Top 304 Charts Quotes & Sayings - Page 4

I feel like I'm doing something in Atlanta that nobody ever did as far as rap. If it happens to end up on the top 40 or the pop charts, it doesn't mean I meant to go pop. It's just where the music took me. It started at the bottom, and it rises.

The intensity of the Super Bowl is one-of-a-kind. An NBA finals is best-of-seven. But the Super Bowl, one game, winner-take-all. The intensity is off the charts.

Our Facebook went off the charts and volunteers poured into our campaigns and actually helped us achieve the ballot access status that we have now on the ballot in just about 48 states and this has continued.

I mean it's funny, playing music, how of course you want it to do well, you want them to like it, but it's not competitive like an election, it's the Olympics, it's not a Formula 1 race. The Billboard charts are just to show you what people like.

Recently, I've been working on anew album of material, which should be out in the new Millennium. I'm not sure which song will be put out as a single, but I'm still hoping to get another record in the charts.

I loved music from a young age. At school I played the violin but I didn't sing much; there was an expectation of the kids in the choir that they'd have really pure tones, and my voice had all this texture to it. The anodyne soul of Whitney Houston and Mariah Carey was in the charts and I couldn't relate to it.

Every generation has had some sort of focus for their unrest and discomfort with growing up. But today, the music that's in the charts is probably liked by their parents as well, and I think it's a part of youth that you need something that isn't liked or understood by the older generation.

If the Beatles made England swing for the young, then Bond was a travel-poster boy for the earmuff brigade. The Bond films even put a few theme songs, such as Paul McCartney's 'Live and Let Die,' on the pop charts.

I did a record with Janet Jackson, and it went to the top of the charts, and we had all of these complications, and she couldn't be in the video and couldn't do anything for the record. I went through something similar with Pitbull. I think it works really well for a lot of other artists, but for me, it just doesn't work that well.

I think that's one of the beautiful things about this genre is that everyone who's in it isn't in it to make a million bucks and be popular, because that's not always our M.O. Really, I think the last time that rock was truly in the mainstream was probably a point in time in the '90s when there was a lot of alternative that was on the pop charts.

Later, I went down to the Washington field office and an onsite polygraph was administered. After reviewing the polygraph charts in private, the polygraph examiner told me that I had passed and that he believed I had nothing to do with the anthrax letters.

In the case of the classic Western helicopter parent, it starts with Baby Einstein and reward charts for toilet training, and it never really ends, which is why colleges have to devote so many resources to teaching parents how to leave their kids alone.

I've been asked that question lots of time before, why wasn't I on Live Aid? And quite frankly I don't know. I was riding high in the charts and the styles of music they had were quite varied from Adam Ant to Status Quo to Queen. I would have definitely fitted in.

I could have taken the easy life and just done classical, but I felt very strongly about the album, my first pop album, the first time that I'd fused so many influences. I was very proud when it was in the charts in 25 countries at once.

I am not saying that I am at the same level as Messi or Ronaldo. They are the best two players in the world, but I am very proud that I managed to finish above them in the goalscoring charts, especially as I was playing for Atletico Madrid, not Barcelona or Real Madrid.

Don't let your hands dictate what you think you can do. Look at fingerboard charts and imagine your eyes dancing on the notes you want to play, and forget about whether your hands can do it or not. Just try it.

The packaging of Led Zeppelin's IV doesn't have the name of the band, doesn't have the name of the album: It's got a guy on the cover with a load of sticks on his back. This record didn't quite get to No. 1 in the United States - it went to No. 2 - but stayed on the charts for years and years and years.

Season of Migration to the North, by Tayeb Salih, is an eloquent and restrained portrait of one man's exile. It is a rare narrative in that it charts a life divided between England and Sudan. Without a doubt it is one of the finest Arabic novels of the 20th century, and Denys Johnson-Davies' translationdoes the original justice.

My love for dance music started when I was a child. Some of my earliest memories are hearing Trance music in the charts and later being heavily influenced by the eclectic tastes of my big brother, he quickly turned me into an avid Drum 'n' Bass head even though I was too young to rave.

I'm definitely bigger than a Rihanna. Pop stars nowadays are all perfect Barbie-doll bodies, and they talk about how they keep their bodies up with hard work, so in my eyes, it's good to have a regular, average body type in the charts.

It's so off the charts and off anybody's radar screen, that place. It might as well be another planet. Just try to find somebody who's been to Madagascar. Nobody has been to Madagascar.

Jordan [Ruddes], he learned that way, and that's what he knows how to do. That's how he kind of approaches all music, whether it's to learn a cover song that we're going to play, or to review Dream Theater music - he always uses charts. That's what he knows. I really rely a lot more on memory.

When I was doing dancehalls, nobody was doing well in dancehalls. Dancehalls was not mainstream music that was blazing charts and knocking down barriers. This was an underground phenom.

I feel basically good about my career because it's remained constant. What I do has never been especially in vogue or gotten high on the charts. At the same time, I haven't had to stop performing any of my music because it aged in style.

Few people know that President Obama has used drone attacks many times more than Bush ever did. Obama's off the charts in terms of drone attack.

The guy I've got my eye on happens to be hot. Off-the-charts hot. Hotter-than-Patch hot.' She paused. 'Well maybe not that hot. Nobody's that hot.

The success of 'Take Me To Church,' I never imagined it. I never imagined that it would work on radio, that it would find its way onto the charts, even at home and certainly not in America.

We went from being a band that was recording songs in my bandmate's bedroom to a band that's doing extensive touring and had a record on the Billboard charts and everything happened insanely fast, but it's not something that I sought out. It just happened.

Any patient who has a serious illness requiring multiple doctors understands the frustration of lost medical charts, repeated procedures, or having to share the same information over and over with different doctors and nurses.

I was on the outside of the industry. So I started a podcast early in the podcast boom and that caught on a little. I made an album that went to No. 1 on the iTunes charts. I made my own special. I started my own storytelling show.

God in eternity looked upon me forseeing my faultness, my pride, my sin and said 'I want that man in my family, i will pay for him to be in my family with my son's life. That's Love folks. That is mega off the charts love!!!

When I started, DJs weren't in the media, electronic music wasn't in the sales charts and a DJ was the freak in the corner who provided the music while other people had fun. So to do it, you must have been a freak and a music lover.

The bestseller charts, a sure indicator of public taste, tell us with relentless frequency that Marian Keyes or Jeffrey Archer is a better author, by some dizzying six-figure sum, both in numbers of copies and money, than, say, J. M. Coetzee or Patrick White. Are they right?

Our EMF meter was jumping off the charts. We found her alarm clock was causing crazy electro-magnetic fields around it. We spent $22.99 on a nice digital clock, and she never saw an apparition again.

For the first ten years of my career, I felt suffocated. People constantly stood over me while I tried to create. And in 2009, I hit rock bottom. I couldn't find myself because I was looking to be defined by the music industry or by being number one on the Billboard charts.

So much of the writing is not conscious, in the sense that it's not calculated. I remember in film school we had so many studies with big fancy words where you could dissect a movie and make charts of all of the characters' complicated inner relations and themes and what does this mean? And it's overwhelming as a student. It's great for a student, but as a writer, it's paralyzing.

Jason [Moran] and John [Patitucci] and Eric [Harland] knew it was a Billie Holiday tribute. I'm sure they assumed it was going to be like another singer date, where we just have a bunch of charts and they write them down and they got paid and kind of moved on. There's nothing wrong with that, but it's not what I intended.

In the mid-1980s to the early 1990s I was writing songs not because I particularly liked what I was doing, but because I was desperately trying to get back into the charts. I really didn't enjoy it. I didn't like the music I was making, I wasn't proud of it, like I have been before or since.

If you look at the charts, there's not a lot of male artists and for whatever reason, female artists sell a lot more records and get played a lot more on the radio.

I did, although I didn't read from page 1 to page 187 but I read chunks of it. I did a little bit of science when I was in the university so I was able to understand the graphs and pie charts and stuff like that. It was extremely dry.

I have a pretty crazy work ethic, most people around me think it's a little off the charts, like I'm always working on something. The thing is, as hard as I work at what I do, I love it so much it really never feels like work at this point in my life.

I have a brilliant memory of being driven back to school when 'Super Trouper' was number one in the charts in 1980. When it came on the radio my mum just drove right past the school gates! When you're 11 years old and meant to be going back to boarding school, that's a great feeling.

If I'm just trying to get to different levels... and it takes levels to get to levels, and I just have to do what I have to do to keep on climbing the charts and getting where I need to be.

The one thing I noticed retroactively was that the energy at those Trump rallies was off the charts compared to the Hillary Clinton rallies. The Bernie Sanders energy was as good, gentler, but there was a real passion there.

Hit songs did not come out of musicals. Pop-rock was creating the hits. There were very few songs that made the charts out of any Broadway musical.

I could bear being in the charts and being on everyone's car radio 10 times a day. I'm just terrified of... a lot of people I respect have done it with a real little 'ditty' and that was the end of it - that was all they were ever known for.

To say how you would react if you were really storming the charts and had people running around after you... who's to say how any of us would deal with that.

Even when I lost my job at CBS News, I set up shop in my youngest daughter's bedroom and started Brainstormin' Productions and the Hannah Storm Foundation. And guess who was there, visiting me and enthusiastically making business charts and graphs that covered my entire kitchen table? My dad, of course.

There are a number of places on marine charts where even the most weathered sailors point and say, "Right there, nothing can go wrong. Everything has to go right." One place is the turbulent passage south of Cape Horn. Another is the dead center of the Indian Ocean.

We meet before the movie and she gives you charts with sounds on them and makes a tape of examples. While they are setting up the scene, I go with her to the trailer and we go through the scene and correct the speech.

The L. A. Times is reporting that Britney Spears' album Blackout will be number one on the Billboard charts. Not to toot my horn, but I predicted this on my show a week ago. No one wanted to believe me - even I didn't want to believe me, but now I know how Nostradamus feels.

I see songs not as a commodity used up when the album goes off the charts, which is often the case with pop songs. I see them as a body of work. Life should be breathed into them.

The success of a meeting often depends on having the right documents - proofs, artwork, schedules, research charts, etc. - present at the start of the meeting. All too often we arrive like plumbers, leaving our tools behind.

The Best of Elvis Presley, Doris Day, Jerry Lee Lewis, Bill Hailey and the Comets, Frank Sinatra, Peggy Lee, Frankie Laine all topped the charts in the '50s. Load a playlist of rock n' roll royalty. You're spoilt for choice.

Before 'American Idol' and all this stuff, I was obsessed with music charts, and I used to go online to find out what was popular in other countries. I'd log on to the BBC website, and that's how I found out about artists like Natasha Bedingfield, Daniel Bedingfield and Take That.

To be in the charts and hanging around with such huge names in the industry just feels like a complete privilege! I can't even explain how it feels - complete dream come true.

The first thing I remember hearing was just the dance music that was in the charts when I was growing up. I don't remember many of the names of specific tracks - they were just kind of early acid house things.

'Rolling Stone,' my first single, was only a hit in Portugal, but when we recorded my second single, 'Can The Can,' I got that hair-on-the-back-of-the-neck feeling, and I knew it would be huge. It topped the charts in the U.K. and Australia in 1973, and I got my first gold disc.

Dad's fear, especially when I was 18, was that, in the music industry in the U.K., there wasn't really anybody I would aspire to who was of black origin and who was successful. It was mainly black American musicians in the charts and, at that age, I think you look for someone you can identify with, and there wasn't really anyone.

In the days when we had paper charts, typically the paper chart would be in the door outside of the patient's room. Well now when you walk up to the door there's nothing there. Except maybe a folder with their name on it so you know who's in the room.