Top 223 Choreography Quotes & Sayings

The idea of directing my own movie is definitely more challenging than choreography.

I don't think there is anything new left for me in choreography.

speaking with, uh, about the vocal choreography, one of the first groups that I worked with was a group called the Cadillacs, which was uh, an exceptionally talented group. They all moved well and they sort of established Cholly Atkins's style. In other words they basically put me on the map, and everybody would look at them and see their choreography and they wanted to know who did it, so they would tell them.

I studied dance and choreography in New York and even taught people there.

I am interested in the complicated choreography of close relationships.

The chance to work on Broadway choreography as opposed to having to deliver Broadway choreography can be two distinct things.

I was always interested in choreography - in making people think and feel something.

I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.

Bruce Lee has always been a hero of mine, and the choreography in 'Enter The Dragon' is amazing.

I kind of lost interest in the classical dance. I was very much interested in the modern choreography.

Yes, Carl Vine stuck around. He's now number one composer for choreography.

Fighting is kind of like choreography. It's not just get in there and punching someone: you have to have choreography. Someone is going to hit high; someone is going to hit at the bottom.

I was more of a dancer back then, I did choreography, but I was nothing like 'Powerline'.

I wanted to be a professional dancer for a period of time, and I did a lot of dancing and choreography and got paid for it.

My choreography suits men very well, and the women who can do it are damn hard, strong dancers.

Choreography is writing on your feet.

I'm not retired, I will continue directing films and doing fight choreography. I won't stop.

Taking up the choreography for an awards night is completely different from choreographing a song for a film.

I have been doing choreography my whole life, and it's so important to make that marriage between music and the body.

I liked the choreography, but I didn't care for the costumes.

Choreography is mentally draining, but there's a pleasure in getting into the studio with the dancers and the music.

I think our choreography, which is easy to follow, played a huge role in achieving fame in Japan.

Most people say that Asian or female artists should be sexy in America, but I don't think that I have to be like that. I have a tomboy style. My choreography is not that way. So, I want to focus on my music style to match the choreography, which is really cool. No girls can dance those moves. I try to make them really fresh.

Idol has pretty much taken me out of my recording and out of my choreography. I have managed to slip in some choreography jobs. And I've been writing songs for other artists.

Without my husband's costumes I wouldn't have known how to accomplish what I saw in my own mind's eyes for choreography. And then seeing our choreography and knowing the background of it I am sure helped my husband a great deal with what he designed for us.

Choreography is amazing. I'm still a dancer, yet I transitioned into choreography then as a Creative Director. All of these creative elements are brought out of being a dancer. Directing is something that comes out of understanding movement and choreography. Directing movement is directing a dance piece.

I've always been athletic and a dancer, so I love doing fight choreography.

The costumes had to serve the choreography.

For me, the choreography always comes from the music.

I danced with Jacques d'Amboise. At that time, he was the tallest man in the company. So it was a different kind of choreography. It was lyrical.

Choreography and creativity - it's my matrix; let's see where we can move.

Intimate scenes are like dance rehearsals - it's all choreography.

Conductors must give unmistakable and suggestive signals to the orchestra, not choreography to the audience.

The most difficult thing to pull off in a musical is the choreography.

I have been into acting and direction, but choreography is my first love.

I realize that once I stopped fighting the technical process of how to move my body, I made it choreography.

Conductors must give unmistakable and suggestive signals to the orchestra - not choreography to the audience.

My method is much like choreography. I don't sit at a table. I work in a room with people.

For me, choreography is a process of physical thinking. It's very much in mind as well as in body.

Choreography is something that I am always going to take up, and it will be on the forefront.

I'm not going to say it's easy, but I do have an ease with picking up fight choreography because of my dance training.

When I finally decided to do the show, I only had two weeks to learn the choreography and the songs in French.

TVXQ is our respected sunbae. Their vocal skills are strong, and we've studied much of their performances and choreography.

Then came the choreography... the impact of music and choreography tends to really emphasize an overall feeling of what you really want out of the program.

Don't get confused; doing choreography in the ring can be done by anyone. I take the guy who works in the gas station on the corner, and I teach him a choreography for a week, and I swear he can do it in a ring.

Dance has helped me with everything. It was a great foundation for discipline, hard work and, unfortunately, the ever-elusive idea of perfection. It lends itself easily to fight choreography, because that's what it really is. Choreography. And knowing how to move with someone.

I try and create choreography that's in conversation with the music that the audience is hearing.

What I loved most about 'Rhythm Nation' were the uniforms and the perfect group choreography.

I was in the choreography committee of my college, and we used to have an annual production and participate in inter-school competitions.

My choreography is very classically based.

If I hear an amazing piece of music, I can't help but think of ideas, choreography, and everything that comes along with it.

I wish I could blame it on the choreography, but it's not a musical. I just had a clumsy moment.

My dancers expect me to deliver because my choreography represents their livelihood.

Working with a new style of choreography is always a period of adaptation.

Composition and choreography were always very important to me and I choreographed for my earliest training.

Fight choreography has far more in common with dance choreography than it does with actual martial arts. You learn martial arts techniques, but those are just the movements for the choreography. You're working with a partner in choreography. You're working on timing.

I was president of the choreography society.

I've done some movies before when you have months, or three weeks at least, to train and to learn choreography.

Good choreography fuses eye, ear and mind.

There's nobody knows more about dancing and choreography than Arlene Phillips, ever.