Top 709 Charlie Manson Quotes & Sayings - Page 11

Explore popular Charlie Manson quotes.
Last updated on April 19, 2025.
I would urge a young player to listen to Charlie Christians' sense of time ... I'll never forget listening to my father (Bucky Pizzarelli) and Tal Farlow playing Christians' 'Solo Flight' backstage at a gig... that's when it hit me how big of an effect Christian had on jazz guitar. 'Solo Flight' was like the gospel.
One of the interesting things about Twitter is looking how famous people choose to use it. Take someone like Steve Martin, who I follow: it's all sorts of comic gems, nothing private, nothing personal - all jokes. Other celebrities are overtly personal - like Charlie Sheen. I do a mix of observations and updates.
I was up for parts in 'Charlie's Angels' and 'Three's Company,' but other people got them. At the time I was very disappointed because I knew the shows would be tremendous hits. But if I had done either I would not have done the following: 'Chorus Line,' 'Dancin',' 'Chicago,' 'Movie Movie,' 'All That Jazz' and 'Annie.'
First off I want to thank God, because he's the one I look up to, he's graced my life with opportunities that I know are not of my hand or any other human kind. He has shown me that it's a scientific fact that gratitude reciprocates. In the words of the late (British actor) Charlie Laughton, who said, 'When you got God, you got a friend and that friend is you.'
I don't remember reading much at all during the writing of Eileen. I go through several years-long dry spells and I don't feel like reading at all. I was working part-time for a guy in Venice, California while I drafted Eileen. He wanted help in writing his memoir. The research had a lot to do with the 60s, so that must have informed my sense of the place and time in my novel, and perhaps even the memoir point-of-view. He was also from New England. It was a fun job. I learned a lot about motorcycle clubs, Charles Manson, hopping freight trains.
People try to put ownership on things: 'That's mine, that's my joke.' No such thing. Like if you tripped or stumbled and people go, 'Oh, that's Charlie Chaplin.' You know what I mean? You can't own a joke. You can be the guy that tells it the best, but you can't own a joke. Nowhere can you own a laugh.
I felt pretty good growing up. I didn't feel a lot of prejudice or racism. But I do remember, if there was going to be a movie or a television show with Asian characters, I would go out of my way to avoid them, because they portrayed all Asians as either ridiculously good or ridiculously bad; you know, the whole Charlie Chan-Fu Manchu thing.
Lucy: Our teacher wants us to write an essay on praying. Charlie Brown: Praying is important when you wake up at two o'clock in the morning feeling sick from eating something dumb the day before. Lucy: I'll just say we were out of town and I didn't have time to write anything.
When you think after 25 years of Mao, Chinese people had no idea about western music or even western culture. They had no idea about James Dean or the Beatles or Charlie Chaplin, modern music or modern cinema.
Charlie and I discovered at a really young at that we had a passion for figure skating, and I think that passion drives us to work every day to improve and grow. We have really learned to love our sport more and more, year to year. And the hard work really pays off.
I felt pretty good growing up. I didnt feel a lot of prejudice or racism. But I do remember, if there was going to be a movie or a television show with Asian characters, I would go out of my way to avoid them, because they portrayed all Asians as either ridiculously good or ridiculously bad; you know, the whole Charlie Chan-Fu Manchu thing.
When I did 'Bird,' it was a surprise to some people, first because I wasn't in it and second because most of the films I'd been doing were cop movies or westerns or adventure films, so to be doing one about Charlie Parker, who was a great influence on American music, was a great thrill for me.
I remember the first thing I did when I found out I was illegal was to get rid of my thick Filipino accent. I figured that I had to talk white and talk black at the same time, like Charlie Rose and Dr. Dre. If I can talk white and black then no one is ever going to think that I'm "illegal."
I love cookbooks for completely different reasons. I love 'The Harry's Bar Cookbook' and Marco-Pierre White's 'White Heat' for their feel. For pure learning, Gray Kunz wrote a great cookbook, 'The Elements of Taste', published in 2001. The first time I read Charlie Trotter's, the Chicago chef's first cookbook, I was blown away.
I remember when I was coaching down at Florida, we would always lose kids in recruiting battles to Clemson. I would tell my coaches that we shouldn't be losing kids to Clemson. Charlie Strong responded ‘coach have you ever actually been to Clemson?’ I hadn’t but I’ll tell you what, I’ve been here now and I get it. This is an exceptional, special place.
I listened to classical music. I listened to jazz. I listened to everything. And I started becoming interested in the sounds of jazz. And I went to a concert of Jazz at the Philharmonic when we lived in Omaha, Nebraska, and I saw Charlie Parker play and Billie Holiday sing and Lester Young play, and that did it. I said, 'That's what I want to do.'
I'm from the building where the wave was invented. Downstairs, under me. Ask Bigavel. Y'all call him Bigavel, Max B. I know him as Charlie Rambo. I'm from the building where the wave was invented, and it was invented after I was born.
You've probably heard the stories about how io9 got its name. And maybe you know that io9 co-founder Charlie Jane Anders and I were inspired by Kathy Keeton, whose groundbreaking magazine 'Omni' combined coverage of real science with science fiction. But what you probably don't know is how unlikely it was that io9 ever succeeded at all.
I wish - I wish instead of just recommending these books, I could set them down at your doorstep. The collected stories of John Updike, the second volume of T.C. Boyle's collected stories, and Stanley Crouch's book about the rise and times of our genius saxophone player Charlie Parker. These are deep books, books that you can get lost in.
Eric followed Vlad Tepes’s stubby finger, identifying me as the future Happy Meal. Then he stared at Dracula, looking up from his kneeling position. I couldn’t read his face at all, and I felt a stirring of fear. What would Charlie Brown have done if the Great Pumpkin wanted to eat the little red-haired girl?
Charlie Christian had no more impact on my playing than Django Reinhardt or Lonnie Johnson. I just wanted to play like him. I wanted to play like all of them. All of these people were important to me. I couldn't play like any of them, though.
I'm not a star. I'll never be a Frank Sinatra or Elvis Presley or a Ray Charles. I'm just an imitator, man. I'm doing a very bad imitation on the bass of Jerry Jemmott, Bernard Odum, Jimmy Fielder, Jimmy Blanton, Igor Stravinsky, Jimi Hendrix, John Coltrane, James Brown, Charlie Parker... the cats, man. I'm just backing up the cats.
I don't know whether it was his (Charlie Christian's) melodic lines, his sound or his approach, but I hadn't heard anything like that before. He sounded so good and it sounded so easy, so I bought me a guitar and an amplifier and said now I can't do nothing but play! Really, welding was my talent, I think, but I sort of swished it aside.
I've always loved silent movies. I recently saw 'Tilly's Punctured Romance' at the Academy, which is the first comedy made with Charlie Chaplin in 1914, and I sat there, and I couldn't believe that the entire audience of 2,000 people were laughing that hard from a movie made in 1914 - and there were no words; it was all faces.
It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band.
My first favourite book was Are You My Mother? A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably Charlie and the Chocolate Factory. A librarian gave me a first edition of that book, which I treasure.
I was always a fan of the old-style comics. I loved vaudeville. I loved Milton Berle, Dick Shawn, Phyllis Diller, Don Rickles, Charlie Callas, all those guys. Hilarious. I love the Bing Crosby and Bob Hope movies, and Abbott & Costello. My television influences were 'Monty Python's Flying Circus,' 'Benny Hill,' and 'Hee Haw.'
It was weird. Like, people came up to me and knew me as Daredevil before any footage had come out. I remember a guy on the subway being like, 'You're Charlie Cox. You're Daredevil.' And I was like, 'Yeah...?' I was barely Daredevil. I hadn't even signed the contract, you know?
Vaisey said, "Is it because your parents don't understand you?" Charlie said, "No, it's because our parents understand us very well, and that is why they wanted us to go away.
Do you have your own room, Charlie Brown?" "Oh, yes... I have a very nice room." "I hope you realize that you won't always have your own room... Someday you'll get drafted or something, and you'll have to leave your room forever!" "Why do you tell me things like that?" "It's on a list I've made up for you... I call it, Things You Might As Well Know!
Heather knows why and when her marriage ended with Richie and she knows why my marriage ended with Charlie.
We've long felt that the only value of stock forecasters is to make fortune tellers look good. Even now, Charlie and I continue to believe that short-term market forecasts are poison and should be kept locked up in a safe place, away from children and also from grown-ups who behave in the market like children.
I think there's a lot of, unfortunately, unfunny ventriloquists out there, so they've got a bad rap. It came after Edgar Bergen because everybody had a little cheeky boy dummy like Charlie McCarthy, and everybody decided to become a ventriloquist because Bergen had popularized it. He brought it back from the doldrums of vaudeville.
Over the years, Charlie [Munger, Berkshire Hathaway Vice Chairman] and I have observed many accounting-based frauds of staggering size. Few of the perpetrators have been punished; many have not even been censured. It has been far safer to steal large sums with pen than small sums with a gun.
Here look at me. I'm Charlie, the son you wrote off the books? Not that I blame you for it, but here I am, all fixed up better than ever. Test me. Ask me questions. I speak twenty languages, living and dead; I'm a mathematical whiz, and I'm writing a piano concerto that will make them remember me long after I'm gone.
I haven't got many tattoos, but the two that are most important to me are music tattoos. I have a black heart with a lightning bolt down the middle. And the black heart was for Manson and the lightning bolt down the middle was for David Bowie. I have black diamond with circles that keep swirling and swirling, and it's surrounded by sort of crazy diamonds because Pink Floyd's "Shine On You Crazy Diamond" really inspired me, and everybody's called me Crazy Diamond since I was a teenager, so it was always important to me.
I got down to business and started writing furiously. I wore my fingers down to a callous state writing with every Tom, Dick and Harry around the world, including a chap named Charlie who plays for a man named Bob, to wrestle my emotions and bring out the raw grit hiding in my tightly guarded sub-conscious.
I never worked hard until I got to the Howard Law School and met Charlie Houston... I saw this man's dedication, his vision, his willingness to sacrifice, and I told myself, 'You either shape up or ship out.' When you are being challenged by a great human being, you know that you can't ship out.
We have two dogs, Mabel and Wolf, and three cats at home, Charlie, George and Chairman. We have two cats on our farm, Tom and Little Sister, two horses, and two mini horses, Hannah and Tricky. We also have two cows, Holy and Madonna. And those are only the animals we let sleep in our bed.
When I was a kid, I was in love with one of the 'Charlie's Angels.' I told my dad, 'I'm going to marry somebody like Cheryl Ladd.' My dad said, 'You're not that good-looking, mijo. You're going to have to make a lot of money if that's what you want.' I went, 'Well, I want that, so I'm going to make money.'
Are we, as humans, gaining any insight on how to talk about ourselves and how something as abstract as a Charlie Parker record gets us into a dialogue about our emotions and our thoughts? Sometimes we lose sight that the music has a wider context. So I want to continue those dialogues. Those are the things I want to foster.
I’ve worked with such legendary guitar players as Allan Holdsworth, Ronnie Montrose, Eric Clapton, Lowell George and Steve Vai, but none of them come close to having Ed’s [Eddie Van Halen's] fantastic combination of chops and musicianship. I rank him along with Charlie Parker and Art Tatum as one of the three greatest musicians of my lifetime. Unfortunately, I don’t think Ed puts himself in that class.
All right. Let's give you something to tell your grandkids about. Or great-grandkids. Or great-great-grandkids." I snort with glee, delirious with excitement. Charlie winks and pours me another finger's worth of whiskey. Then, on second thought, he tips the bottle again. I reach out and grab its neck. "Better not," I say. "Don't want to get tipsy and break a hip.
I listen to anything anyone gives me. I always go back to a few basic favorites. I can always listen to Django Reinhardt and hear something I haven't heard before. I like to listen to Art Tatum and Coltrane and Charlie Parker. Those are guys who never seem to run out of ideas.
I got a poster from Columbia Records, and there's Miles Davis, Charlie Mingus, Ellington, Count Basie - everybody in that poster has died, I'm the only one left. And great players like Paul Desmond and Gerry Mulligan, it's hard to believe they're gone because we were all so close. But I believe in the future and the tradition will go on.
Every week, there's a different equivalent of Charlie Sheen having a breakdown. I knew about Kim Kardashian getting married - and then getting divorced - and there's no reason I should. I don't have hostility toward Kim Kardashian - just toward the people who take that stuff seriously.
When the Republicans controlled the House from 1994 -2006, Democrats like Nancy Pelosi, Barney Frank, Henry Waxman Charlie Rangel, John Conyers and Rahm Emanuel weren't saying we need to move right to win. They stuck to their philosophy. And they fought against Reagan and they fought against the Bushes. And eventually they did win.
After 25 years of buying and supervising a great variety of businesses, Charlie [Munger] and I have not learned how to solve difficult business problems. What we have learned is to avoid them. To the extent we have been successful, it is because we have concentrated on identifying one-foot hurdles that we could step over rather than because we acquired any ability to clear seven-footers.
... by then I was getting a little work, doing some playing and getting paid for it, not very much, but enough for me to feel justified in buying a real instrument. I bought a Gretsch with a De-Armond pickup on it and a second-hand Gibson amplifier; it looked like the one Charlie Christian used. I guess it was the same, although there were several models coming out at that time - this would be in I939.
I grew up in a small village outside of Krakow, and when I was small we had only a small television, and we had only one and two programs. I remember it was black and white. And I loved to watch Charlie Chaplin. I was so small, but I remember his movement.
Because of my comedic-influence growing up, Mel Brooks, Jim Carrey, Steve Martin… A lot of Jeff comedic-influences included Charlie Chaplin and physical comedians of the silent-era. What we were able to do together is to show all these major influences but make it into our own comedy. We've seen the stereotypical boy-meets-girl story a hundred thousand times…
I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act. — © Louise Brooks
I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act.
Mick Jagger visited us backstage and told us how much he liked our show. Bill Wyman and Charlie Watts came back too, and they wanted to get their pictures taken with us. Bill Wyman knew our chart positions. I couldn't believe it.
Bob Dylan may be the Charlie Chaplin of rock n' roll. Both men are regarded as geniuses by their entire audience. Both were proclaimed revolutionaries for their early work and subjected to exhaustive attack when later works were thought to be inferior. Both developed their art without so much as a nodding glance toward their peers.
There are people that I am in love with, totally in love with them. I would die for them. I love Michelangelo. I love Charlie Chaplin with all my heart. I love Walt Disney. These are the people I am nuts over. These are my people. I love the great ones.
It turned out that those years I was at the Studio were the last years that Mr. Landau was alive and teaching. They were also the last years of some of the greatest teachers that have walked the earth. I got to hear the advice of Charlie Laughton, Mark Rydell, and Penny Allen.
There's a steady forward march of a creative process that some of us stay with and don't give up - that should be an admirable thing - from Louis Armstrong to Charlie Parker to Miles to Ornette and some people who are not even known today - some kids coming up - people who are out to change the world.
What's that?" "It looks like something from Linus... It is! He sent me a little birch-bark canoe from camp! He said he made it himself... Sometimes I think I don't deserve a nice brother like Linus..." "I have often thought the same thing." "Dear Linus, please send me another canoe. The first one broke when I threw it at Charlie Brown.
I started once a week in North Carolina at a pub called Charlie Goodnight and met a lot of comics there. Then I moved to L.A., and if you're not known, it's hard to get stage time. So you start out doing what they call 'bringers' - you have to bring five people if you wanna get on stage. It was a lot of hustle, a learning curve.
The role of Charlie Eppes has changed me. I never imagined I would play a role like this. I lost some weight, grew my hair and now every woman in America over 40 wants to date me. It's their daughters I want to convince. The truth is all this talk makes me blush. Me, I look in the mirror and all I see is this Jewish kid from Queens.
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