Top 1200 Chinese Language Quotes & Sayings - Page 13

Explore popular Chinese Language quotes.
Last updated on December 12, 2024.
A powerful programming language is more than just a means for instructing a computer to perform tasks. The language also serves as a framework within which we organize our ideas about processes.
The word 'right' should be excluded from political language, as the word 'cause' from the language of philosophy.
It is not the language of painters but the language of nature which one should listen to, the feeling for the things themselves, for reality is more important than the feeling for pictures.
Working with the Latin language is pretty powerful. Working with a language that is not spoken vernacularly is intense.
If you can't hear language, you won't be able to understand language and experience normal development. Every minute spent without hearing is a minute a child is not getting back.
When you fall in love with a book, something especially interesting and exciting is happening because of the way language works on us as human beings. And I love language.
This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story
In my mind, there's nothing wrong with it. I don't instinctively know what's wrong with it. There is a language of the ghetto. There is a language of the barrio. And it's not good. There is an attitude. There is a behavior. There is a mindset and we wouldn't anybody to be stuck in it.
Rhetoric, which is the use of language to inform or persuade, is very important in shaping public opinion. We are very easily fooled by language and how it is used by others.
Of course, English is a very powerful language, a colonizer's language and a gift to a writer. English has destroyed and sucked up the languages of other cultures - its cruelty is its vitality.
We all need to learn a new language for love - a language that speaks not in socks, pancakes, and paychecks, but in shared fascination with physics or poetry, delight in each other's uniqueness, and mutual practical and emotional support.
Wherever I go, I have to speak English, which is my second language. So whenever you get a chance to speak in your own language? It feels good. — © Ivica Zubac
Wherever I go, I have to speak English, which is my second language. So whenever you get a chance to speak in your own language? It feels good.
Woody Allen once said: "You know there must be intelligent life in space. The question is do they have good Chinese restaurants and do they deliver?" Which is really a joke, but it is also a very profound remark. When you say do they have good Chinese restaurants, what you're really saying is, "How much are they like us?" And when you say, "Do they deliver?" you're saying, "Can they get here?" Both of which are profound questions. And at the present, we have no answers.
There are those who've been hacked by the Chinese and those who don't know they've been hacked by the Chinese.
There are words that exist in one language and not in another language. It creates barriers that keep us from understanding each other. I'm often frustrated using words to talk to people.
Because Shakespeare's language is so expansive, we're under this misconception that it's difficult. But I discovered that it's easy because it's so brilliantly written. The words are perfect, and the language is intelligent and very emotional.
When you hear somebody speaking in an accent, it's almost like they're invading your language while they're speaking to you because if you hear someone speak another language, you almost don't care. But when they speak your language with an accent, it feels like an invasion of something that belongs to you. And, immediately, we change.
I paint to evoke a changing language of symbols, a language with which to remark upon the qualities of our mysterious capacities which direct us towards the ultimate reality.
In a novel, language is your principal tool, you try to build pictures in the mind of the reader. When you write a screenplay, the language is just a transition, the final goal is a picture on the screen, it's the only thing the audience sees.
I love language. It doesn't bother me that its effects are partial. To me that is very sanity-producing. It would be weird if the effects of language were more than partial, if your whole life existed within your texts. That would be much scarier to me than language being an inadequate tool to represent.
To the extent that language forces experiences into categories it is a screen between reality and the human being. In a word, we pay for its benefits... Therefore, while using language, as we must of necessity, we should be aware of its shortcomings.
In the long run, the replacement of the precise and disciplined language of science by the misleading language of litigation and advocacy may be one of the more important sources of damage to society incurred in the current debate over global warming.
There's a specificity of language that's required in Shakespeare that most drama students in England deal with - a specificity of language that is somehow not as clear in a lot of American schools.
My delight in things is definitely Caribbean. It has to do with landscape and food. The fact that my language may have a metrical direction is because that's the shape of the language. I didn't make that shape.
It's no big deal about how you get language to evolve. You cause language to evolve by saying new and intelligent things to each other. — © Terence McKenna
It's no big deal about how you get language to evolve. You cause language to evolve by saying new and intelligent things to each other.
So much of language is unspoken. So much of language is compromised of looks and gestures and sounds that are not words. People are ignorant of the vast complexity of their own communication.
In the lives of individuals and societies, language is a factor of greater importance than any other. For the study of language to remain solely the business of a handful of specialists would be a quite unacceptable state of affairs.
No one gets angry at a mathematician or a physicist whom he or she doesn't understand, or at someone who speaks a foreign language, but rather at someone who tampers with your own language.
I've always felt the easiest way to get to know new culture is through its food even if you don't speak the language. Food will do it for you. It's an universal language.
Good design, at least part of the time, includes the criterion of being direct in relation to the problem at hand - not obscure, trendy, or stylish. A new language, visual or verbal, must be couched in a language that is already understood.
Our Digital Immigrant instructors, who speak an outdated language (that of the pre-digital age), are struggling to teach a population that speaks an entirely new language
I'm keen on making English language movies. English is still the global language and we can't change that.
I have to watch my language. I think a lot about the words I use in both the public environment and the dressing room. The language you use is a direct insight into how you are feeling.
As a prose writer, I work with language; and those who work with language turn to poetry for renewal. — © Samuel R. Delany
As a prose writer, I work with language; and those who work with language turn to poetry for renewal.
Language alone protects us from the scariness of things with no names. Language alone is meditation.
The language of Doctor Johnson and Mrs Hester Lynch Thrale, and that of their adult contemporaries, was the stately language of the time, polished, stylish, unordinary, even in the intimate pages of their diaries, and the regime of instruction was severe and practical.
Something of the previous state, however, survives every change. This is called in the language of cybernetics (which took it form the language of machines) feedback, the advantages of learning from experience and of having developed reflexes.
This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story.
Humans are so innately hardwired for language that they can no more suppress their ability to learn and use language than they can suppress the instinct to pull a hand back from a hot surface.
Catalan language is one of the most complete and perfect expressions that I know from the point of view regarding language, I not only read it since many years ago, but I understand it. Moreover, I speak it intimately too.
Language is the primary way we communicate with each other, and we have really strong feelings about what words mean, and about good language and bad. Those things are really based on sort of an agglutination of half-remembered rules from high school or college, and our own personal views on language and the things we grew up saying, the things we grew up being told not to say.
When you live in a country where your own language is considered foreign, you can feel a continuous sense of estrangement. You speak a secret, unknown language, lacking any correspondence to the environment. An absence that creates a distance within you.
There are all these new books out there portraying Asian mothers as scheming, callous, overdriven people indifferent to their kids' true interests. For their part, many Chinese secretly believe that they care more about their children and are willing to sacrifice much more for them than Westerners, who seem perfectly content to let their children turn out badly. I think it's a misunderstanding on both sides. All decent parents want to do what's best for their children. The Chinese just have a totally different idea of how to do that.
Linguistic philosophers continue to argue that probably music is not a language, that is in the philosophical debate. Another point of view is to say that music is a very profound language.
It is okay to experiment with language. Writers such as James Joyce, Virginia Woolf experimented with writing, but basically, one must have a familiarity with the language. And to have that, one must respect it.
I'm writing, I'm using language, I'm using that language to tell stories and even more so to get ideas across. And I just love that, and I've always loved that.
Thinking about language, while thinking _in_ language, leads to puzzles and paradoxes. — © James Gleick
Thinking about language, while thinking _in_ language, leads to puzzles and paradoxes.
So long as we use a certain language, all questions that we can ask will have to be formulated in it and will thereby confirm the theory of the universe which is implied in the vocabulary and structure of the language.
If thought corrupts language, language can also corrupt thought. A bad usage can spread by tradition and imitation even among people who should and do know better.
A marvellous power of expression over language often distinguishes genius; but Shakespeare in his phrases seems independent of the bonds of language as of the bonds of metre.
Just remember, the language of gesture is more effective than the spoken word. Body language is very powerful. Bring the balance within you and project that balance.
But, after all, the sciences have made progress, because philosophers have applied themselves with more attention to observe, and have communicated to their language that precision and accuracy which they have employed in their observations: In correcting their language they reason better.
The word right should be excluded from political language, as the word cause from the language of philosophy.
Our language is the reflection of ourselves. A language is an exact reflection of the character and growth of its speakers.
The highest thoughts are those which are least dependent on language, and the dignity of any composition and praise to which it is entitled are in exact proportion to its dependency of language or expression.
Above all, a book is a riverbank for the river of language. Language without the riverbank is only television talk - a free fall, a loose splash, a spill.
The easiest way for me to tell someone what I do is to say that I'm a non-musician who practises and produces music. I don't have a theoretical language for music. I have this abstract dream language.
In Europe there's kind of a reaction to the European Union, kind of a move towards some kind of regionalization. It's more advanced in some regions than others, like in Spain for example. Catelan was repressed under Franco. People spoke it, but not publicly. It's now the language of Catelonia. The Basque language is being revived, not just the language but the culture, the folk music and everything else. So you're getting more diverse societies, and it's happening in Britain as well.
If the president is going to use so much language of theology and the Bible, then let's use that language for a serious discussion about the war in Iraq. And that was never done.
I paint to evoke a changing language of symbols, a language with which to remark upon the qualities of our mysterious capacities which direct us toward ultimate reality.
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