Top 1200 Chinese Language Quotes & Sayings - Page 17

Explore popular Chinese Language quotes.
Last updated on December 11, 2024.
I'm a Chinese American.
One can not understand language because language cannot understand itself; does not want to understand
Language corresponds only to itself. Intellectuals suffer from that. And once you begin to question language, you cannot stop at studying linguistics. Analytical philosophy becomes insufficient, artificial grammar becomes insufficient.
I find righteous denunciations of the present state of the language no less dismaying than the present state of the language. — © Lionel Trilling
I find righteous denunciations of the present state of the language no less dismaying than the present state of the language.
What came out of that was an intense obsession with status anxiety. So much of these portraits are about fashioning oneself into the image of perfection that ruled the day in the 18th and 19th centuries. It's an antiquated language, but I think we've inherited that language and have forwarded it to its most useful points in the 21st century.
I was on 'SVU' for 11 years. I developed a muscle in my brain that could memorize things much more easily than people who don't do it every day. I got used to the language, and some of it got to be repetitive language, so you build your vocabulary.
Art as language....in the future there will only be art. This common language will carry the message of love.
The Language of the Dream/Night is contrary to that of Waking/Day. It is a language of Images and Sensations, the various dialects of which are far less different from each other, than the various Day-Languages of Nations.
I suggest that US foreign policy can still be defined as "kiss my ass or I'll kick your head in." But of course it doesn't put it like that. It talks of "low intensity conflict..." What all this adds up to is a disease at the very centre of language, so that language becomes a permanent masquerade, a tapestry of lies.
The breakdown of our language, evident in the misuse, i.e., the misunderstanding of nouns and adjectives, is most grave, though perhaps not so conspicuous, in the handling of prepositions, those modest little connectives that hold the parts of a phrase or a sentence together. They are the joints of any language, what make it, literally, articulate.
One of my favorite literary theorists, Mikhail Bakhtin, wrote that the defining characteristic of the novel is its unprecedented level of "heteroglossia" - the way it brings together so many different registers of language. He doesn't mean national languages, but rather the sublanguages we all navigate between every day: high language, low language, everything. I think there's something really powerful about the idea of the novel as a space that can bring all these languages together - not just aggregate them, like the Internet is so good at doing, but bring them into a dialogue.
I write in order to understand the images. Being what my agent . . . somewhat ruefully calls a language playwright, is problematic because in production, you have to make the language lift off the page. But a good actor can turn it into human speech. I err sometimes toward having such a compound of images that if an actor lands heavily on each one, you never pull through to a larger idea. That's a problem for the audience. But I come to playwriting from the visual world - I used to be a painter. I also really love novels and that use of language. But it's tricky to ask that of the theatre.
If you want to tell the untold stories, if you want to give voice to the voiceless, you've got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you're dumb and blind.
I'm an infant with Shakespeare; I'm kind of learning how to walk. I am trying to decipher the code, you know? I do my research. And I get a clear understanding of what the language is. It is a tremendous process I have to go through as I am sure all actors do, finding the gems hidden in his language.
When we say 'time', I believe we mean at least two things. We mean changes. And we mean something unchangeable. We mean something that moves . but against an unmoving background. And vice versa.Animals can sense changes. But consciousness of time involves the double sense of constancy and change. Which can only be attributed to those who give expression to it. And that can only be done through language, and only man has language.The perception of time and language are inextricably bound up with one another.
I'm interested in the way our world is defined by language, the living word. How restrained we are by the concept of language, but when you tweak it a little bit your eyes can be opened and your world is totally changed.
Under the Assads, Kurds were forbidden from learning their own language at school, or even from speaking it in the military. The result is a generation of Syrian Kurds, many now in late middle age, who cant write their own language.
The theater, which is in no thing, but makes use of everything - gestures, sounds, words, screams, light, darkness - rediscovers itself at precisely the point where the mind requires a language to express its manifestations.... To break through language in order to touch life is to create or recreate the theatre.
Language, after all, is organic. You can't force words into existence. You can't force new meanings into words. And some words can't or won't or shouldn't be laundered or neutered. Language develops naturally.
It is an absolute privilege to be able to speak another language and have it be something you grew up with. I think it's a very important thing and I think that everywhere else in the world people speak more than one language.
But actually a code is a language for translating one thing into another. And mathematics is the language of science. My big thesis is that although the world looks messy and chaotic, if you translate it into the world of numbers and shapes, patterns emerge and you start to understand why things are the way they are.
It is a sore point, because you do have advantages if you have access to more than one language. You also have problems, because on bad days you don't trust yourself, either in your first or your second language, and so you feel like a complete halfwit.
But if thought corrupts language, language can also corrupt thought. — © George Orwell
But if thought corrupts language, language can also corrupt thought.
We think in language. We think in words. Language is the landscape of thought.
Everything in writing begins with language. Language begins with listening.
There is nothing terribly difficult in the Bible - at least in a technical way. The Bible is written in street language, common language. Most of it was oral and spoken to illiterate people. They were the first ones to receive it. So when we make everything academic, we lose something.
One can say, looking at the papers in this symposium, that the elucidation of the genetic code is indeed a great achievement. It is, in a sense, the key to molecular biology because it shows how the great polymer languages, the nucleic acid language and the protein language, are linked together.
Language is not subtle enough, tender enough, to express all that we feel; and when language fails, the highest and deepest longings are translated into music. Music is the sunshine - the climate - of the soul, and it floods the heart with a perfect June.
I sometimes feel that my goal as a novelist would be to write a novel in which the language was so transparent that the reader would forget that language was the medium of understanding. Of course that's not possible, but it's some sort of idealized goal.
Through radio I look forward to a United States of the World. Radio is standardizing the peoples of the Earth, English will become the universal language because it is predominantly the language of the ether. The most important aspect of radio is its sociological influence. (1926)
When you start writing a picture book, you have to write a manuscript that has enough language to prompt the illustrator to get his or her gears running, but then you end up having to cut it out because you don't want any of the language to be redundant to the pictures that are being drawn.
Under the Assads, Kurds were forbidden from learning their own language at school, or even from speaking it in the military. The result is a generation of Syrian Kurds, many now in late middle age, who can't write their own language.
No; I did not hate him. The word is too weak. There is no word in the language strong enough to describe my feelings. I can say only that I knew the gnawing of a desire for vengeance on him that was a pain in itself and that exceeded all the bounds of language.
What is music? Music is language. A human being wants to express ideas in this language, but not ideas that can be translated into concepts.
I try to keep my sentences quite pared back. What I really want to do is observe people's relationships and interactions. I don't want language to get in the way of that. It's quite a difficult process to achieve that, for the language to feel clear.
You only have to look at London, where almost half of all primary school children speak English as a second language, to see the challenges we now face as a country. This isn't fair to anyone: how can people build relationships with their neighbours if they can't even speak the same language?
If you eat Chinese food, your farts come out like Chinese food. If you eat Mexican food, your farts come out like Mexican food. And milk, it’s like - you can smell the warmth in the fart. My wardrobe on Transformers always smells like farts, and I have no idea why.
While self-interest arising from the enjoyment of meat eating is obviously one reason for its entrenchment, and inertia another, a process of language usage engulfs discussions about meat by constructing the discourse in such a way that these issues need never be addressed. Language distances us from the reality of meat eating, thus reinforcing the symbolic meaning of meat eating, a symbolic meaning that is intrinsically patriarchal and male-oriented. Meat becomes a symbol for what is not seen but is always there--patriarchal control of animals and of language.
The substance of the winds is too thin for human eyes, their written language is too difficult for human minds, and their spoken language mostly too faint for the ears. — © John Muir
The substance of the winds is too thin for human eyes, their written language is too difficult for human minds, and their spoken language mostly too faint for the ears.
It seems that in almost all societies, the attitudes that people have to language change is basically the same. People everywhere tend to say that the older form of a language is in some sense 'better' than the form that is being used today.
Chimps can do all sorts of things we thought that only we could do - like tool-making and abstraction and generalisation. They can learn a language - sign language - and they can use the signs. But when you think of our intellects, even the brightest chimp looks like a very small child.
There is a pretty interesting document called 'action writing.' Which is not all about spontaneity and first thought, best thought,' but a certain kind of attention to the smallest increments of the phonemes of language, The kind of power of connection, what he is able to do with language.
All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what's inside of all of us. If we X-rayed the insides of different human beings, we wouldn't be able to tell from those X-rays what the person's language or background or race is.
If a language is corruptible, then a constitution written in that language is corruptible.
Mathematics is not just a language. Mathematics is a language plus reasoning.
If French is no longer the language of a power, it can be the language of a counter power.
Language is called the garment of thought: however, it should rather be, language is the flesh-garment, the body, of thought.
I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.
Music is a plane of wisdom, because music is a universal language, it is a language of honor, it is a noble precept, a gift of the Airy Kingdom, music is air, a universal existence common to all the living.
I want to be able to speak every language. If I could have any talent and I get to choose it, and be naturally gifted and speak every language. It's not going to happen, but it sure would be nice. It's a good wish.
There are endless consumer applications, but what excites me is how this can help people. A man who cannot speak communicates with sign language, but the average person doesn't know that language. SixthSense, if equipped with speakers, can recognize the gestures and form the words - it will speak for him.
Each language has its own take on the world. That's why a translation can never be absolutely exact, and therefore, when you enter another language and speak with its speakers, you become a slightly different person; you learn a different sort of world.
There is a language that is beyond words. If I can learn to decipher that language without words, I will be able to decipher the world.
The language of judicial decision is mainly the language of logic. And the logical method and form flatter that longing for certainty and for repose which is in every human mind. But certainty generally is illusion, and repose is not the destiny of man.
When all men were of one language, some of them built a high tower, as if they would thereby ascend up to heaven, but the gods sent storms of wind and overthrew the tower, and gave every one his peculiar language; and for this reason it was that the city was called Babylon.
John Bunyan, while he had a surpassing genius, would not condescend to cull his language from the garden of flowers; but he went into the hayfield and the meadow, and plucked up his language by the roots, and spoke out in the words that the people used in their cottages.
I lived in Paris for two years with my family. I would roam the streets of Paris during the day for a few hours in the subway, on the streets, and I listened to the French language, and I got a sense of the rhythm and the melody of the language.
... we should not be disappointed that everyday language does not work any longer at the apex of our little theory. It is natural; like poetry, the very reason for the existence of mathematics is that it expresses thoughts and feelings which we cannot express in mundane everyday language.
The English language is nobody's special property. It is the property of the imagination: it is the property of the language itself. — © Derek Walcott
The English language is nobody's special property. It is the property of the imagination: it is the property of the language itself.
Body language is a very powerful tool. We had body language before we had speech, and apparently, 80% of what you understand in a conversation is read through the body, not the words.
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