses other things, like Hank Williams and Charlie Mingus and a lot of things that aren't strictly defined as rock 'n' roll. Rock 'n' roll is an attitude, it's not a musical form of a strict sort. It's a way of doing things, of approaching things. Writing can be rock 'n' roll, or a movie can be rock 'n' roll. It's a way of living your life.

Everything has become very corporate and very careful. Before we had a real democracy going and there were a lot of freedoms and now there's this terrorism thing that everybody's focused on, which is really a boondoggle in my opinion. It's just an excuse to clamp down on people's free speech. And corporations intimidate people and everybody's gotten intimidated and that's really what it is, and they just keep going along. It's almost like - a little bit like that Charlie Chaplin movie, Modern Times, or 1984, Orwell

Working with Chaplin was very amusing and strange. His films are so funny, but working with him, I found him to be a very serious man. Whereas the films of Hitchcock are macabre, he could be a very funny man to work with, always telling jokes and holding court. Of course, when I worked with Charlie he was getting older.

My friends are trying to get me to go out on blind dates. Big 'NO' to that because all my friends are a bunch of lying geeks. They're always like, 'Brian, you're really gonna dig this girl. She's got Traci Lords' eyes, Michelle Pfeiffer's nose, Kim Basinger's lips.' Yeah, they always forget to tell me she's also got Charlie Brown's head.

The number of American presidential candidates varies with the sunspot cycle and the phases of the moon. Being a Republican, I'm backing Hillary Clinton. Because she could lose. The reason is not that she's a woman. The reason is that she's the particular woman who taught the 4th grade class that every man in America wished he were dead in. Hillary Clinton is Lucy holding the football for Charlie Brown. Hillary Clinton is "America's ex-wife."

I remember feeling a huge amount of anxiety and worry and pressure. At that point I was headed into acting school. That was 100 percent the only thing I thought I wanted to do. But then I got through my first year of college, and I was, like, humming and rolling around, pretending to be a lion in acting classes at NYU and visiting our classmate Charlie Gregg at Harvard, where he was actually learning things. So I changed my mind: I decided I actually wanted a different kind of education, and that was an incredibly freeing idea.

Because of my comedic-influence growing up, Mel Brooks, Jim Carrey, Steve Martin… A lot of Jeff comedic-influences included Charlie Chaplin and physical comedians of the silent-era. What we were able to do together is to show all these major influences but make it into our own comedy. We've seen the stereotypical boy-meets-girl story a hundred thousand times…

I regard the amount of brainpower going into money management as a national scandal. When some idiot would get rich, they'd say, 'Well, old Charlie was out in the field playing the big brass tuba on the day it rained gold.' A lot of people have become rich lately who were playing the tuba on the day it rained gold.

American culture has a lot of great moustaches in its history. Mark Twain had a great moustache, Charlie Chaplin, Ben Turpin ... but Zappa, he's got the best moustache in American history. Got the moustache, right, and he's got that little thing on his chin, I think it's called an imperial, that is, like, the coolest thing. That's like one of the great icons of the twentieth century.

I’ve worked with such legendary guitar players as Allan Holdsworth, Ronnie Montrose, Eric Clapton, Lowell George and Steve Vai, but none of them come close to having Ed’s [Eddie Van Halen's] fantastic combination of chops and musicianship. I rank him along with Charlie Parker and Art Tatum as one of the three greatest musicians of my lifetime. Unfortunately, I don’t think Ed puts himself in that class.

How many boys like him were out there in the ether, holding on to their big brothers and sisters who were still alive? How many husbands were floating between life and death, clinging to their wives in this world? And how may millions and millions of people were there in the world like Charlie who wouldn't let go of their loved ones when they're gone?