Top 1200 Childhood Home Quotes & Sayings - Page 5

And I wanted to do a movie [Moonrise Kingdom] about a childhood romance - a very powerful experience of childhood romance. About what it's like to just be blindsided, when you're in fifth grade or sixth grade, by these kinds of feelings. Along the way, I sort of mixed in some interest in "young adult fantasy" writing.

I go to work, I do a job, I play a role, and then I go home. I don't wear a cape at home. I'm not an invulnerable alien at home.

The difference between a childhood and a boyhood must be this: our childhood is what we alone have had; our boyhood is what any boy in our environment would have had.

Home, to me, is where I am and where I feel most comfortable. Obviously, Malaysia is home. In L.A., my home is my apartment because that's my Malaysia.

We range widely, we readers of fiction, but I think we all need a home. Mine is science fiction. It's my home shelf, my homeland, my home planet, my essential genre.

Whatever you have received more than others-in health, in talents, in ability, in success, in a pleasant childhood, in harmonious conditions of home life-all this you must not take to yourself as a matter of course. In gratitude for your good fortune, you must remember in return some sacrifice of your own life for another life.

I work very hard at relationships. I've done the thing of being home. I worked all day and came home and did all the stuff at home that a woman is supposed to do, the cooking and the entertaining. I'm a perfectionist, and, besides, I loved all those things.

Early childhood development has proved to be very beneficial and very cost-effective in societies where this is been tried. So let's not confine ourselves to primary education. Let's think of early childhood development and education as a whole.

I grew up without a television, so when I went to L.A., it was sort of, you know, a lot to take in, but it actually suited me more than where I was from, so I sort of had that 'home away from home' feeling, and L.A. is definitely home now.

What happens when all the parts of childhood are soldered down, when the young no longer have the time or space to play in their family's garden, cycle home in the dark with the stars and moon illuminating their route, walk down through the woods to the river, lie on their backs on hot July days in the long grass, or watch cockleburs, lit by morning sun, like bumblees quivering on harp wires? What then?

Childhood, young adulthood is fluid. And it's very easy to get labeled very young and have to carry something through your childhood and into your adulthood that is not necessarily who you are.

I'm not one of these guys who sits around saying, 'Gee, I mean, the person had a strange childhood and that's why he's doing this horrible thing. Poor Jeffrey Dahmer. He's just had a bad childhood and that's why he's eating people.' Wait a second! This person should be removed from the planet.

Where is home? Home is where the heart can laugh without shyness. Home is where the heart's tears can dry at their own pace.

There are negatives in fighting away from home: you're not in front of your home fans, you don't have your home comforts, but I have travelled the world as an amateur and I have always managed to bring back medals. I enjoy it a little bit more when you're the underdog.

People I looked up to a lot were, you know, Oprah because she had a rough childhood but overcame so many obstacles and broke barriers to become who she is. It was really eye opening to me: just because I had a rough childhood doesn't mean that I can't make something of myself.

I am away from home and must always write home, even if any home of mine has long since floated away into eternity.

A mountaineer’s house, before being his home and the home of his family, is the home of God and of guests.

Nest really came out of a process where I was trying to design the most connected and the most green home that I knew of. I was curious of just about everything that goes into a home and building a home.

My childhood was lonely. Both my parents were away a lot, working, and the maid basically raised me. And I think that's where a lot of my comedy comes from. Not only was the maid very funny and witty, but when my mother came home I'd use humour to try and get her attention. If I made mommy laugh, then maybe everything would be all right. I think that's where it [my comedy] all started.

They say your childhood influences your tastes and interests, or your approach if you're an artist. So what you create, whatever you saw, whatever your childhood was like - it influences how you're going to end up.

I'm always looking for ways that I can work from home with my home studio and stay busy. This is a great way to do it. Having a home studio has made projects like this a lot easier.

I don't hide. I never have. I stay at home because I like to stay at home, and at home I work.

I think it shapes it in very deep ways that you don't entirely understand. Rainer Maria Rilke said there are two inexhaustible sources for poetry. One is dreams, and the other is childhood. I think childhood is an inexhaustible source of your becoming who you will be and certain deep feelings are set inside of you.

Take the Long Way Home is a song that I wrote that's on two levels - on one level I'm talking about not wanting to go home to the wife, 'take the long way home' because she treats you like part of the furniture. But there's a deeper level to the song, too. I really believe we all want to find our true home, find that place in us where we feel at home, and to me, home is in the heart. When we’re in touch with our heart and we're living our life from our heart, then we do feel like we found our home.

I was powerless over my childhood but the coping strategies that I developed, to survive, all of which were creative and brilliant and got me through, as an adult those became my defects of character. Those became my shortcomings, control and all that kind of stuff... and that's my responsibility. I was a blameless child in what happened in the home; I take responsibility for my behaviors as an adult.

I have the idea that lyric poetry is a poetry that's driven by a sense of the presence of death. That there's something unbearable about the fact that we're going to die and that we can't stand it and I think you find that out in childhood and you don't really - at least I found it out in childhood and I found it hard to get over.

I've nothing against stay-at-home mums, but I love going to work, I love what I do and I wouldn't want to start resenting my home life if I was staying home 365 days a year.

The filming happens in my home, and I cook like I do at home, on my home stove with my house pots and so on. That's who I am. I am very true to my real profile.

Try, start always at home. This is my encouragement to all writers, start at home. All virtues and vices begin at home, and then spread abroad.

From my childhood, I remember a tiny old woman named Mary, made pale and almost translucent by time. Mary's childhood memories extended back to the confusing and violent finale of the Civil War, and she told stories of brutal murders in those days and refused to name some of the killers, as if dead men might still be prosecuted in the late 1950s.

My childhood was great, honestly. I have all these incredible memories of my childhood. I was an only child. I always had all my cousins around. I had my grandparents around. I had my parents around. I had my uncles around - whatever.

When I talk about it, now people imagine I had an impoverished childhood, especially when I tell people we used to have to put coins in the side of the telly. But we were really happy. Mum never complained, there was always music playing in the house and we were always dancing around. It was a great childhood.

Oakland is home, and you always want to go home. Anytime you get the chance, you're happy to go home.

My childhood dream was always to be on Broadway. I wanted to end up in TV and film. It's kind of flipped, and I'm not mad about it, but my childhood dream is Broadway and I want to end up there.

When we raise our children, we relive our childhood. Forgotten memories, painful and pleasurable, rise to the surface.... So each of us thinks, almost daily, of how our own childhood compares with our children's, and of what our children's future will hold.

There are those uncomfortable things that've passed that you have to deal with or they define you, like childhood trauma. Like when I'm lost, I just feel like somewhere along the line, if you've gone through any childhood trauma, it makes you lose your essence and it takes a while to get that back. There are certain things about that that push my buttons.

Childhood hunger in America is as much a paradox as it is a tragedy. Why, in the wealthiest country in the world, should hunger darken the lives and dreams of 12 million children and their families? I believe that, when Americans learn the facts and understand how their involvement can make a difference, banishing childhood hunger will be a national, local and personal priority.

I missed my home - like the physicality of my home, I missed my friends and my family mostly and just hanging out and being in your home country - culturally it feels right and that is what I miss.

I love the Rio Grande Valley. I always say it's home - Texas is home. I've been out in L.A. a little over ten years, and I still get so excited when I go back home. It just feels comfortable; it makes me smile.

The achievement of freedom is hardly possible without the felt mourning. This ability to mourn, i.e, to give up the illusion of a happy childhood, can restore vitality and creativity if a person is able to experience that he was never loved as a child for what he was, but for his achievements, success and good qualities. And that he sacrificed his childhood for this love, this will shake him very deeply.

Never did I think that the university was properly ministerial to the society around it. Rather I thought and think that society is ministerial to the university, and I bless a society that tolerates and supports an eternal childhood for some, a childhood whose playfulness can in turn be a blessing to society.

What was on the agenda was school and social life and those kinds of things. So I was the middle of five kids. So I had the great advantage of being able to play up to the older kids and play down to the younger kids and I think that's part of what propelled me to become a teacher at some point in my life. But it was a comfortable childhood. It was a privileged childhood.

If I have an unusual gift, it's not that I draw particularly better than other people - I've never fooled myself about that. Rather it's that I remember things other people don't recall: the sounds and feelings and images - the emotional quality - of particular moments in childhood. Happily an essential part of myself - my dreaming life - still lives in the light of childhood.

Every man remembers his childhood as a kind of mythical age, just as every nation's childhood is its mythical age.

A Lucky Child is an extraordinary story, simply and beautifully told. Heartbreaking and thrilling, it examines what it means to be human, in every good and awful sense. Perhaps most amazingly of all, Thomas Buergenthal remembers and renders the small mysteries and grand passions of childhood, even a childhood lived under the most horrific circumstances.

My childhood began, as everybody's childhood begins, with prejudices. Man finds prejudices beside his cradle, puts them from him a little in the course of his career, and often, alas! takes to them again in his old age.

That's what the American odyssey is really about: Leaving home. Leaving home and coming home, and trying to understand the difference.

there are - as every one knows - two kinds of writing: one coming out of your vitals and the other from the top of your head. The first is the only sort from which any true private pleasure can be gained, for it is a way of getting something out of life which seemed to be there in childhood, when childhood is quite over.

Your real home isn't your patterned self. It isn't your thinking. It isn't your feeling. Your real home is the deepest within that you know the truth of. Your real home, your only home, is direct knowledge.

I find myself drawn to that period where children are about to leave childhood behind. When you're 12 years old, you still have one foot in childhood; the other is poised to enter a completely new stage of life. Your innocent understanding of the world moves towards something messier and more complicated, and once it does you can never go back.

Home is ultimately not about a place to live but about the people with whom you are most fully alive. Home is about love, relationship, community, and belonging, and we are all searching for home.

England was never my home. I had a home there but Dublin is my home so leaving Ireland was the hardest thing I had to do.

I don't feel at home in New Orleans. I don't feel at home in Austin or L.A. And I just felt immediately at home in northern Australia.

Studies have proven that early childhood education returns to society as much as $12 for every dollar invested. Our goal is to identify the most important development opportunities for children five years and younger, providing insight to transform early childhood education from a social policy issue into an economic imperative.

Come home to the affirmation that we have a dream. Come home to the conviction that we can move our country forward. Come home to the belief that we can seek a newer world. And let us be joyful in the homecoming.

I went to public schools in Bangor, Maine, and had as normal a childhood as you could imagine someone could, living in an enormous red house and being the son of a millionaire best-selling writer. I mean, I actually had a strangely normal childhood despite all that.

It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.

I couldn't ever go back home without being something. I probably would never have gone back home. That was definitely a big motivation. To get back home, and not empty-handed.

Home Economics stands for the ideal home life for today unhampered by the traditions of the past and the utilization of all the resources of modern science to improve home life.

All of childhood's unanswered questions must finally be passed back to the town and answered there. Heroes and bogey men, values and dislikes, are first encountered and labeled in that early environment. In later years they change faces, places and maybe races, tactics, intensities and goals, but beneath those penetrable masks they wear forever the stocking-capped faces of childhood.