Classroom singing is common in India, but no one gives you marks for that. My idea is to introduce music and singing as full-fledged subject so that talent can be polished at an early stage. Also, it will help alleviate stage fear.
I grew up in an extremely musical atmosphere. There was a lot of music and singing around. I never really thought about one not singing, as a person. I've always sung and made music, it was just self-understood.
I was in a choir at school and we were part of the BBC Proms back in around 2002.
I've always been singing. Ever since I can remember, I've been singing.
It is the voice of the Church that is heard in singing together. It is not you that sings, it is the Church that is singing, and you, as a member of the Church, may share in its song.
It is that holy poetry and singing we are after. ... It is the wild singing we are after, our chance to use the wild language we are learning by heart under the sea. When a woman speaks her truth, fires up her intention and feeling, staying tight with the instinctive nature, she is singing, she is living in the wild breath-stream of the soul. To live this way is a cycle in itself, one meant to go on, go on, go on.
There's something about being onstage, singing my lyrics to somebody and them either listening and receiving them, or singing them back to me, that I just can't get enough of.
What I've picked up from working with the women in the Gori choir is that they don't have egos. All that matters is the music.
I started singing in church and I was probably around seven and I started singing anywhere that I could. I used to sing at my school. I was in musicals and then it kind of got to a point where I started to - wanted to do my own songs.
I came from a very musical family, so I grew up singing karaoke with the family. My family said 'do this' and brought me to singing lessons. I had always been writing poems and songs.
I feel choir just has a great sense of power when used with an orchestra, or even by itself.
It is my belief that everything you need to know about the world can be learned in a church choir.
It's a great privilege and a highlight for choir and orchestra members to perform for audiences in live concerts.
It's so easy to get caught up in this weird life. This isn't normal and I'm not singing for people that live my life. I'm singing to the life I used to have. The life I want to have again.
By the 6th grade I stopped doing ordinary things in front of people. It had been ordinary to sing, kids are singing all the time when they are little, but then something happens. It's not that we stop singing. I still sang. I just made sure I was alone when I did it. And I made sure I never did it accidentally. That thing we call 'bursting into song.' I believe this happens to most of us. We are still singing, but secretly and all alone.
I kind of knew something was going on, and my older brothers and sisters were singing be-boppish kinds of stuff in the living room, and I was listening. I started singing, warmer than a summer night, at seven or eight years old.
I was a choir boy for 3 years in high school at St. George's in Newport, Rhode Island.
To hear the Treorchy Male Choir in full throat is one of the great joys of choral music.
When you find yourself on stage singing and you are embarrassed about what you are singing in front of your peers, then you have to think about your priorities.
An individual voice can be heard in a choir that otherwise sings in unison. This is something that is not excused.
I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.
I love singing; I just don't get to do it enough. The times that I do it, once a year, every year with 'Divas Simply Singing,' is a truly joy to me, but I'd love to do it some more.
Like a lot of artists, I started out as a singer in my church choir when I was a child.
I guess, from the beginning, Thurston and Kim were the dominant singers in the band, and although I was singing in bands previously, I guess I mainly deferred to them a lot in terms of who was singing the bulk of the songs.
It was what I did after school. I'd learn a song in choir that day and I'd sing it, all the parts.
I've always enjoyed singing and can't recall a time in my life where I wasn't singing. I'm most grateful for the strength I have in that department. I have a lot of bad habits on the guitar which limits my playing ability. But I get a little better each year.
I think that our family is very fortunate, very lucky, that on their own merit, from themselves, using whatever means necessary, singing Qawwali, in all corners and areas, in every place, singing in villages, they've promoted it.
When you're on stage singing, you're naked. Your voice is something very intimate, and that's why I'm scared every time before I perform. It doesn't matter if I'm singing for a king or a queen or the Pope, it's enough to be in front of anybody. I suffer, but I can't do anything about it.
At St. Francis de Sales in Atlanta, we do not have an organ. We do not have rehearsals during the week. We do not have a professional choir.
I don't think it's important to be that good at singing. I think people who are good at singing sing backing vocals for pop stars. It's about how you project. I wouldn't consider myself to be a singer.
If you're 28 and singing about being over the hill, you're pretending. When you're 67 and singing about it, you know what you're talking about.
I started singing for The Phantom in January, and we started filming in October and I sang all the way through to the next June. In fact, I was singing for about two months before I even knew I had the role.
As a child, I had lived many years in Southampton and sang in the choir of the Dune Church.
I know that I can't ever write a song that just sounds completely saccharin. Even if I'm singing about someone being my complete love life, I'm singing about my own inabilities to be as bright as that person.
I love singing. I've never felt I've had a great voice but I feel I've gotten better. It's funny. I can hear my voice aging and getting stronger. I've relaxed about my singing so I'm hearing it the way I like it.
Since his childhood, Bappa has observed me singing and practicing and is well aware of all sorts of recording and singing arrangements. I have a studio at my home, so whenever he needs my help I make sure I stand by him. I often sing for the tunes that he composes.
The first time I sang in the church choir; two hundred people changed their religion.
The choir tries to perform for everyone. It enables us to be very diversified with our audiences.
I didn't understand that I could sing until I was like 11 or 12. My mom heard me singing around the house and she said, What are you doing? You really can sing! So then I started going to school and singing to the girls.
My house was really like 'It's a Wonderful Life.' I sang in the choir and was very involved in the church.
If you write a song, and you go into a restaurant, and there's a guy with a piano singing and he's playing piano, singing your song, or you hear it at a wedding or at an airport... it's fun!
I look for songs that the listener, when they hear it, they believe what I'm singing about, that I know what I'm singing about. That's my whole deal. I try to choose songs that a male or a female can perform and relate to.
In preparing my thesis, I have had the pleasure of collecting testimonies from colleagues such as Placido Domingo but also from singing teachers and musicologists. The entire course of study has confirmed what I already thought, that the value and meaning of opera singing, at the beginning of the third millennium, remain intact.
I think sometime during the peak of 'Whiskey Glasses' is when I realized: 'Man, this is really starting to happen. People are not not just singing these singles, they're singing every song on my album and really invested in what I'm doing.'
Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
When I'm sitting in the church alone, I can hear singing of the old people. I can hear their singing and I can hear their praying, and sometimes I hum one of their songs.
My first love was singing. It was the first thing that really felt like it was a part of me. It's just in my blood. And acting came sort of out of singing because I did a lot of musical theater.
The first city I ever came to in the states was Des Moines. I was 12 and was in a boys' choir.
My songs are personal music, they're not communal. I wouldn't want people singing along with me. It would sound funny. I'm not playing campfire meetings. I don't remember anyone singing along with Elvis, Carl Perkins or Little Richard.
I sang in the choir for years, even though my family belonged to another church.
Great Spirit,
When we face the sunset
when we come singing
the last song, may it be
without shame, singing
'it is finished in beauty,
it is finished in beauty!'
I like the idea of politically charged music a lot, but it usually seems to be preaching to the choir and ineffective.
There are a lot of great artists with great voices who aren't singing what they should be singing.
My father was a singer. So it just kind of happened that one Sunday while my dad was singing, I just walked out and stood next to him, and I started singing the song that he was leading, and I sang it in perfect pitch.
Naturally, if I'm singing over really loud music, my approach is gonna be different than if I'm singing over some quiet acoustic music.
My style of singing has always been referred to 'soul' singing when it fact it's more influenced by English R&B Blues Shouting. I'm closer to Led Zeppelin as a vocalist than to Ella Fitzgerald. It was torture dealing with major labels.
I'm not religious but there's something about being in a church at Christmas and listening to a choir sing.
All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.
Writing and reading decrease our sense of isolation. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship
I have absolutely no dance background at all. Nor a singing background. People, for some reason, think I can. And I don't know why that is. I sort intoned in Moulin Rouge, through facial hair and buck-teeth, but I don't really call it singing.
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