Top 1200 Child Actor Quotes & Sayings - Page 18

I want to tackle the award-winning films. I want to be seen as an actor-actor.

I'm a little less hungry as an actor than I used to be. When you're a director, you're the conductor of the orchestra, and when you're an actor, you're playing the violin. There's a thrill to each of them, but as the conductor, you get the fuller sound.

When I was a child, I thought of my Delta town as the center of the universe, but now I realize how little I know about the universe. As a child, I thought I was immortal, but now I recognize how limited a time we all have. As a child, success meant scoring A on every exam, but now I take it to mean good health, close family and friends, achieve- ments in my work, and helping others.

I am a professional actor, and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do.

I grew up, especially as an actor thinking that I had to move to New York to be a good actor. But after a while you start to live the world a little bit and you start to appreciate where you're from.

I enjoyed being in movies when I was a boy. As a child you're not acting - you believe. Ah, if an adult could only act as a child does with that insane, playing-at-toy- soldiers concentration!

People are more willing to accept a singer as an actor, than an actor as a singer.

I've always been quite mature because of the way my parents brought me up. They were very good at talking to me like a person rather than a baby, and I was around so many actors and directors from such a young age because my dad is an actor. I was more comfortable with adults rather than actually being an adult child.

That transition from child to adult actor is so incredibly elusive. The roles that were coming to me as a young adult were not that great, but I was taking them anyway to pay the rent. And the more bad roles in bad movies I took, the less anybody wanted me for a good role in a good movie.

That undeniable love for your child... that's something I totally get. And the bumps in the road, too. Like, any parent that thinks they have a perfect relationship with their child is a liar, or they're just not present.

I am not a comedian, I am an actor, and what makes an actor brilliant is his versatility.

I sat with five of the "Mothers of the Movement." Of course I'm hyping the show, but I keep telling everybody this part is not hype. After a while particularly in the case of Sybrina Fulton, they've become celebrities and people forget that they've become celebrities because of the death, the murder of their child. So I wanted people to see the burning desire for these women to live their child's legacy, to not let their child have died in vain, so they're fighting to stop the violence.

I know that many people disagree with the way I disciplined my child. I also understand after meeting with a psychologist that there are other alternative ways of disciplining a child that may be more appropriate.

My mom always wanted me to be an actor. And I started going to theater and going on auditions young. I only realized about five years ago that I actually didn’t want to be an actor.

I guess my whole life, as much as I might have wanted a child for the reason that everybody wants one, I always recognized that at no point until I was 50 was I old enough or up to the job. I thought, you know what, I not only really want a child, but at this point, finally in my life, I think I'm up to the job and I'm the type of person who could do the job well and I'm financially prepared to look after a child.

When are we going to stop labeling everyone? How many times have I been referred to as 'out gay actor?' Do we say, 'out heterosexual actor' when we refer to Tom Hanks?

Let’s not mince words: the inside of the Sydney casino looks as if Vegas had an illegitimate child with Liberace’s underpants, and that child fell down a staircase and hit its head on the edge of a spade.

I can remember wondering as a child if I were a young Macaulay or Ruskin and secretly deciding that I was. My infant mind even was bitter with those who insisted on regarding me as a normal child and not as a prodigy.

Because children grow up, we think a child's purpose is to grow up. But a child's purpose is to be a child

I enjoy dramatic narration, of course, because I'm an actor and I started as an actor. But I love things that are a challenge, and I look forward to more work with that in the future. So there's always a sun coming up the following day for me.

The more the audience and the society trusts an actor, the more the responsibility increases for the actor.

It's a short step from the belief that every child should be wanted to the belief that a child exists to satisfy our wants.

Years ago I met Richard Burton in Port Talbot, my home town, and afterwards he passed in his car with his wife, and I thought, 'I want to get out and become like him'. Not because of Wales, because I love Wales, but because I was so limited as a child at school and so bereft and lonely, and I thought becoming an actor would do that.

I grew up mostly an only child. My dad remarried when I was a teenager. And then I had two stepbrothers. And then my dad had a second child. So I have a brother from the time I was 15. But I really grew up feeling like an only child.

Time does not really exist for mothers, with regard to their children. It does not matter greatly how old the child is-in the blink of an eye, a mother can see the child again as they were when they were born, when they learned how to walk, as they were at any age-at any time, even when the child is fully grown or a parent themselves.

The parent gives the child a new car, money. They know the child wants these things and has to do what they want; otherwise, they withdraw the favors - manipulation, domination, no happiness, psychic sickness.

Before 'Coronation Street,' I was a jobbing actor, and after it, I'm a jobbing actor again.

I agree when others say I am underrated as an actor... When you give super-hit films then only you are considered as a good actor. At least that is how it is there in our industry. I think you need to be successful to be appreciated.

I agree when others say I am underrated as an actor... When you give super-hit films, then only you are considered as a good actor. At least, that is how it is there in our industry. I think you need to be successful to be appreciated.

Education must be aimed at creating a wider imagination in the child, not at suppressing. The child's mind must be set free.

Like every Aussie actor, I'd rather be working here; it's just we've all been forced to go to the States. Business-wise, as an actor, it's more lucrative, and there's also a lot more of it there.

A dancer's life is as peripatetic and unstable as that of an actor's. You're freelancing yourself all the time, and a dancer's lifespan is even shorter than an actor's: once they turn 30 or 35, they have to stop.

Even after the child, the life of the black child was saved, but that same white man will have to toss him right back into the discriminate, into discrimination, segregation, and these other things.

An actor's life is the shadow of a cloud, the echo of a sound, the memory of a dream, nothing come of nothing. The finest actor does not create, he is but a translator of another man's work.

Getting bad reviews or doing something thats not great is also really good for you as an actor. It also makes me feel as an actor that Ive earned my stripes a bit.

I lost 90 pounds and my blood pressure went down to a normal level and the salt in my urine disappeared. And that was when I had to make the transition from fat character actor to thin character actor.

I'm an actor. I started as an actor. I started on Broadway doing 'Hair' and Shakespeare in the Park.

As an actor, you want to do your best but not overshine the film. No actor is above the film.

The policy of letting the child 'do what he likes' is an insidious one, since the children are encouraged to continue always at their original superficial level, without receiving guidance in study. Furthermore, the 'three Rs,' the fundamental tools, are neglected as long as possible, with the result that the child's chance to develop his mind is greatly retarded. The policy of teaching words via pictures instead of by the alphabet tends to deprive the young child of the greatest reasoning tool of all.

A fool cannot be an actor, though an actor may act a fool's part.

I gained a lot of confidence after 'IP Man' as being a true actor. I went on to tackle what it is an actor is supposed to do before a film. Do a lot of research, get into the character. That's what I did with 'Dragon.'

Bizarrely, I've been called selfish for not having children. Surely it's more selfish to have a child when you don't really want a child?

I don't think the concept of "directing actors" exists in the sense that if you get what you order from an actor you'll always get bad acting. Every actor is scared just like a regular person.

The grief of a child is always terrible. It is bottomless, without hope. A child has no past and no future. It just lives in the present moment - wholeheartedly. If the present moment spells disaster, the child suffers it with his whole heart, his whole soul, his whole strength, his whole little being.

One of the most effective strategies to make your child more self-control is the weekly giving of allowance or pocket money as an opportunity for parents to teach self-control and model self-control. So rather than just handing the child the money and leaving it at that, the parent hands them a modest amount that has to be managed through the week, sits with the child and takes the time to anticipate what's going to be coming up next week, what the child would like to do and helps them to make choices and understand the limited amount of money they have.

Virtually all my conscious life I had been involved in theatre - I had been a child actor - but as a young man who had experienced the 1960s, British theatre seemed remote from my aspirations in life - theatre was still a posh thing, a middle-class thing, something for an elite.

I don't think anybody becomes an actor to serve theatre or to serve art anywhere. We all become actors because we are insecure people who want to be looked at. That was the reason I became an actor.

Homeless shelters, child hunger, and child suffering have become normalized in the richest nation on earth. It's time to reset our moral compass and redefine how we measure success.

Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.

As an actor, I don't have any politics. As an actor, I'm driven more by an authentic - I would say an obsessive-compulsive-disorder level-fixation on mimicry, tonality of voice, to literally imitate something until I can just disappear into it.

Because I came to acting quite late, I kind of think one of the few attributes that I do have is that I try to be honest with the character, with the writing. I'm not a tricksy actor; I'm not exactly a scenery-chewing kind of actor.

The child is born speaking the languages of birds; the child has horns and scales and wings; it has a beak; it has a cloven hoof. He is the sum of all creatures: the ones that swim, the ones that soar, the ones that leap, the ones that maze the earth with burrows.

I get offered a lot of parts where I want to say, 'Why don't you just hire a model? Don't hire an actor.' I'm trying to convince people I'm a real actor, not some mannequin.

It's such a luxury as an actor to think of your career as something you're choosing for yourself, because so much of the time as an actor you're just hoping that exciting projects come your way.

The difference in being a good soldier and actor is that in the Air Force, you see results, and our worth is defined by numbers. As an actor, your results are based on other people's opinions.

Every child is completely different. My two boys are opposites. Camden was such an easy baby. Jaxon is more of our rebel wild child, but he's also a mama's boy.

As an actor going into screenwriting, I was able to understand what type of dialogue feels natural. A lot of the time, as an actor, you don't have the freedom to change what your lines are, and they can often be very unnatural or difficult to portray in a real light.

You hear about actors being late and all that sort of stuff, but you never find that with an actor who's directed, because an actor who's directed understands all the problems your production is going through.

In the beginning, I was very stubborn and always wanted to be just an actor. I was told by a lot of people to try my hand at writing or directing, but I always thought, 'I am an actor, and this is what I want to do.'

To be called a child of God - there is no greater distinction. I love the final sentence of that Scripture with that emphatic exclamation mark. What a powerful assurance. Right here, right now, in this very moment, no matter how good or bad you feel about yourself, you're a beloved child of God. Throughout Scripture, God is conveying this message. He made you, he loves you, he pursues you, he's not done with you, and he's called you his child.