Top 1200 Children's Books Quotes & Sayings - Page 2

Books are such a great way to spend time with your children, open lines of communication with your children, and just build that strong foundation.

Save the Children is an awesome charity that has helped more than 125 million children around the world, providing everything from school books to food to blankets and shelter.

Inspiring passion in children for books, and the world of imagination and creativity fuelled by them, is a fundamental reason for why the Children's Laureate post exists.

I don't think it's a coincidence that comic books appeal so strongly to children. Not that it negates any of their power for adults, but there is something about comics that makes them a perfect storytelling system for children.

My mom would keep all kinds of materials in her classroom for children for reading. She kept comic books, newspapers, sports magazines, and books of all kinds.

Writing for children is bloody difficult; books for children are as complex as their adult counterparts, and they should therefore be accorded the same respect.

I have a very low tolerance for boredom and often think I would have missed out on books entirely if I'd grown up in the Internet and video game age. Now I enjoy books for people of all ages, including children.

The best and most popular novelists do not, as a rule, have children in their books at all, and this is wise. Parents are about the only people who are interested in children, and they merely in their own ones.

I am convinced that not only do children need children's books to fine-tune their brains, but our civilization needs them if we are not going to unplug ourselves from our collective past.

Children's books are looked on as a sideline of literature. A special smile. They are usually thought to be associated with women. I was determined not to have this label of sentimentality put on me so I signed by my intials, hoping people wouldn't bother to wonder if the books were written by a man, woman or kangaroo.

I have a very low tolerance for boredom and often think I would have missed out on books entirely if Id grown up in the Internet and video game age. Now I enjoy books for people of all ages, including children.

Children's reading and children's thinking are the rock-bottom base upon which this country will rise. Or not rise. In these days of tension and confusion, writers are beginning to realize that books for children have a greater potential for good or evil than any other form of literature on earth.

I hope to encourage more children to discover and love reading, but I want to focus particularly on the appreciation of picture books…. Picture books are for everybody at any age, not books to be left behind as we grow older. The best ones leave a tantalising gap between the pictures and the words, a gap that is filled by the reader's imagination, adding so much to the excitement of reading a book.

I write for children because I am interested in fantasy and the possibilities for experience of all kinds before the time of compromise. I believe that children are far more perceptive and wise than American books give them credit for being.

In 2018, according to the Children's Cooperative Book Center at the University of Wisconsin's School of Education, fewer than a third of all children's and young adult books in the United States featured a person of color as a main character.

It struck me that when we read picture books to children, we parents, and people as a whole, do not appear in them very much, and that they are more constructed to be a world of children and animals.

There will be no 'Mommie Dearest' in the lives of my children, and no books like the one the Crosby boy wrote about Bing, or Bette Davis's daughter has written. My children love me very much, and they are loved.

I've always been drawn to and fascinated by physical and psychological change. If I'm able to make pictures of children that are so real, as you follow the children over the years in any given book, and in subsequent books they get older and older and grow up, perhaps there might be something cautionary in that visual example. Every child is going to grow up. You can see it happen in the books: They get older and older and belong to themselves to a greater and greater extent.

Even though I'm a writer and I love books and writing books is my favorite thing to do, when you teach, and you can go through the history of children's television, and I show certain things, the students' jaws just drop. You're never going to hit the hammer quite as hard in print.

I have come to believe that large print, thick and heavy paper, and wide margins and oversize leading is indicative of the expected intelligence of the reader. … Compare children's books and books on Web Duhsign or other X-in-21-days books. If the reading level of a specification is below college level, chances are the people behind it are morons and the result morose.

Everyone if so warm, and the children know my from the children's books. Their oldest siblings or young parents know me from "Here Comes the Groom" or "Waterboy."

I have often said that I think children's books are like poetry. Finding the exact right words to tell a story is something all writers, regardless of genre, are challenged to do, but it is in children's that the art of selection really becomes an art.

I went off and read the books after the audition and I read all four books in one sitting - you know - didn't wash, didn't eat, drove around with them on the steering wheel like a lunatic. I suddenly understood why my friends, who I'd thought where slightly backward, had been so addicted to these children's books. They're like crack.

Of course all children's literature is not fantastic, so all fantastic books need not be children's books. It is still possible, even in an age so ferociously anti-romantic as our own, to write fantastic stories for adults: though you will usually need to have made a name in some more fashionable kind of literature before anyone will publish them.

I have written a few children's books. The first book that I wrote was for children. It was called 'The Package', and it was a mystery story in pictures. It had no words.

A lot of school-going children are familiar with my writing. I am basically very much a children books author.

We want to make sure children aren't left without any books. We want to make sure our children have the books, that they have a place in the castle. We want to make sure that their mothers have affordable day care. We want to make sure we give the older people the care that they need.

I was never allowed to read the popular American children's books of my day because, as my mother said, the children spoke bad English without the author's knowing it.

I'm also very hopeful to continue my literary journey into the realm of children's books. To be able to read my kids a children's book that was inspired by them would be everything!

If it's not good enough for adults, it's not good enough for children. If a book that is going to be marketed for children does not interest me, a grownup, then I am dishonoring the children for whom the book is intended, and I am dishonoring books. And words.

Only idiots or snobs ever really thought less of 'genre books' of course. There are stupid books and there are smart books. There are well-written books and badly written books. There are fun books and boring books. All of these distinctions are vastly more important than the distinction between the literary and the non-literary.

Jacqueline Woodson's books are such a gift to parents and children for their poignant subtlety and lyricism and their willingness to let a reader dwell in the pangs of realization that we sometimes try to protect our children from.

I write for young people because I like them and because I think they are important. Children's books can be mind-stretchers and imagination-ticklers and builders of good taste in a way that adult books cannot, because young people usually come to books with more open minds. It's exciting to be able to contribute to that in a small way.

We need a whole bunch of books about people of color, kids on the spectrum, etc. It's strange that we have a population of school children that is majority nonwhite but their books are majority white.

This is the value for me of writing books that children read. Children aren't interested in your appalling self-consciousness. They want to know what happens next. They force you to tell a story.

I want to see children curled up with books, finding an awareness of themselves as they discover other people's thoughts. I want them to make the connection that books are people's stories, that writing is talking on paper, and I want them to write their own stories. I'd like my books to provide that connection for them.

I don't read young adult or children's books, now that my grandchildren are beyond the age of my reading to them. I read reviews, and so I'm aware of what's out there. But I tend not to read the books.

My books always focus on the response of the characters to extreme events. As dark as they get, they are ultimately positive, uplifting books about children who take control of their lives and overcome great adversaries. I think that is why they have been so popular.

For some reason, I never felt the need to have kids. My wife feels the same. We don't feel a void. I don't think they would give my life meaning. I do think of the books as my children, though. Whatever is inside of me, I put into my books.

The books in Mo and Meggie's house were stacked under tables, on chairs, in the corners of the rooms. There where books in the kitchen and books in the lavatory. Books on the TV set and in the closet, small piles of books, tall piles of books, books thick and thin, books old and new. They welcomed Meggie down to breakfast with invitingly opened pages; they kept boredom at bay when the weather was bad. And sometimes you fall over them.

One reason nearly half my books are for children is the glorious fact that the minds of children are still open to the living word; in the child, nightside and sunside are not yet separated; fantasy contains truths which cannot be stated in terms of proof.

All books are in safe hands with me. They're my children, my inky children, and I look after them well. I keep the sunlight away from their pages, I dust and protect them from hungry hookworms and grubby human fingers.

What I did do a lot as a child was read, and I particularly remember reading all the 'Hardy Boys' books, a set of history books called the 'Landmark Books,' and a series of science books called the 'All About Books.'

When I'm not working on a children's book, I'm painting abstract paintings. That's probably the most joyous thing for me as an artist. But I do love children's books.

I know, you've been here a year, you think these people are normal. Well, they're not. WE'RE not. I look in the library, I call up books on my desk. Old ones, because they won't let us have anything new, but I've got a pretty good idea what children are, and we're not children. Children can lose sometimes, and nobody cares. Children aren't in armies, they aren't COMMANDERS, they don't rule over forty other kids, it's more than anybody can take and not get crazy.

I have written a few children's books. The first book that I wrote was for children. It was called "The Package", and it was a mystery story in pictures. It had no words.

As far as I'm concerned, you either read books for children, or you read books for adults.

I'd finished the first two [books] and they were going to to be published, and [editor] said, "We need you to write a summary that will drive people to these books." And it took forever. I couldn't think of a thing to say. I looked at the back of other children's books that were full of giddy praise and corny rhetorical questions, you know, "Will she have a better time at summer camp than she thinks?" "How will she escape from the troll's dungeon?" All these terrible, terrible summaries of books, and I just couldn't.

I think what makes good children's books is putting the same care and effort into it as if I was writing for adults. I don't write anything - put anything in my books - that I'd be embarrassed to put in an adult book.

I have so little patience with the whole Y.A. book thing. As far as I'm concerned, you either read books for children or you read books for adults.

My parents read me some typical children's books: 'Green Eggs and Ham,' 'The Little Engine That Could,' 'Peter Rabbit.' But I quickly developed a preference for nonfiction books about baseball and math, by the likes of Bill James and Martin Gardner.

I still retain a bit of a child's focus on things, so we [with my sister] figure if we're going to write books, our best shot is to write children's books, because we relate pretty readily on that level.

Let them get at the books themselves, and do not let them be flooded with diluted talk from the lips of their teacher. The less the parents 'talk-in' and expound their rations of knowledge and thought to the children they are educating, the better for the children...Children must be allowed to ruminate, must be left alone with their own thoughts.

Life isn't so complicated for children. They have more time to think about the really important things. That's why I occasionally moralise in my children's books in a way I wouldn't dare when writing for adults.

Aside from the posters, wherever there was room, there were books. Stacks and stacks of books. Books crammed into mismatched shelves and towers of books up to the ceiling. I liked my books.

I never set out to write books for children. I don't have a feeling that I'm gonna save children or my life is devoted.

I'm a voice for children's books and children's reading.

Kids and adults have a difference of opinion when it comes to what constitutes legitimate reading. Adults often push books that they loved as children, which, ironically, were often books that their parents weren't particularly keen on.

Every child is different. I think it's important that we don't have maybe just one or two books that we're recommending to all children - but rather we cater the books to fit each individual child.

I read a couple of books a week. About 80 percent of what I read is contemporary literature for adults. The other 20 percent is made up of non-fiction and children's books.