Top 223 Choreography Quotes & Sayings - Page 3

I have always loved contemporary dance, but it has always been a bit of a mystery to me. But choreography is very much like what I do when you are putting characters in frame on the page. It's so impressive what they do with their bodies. It's like painting: an abstraction.

I like vocal word stuff. But I don't always write with an instrument, I usually write a capella. It's more like drawing in the air with your fingers. It's closest to the choreography of a bee. You're freer.

I would love to learn how to dance. I can pick up choreography pretty well. But when you're dancing with your friends, I can't do that. I'm not a freestyler. It just doesn't come naturally to me. Clapping is my go-to dance.

It's so tiring. Even though I've worn heels and performed the choreography for four years now, I'm still not used to it. When will I be used to it? In 10 years? In 20 years?

I never planned to become a dancer, but I became one. The same thing happened with acting and direction. I remember I was doing the choreography of a film, and the producer came and offered me to direct the film. It was in Telugu, and that is how it started.

Choreography is simpler than you think. Just go and do, and don't think so much about it. Just make something interesting.

In Hong Kong, particularly, we craft this art for decades. The action choreographer actually is the action director. He takes over and he choreographs with - by himself or with his team, and place the camera where he feels cinematic effect to bring out that choreography.

I started dreaming of becoming a singer after seeing Michael Jackson in the 'Billie Jean' video. The mix of fantastic choreography and amazing music made such a huge impact on the music industry.

The evolution of Parkour sort of happens with time and age as you change, and the body has a certain memory of Parkour. There is a sort of thing that remains intrinsic, but then the choreography will adapt to whatever the necessity of each particular film needs.

I think every partner in every situation is completely different and I think you have to adjust your teaching technique, your choreography and how you're going to approach the season in general.

I realize that I'm not a great dancer. I've given up the hip-shaking. I don't pelvic thrust anymore. Those were the beginning days of T. R. learning how to dance. But I love it, and I've taken a few choreography lessons. But other than that, I kinda just feel it, I guess.

When Iron Man's flying, we'd send real planes up to do the choreography so that we'd get the camerawork to really look like a cameraman was following from another plane. It gives it that 'Top Gun' look.

I had actually been on tour in Japan and I had my own world tour that I was doing. I was used to doing a show for an hour, so I was always learning choreography.

I've got so many dance heroes, and it's such a cliche, but how can I not say Michael Jackson? Michael Jackson, Janet Jackson, Paula Abdul - they are the people I remember when I was a little girl, watching their videos and trying to learn all the choreography.

I love doing concert choreography because everything is about your vision, come heck or high water. Of course, you also take the blame for everything, but it's wonderful to be able to make up dance for dance's sake.

What makes the IoT a disruptive technology in the way we organize economic life is that it helps humanity reintegrate itself into the complex choreography of the biosphere, and by doing so, dramatically increases productivity without compromising the ecological relationships that govern the planet.

I had actually been on tour in Japan and I had my own world tour that I was doing. I was used to doing a show for an hour, so I was always learning choreography

I said, 'I'll give myself two years. If I can't support myself as an actress within two years, then I'll go back to choreography.'

I wouldn't say I'm the "nice" judge, but I was certainly reminded a couple of times that this is for a million dollars. There's one thing to just do a good dance, but I had to ask myself, "Is that the million-dollar dance?" There are certain dances that people prefer, and I preferred the intelligent and smart choreography.

The goal, when you're playing a character that's super beloved from a movie, is to honor what the actor before you has done and then really just expand, which is what you get to do in a musical because you have songs, choreography, and everything is happening in real time.

I couldn't pick up a sword and go fight anyone, let me put it that way. It's choreography and it's acting. The best sword fights you see look amazing, but it's the acting that sells it more than anything.

I think of writing--particularly of writing picture books--as a kind of choreography. A picture book must have pace and movement and pattern. Pictures and text should, together, create the pattern, rather than simply run parallel.

When you start with an idea, or something hits you, then you have to follow that through to the end, and it's the following through to the end that makes the pattern. That, for me, is choreography.

I like writing melody without an instrument. It's just so - it's more like the choreography of a bee; you just go.

If I wanted to do clothes or if I wanted to make a building or design a choreography, you are able to do that - they are all under a similar kind of design umbrella.

Guitar playing, as currently understood, has more to do with sports than it does to do with music. It's an Olympic challenge type of situation. The challenges are in the realm of speed, redundancy, choreography, and grooming... ...clouds of educated gnat-notes.

Putting yourself in the ring to wrestle - create those emotions, ups and downs within the match - one moment dominates the one, and one moment dominates the other, and without having created a choreography, that is the real wrestling.

Chaos comes before all principles of order & entropy, it's neither a god nor a maggot, its idiotic desires encompass & define every possible choreography, all meaningless aethers & phlogistons: its masks are crystallizations of its own facelessness, like clouds.

I am absolutely desperate to do an action movie. And not to blow my own trumpet or anything, but I actually think I'm good at it. I did it all. I was really into the routines and the choreography. I used to dance when I was younger, and so I think that came in handy.

My monumental netted sculptural environments move through time, animated by an ever-changing 'wind choreography,' making invisible air currents suddenly visible to the human eye. I make living, breathing pieces that respond to the forces of nature - wind, light, water.

The thing that I enjoy about animation is the fact that it is unbridled, and there are no boundaries; when you are in the room, you don't have to focus on your clothing, make-up, hair, your choreography or your blocking; you really do have total freedom.

Sometimes I go and I'll look at people's comments and then responses, covers, choreography and fan videos and after a couple hours it's like, uhhh this is a little like...I'm like don't indulge in right now.

Sometimes I'll watch a music video of a great performer like Beyonce and try to follow her choreography. Yeah, maybe I look ridiculous, but dancing gets your energy up a lot better than running on a treadmill or pedaling a stationary bike.

If we think something is not good, we'll openly say it. If there's choreography, for example, and it feels like it's going to be too taxing on our physical resources - as I said, we're not getting any younger - we'll say so, and then we'll make those changes.

Dancing is such a despised and dishonored trade that if you tell a doctor or a laywer you do choreography he'll look at you as if you were a hummingbird. Dancers don't get invited to visit people. It is assumed a boy dancer will run off with the spoons and a girl with the head of the house.

At the beginning, ballet accounted for at least two hours out of six hours of my daily training session. Later I devoted less time to ballet, but every workout of mine included training in choreography.

There's a dance that happens with you and that's why I really like doing it with stunt men, because they know how to dance generally better than actors do. It is choreography and if you aren't used to doing it things can go wrong.

I've been very physical my whole life. I went out hiking and camping for days in the Australian forest, and when I trained at drama school for three years, we did a whole lot on stage-fighting techniques. And I was a dancer from 5 to 18, so I have a memory for choreography.

A successful shrimp boil requires layering ingredients into the pot so that everything is done cooking at once. A carefully timed choreography dictates the order in which ingredients are added to ensure no one has to eat raw potatoes or chewy shrimp.

A good dancer is not necessarily defined by great technique, skill, or ability to pick up choreography but by confidence. When you feel the music, it penetrates to your soul. Everybody's a dancer. The greatest dancer is someone who is willing to dance, not afraid.

I've been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too - what I should wear.

One of the first things I created was music for the Paris opera's ballet troupe. That was the first time that electronic music was played at the opera. I really like the relationship between the music and the choreography.

When I first began choreographing, I never thought of it as choreography but as expressing feelings. Though every piece is different, they are all trying to get at certain things that are difficult to put into words. In the work, everything belongs to everything else - the music, the set, the movement and whatever is said.

I am very proud of the song 'More & More.' It's a great love song and has really fun choreography attached.

I just want to be a storyteller, and I think the way to do that is by your lyrics, by your visuals, by your choreography, by your dance. It's imperative as an artist.

When The Temptations began, we wanted to be visual. So we did our own choreography and developed our own uniforms.

We always do this fox sign that appears in our choreography very often. Our fans enjoy doing this sign together at our shows.

Even when you're being safe, eight hours of choreography makes you look like you've been through a war. It's hard. It's like playing hockey for eight hours.

We know how hard we've worked, we know how our choreography makes us feel empowered. We have our voices, which are incredible and kind of surpass anything else.

Personally, I loved our performance for the 2018 MAMA's. I loved our outfits and choreography.

When working on my choreography I am not always receptive to outside suggestions or opinions. I believe that if you have something in mind in the way of a creation, such as a new dance, a sequence, or an effect, you are certain to come up with inaccurate criticism and damaging results if you go around asking for opinions.

One thing about skating that I don't think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it's not the right music it can ruin a performance.

My mom is actually a former prima ballerina, and all the women in my family are associated either with dance or choreography or acting, so I'm very lucky in a way because I grew up in a family of artists. I've been dancing since I was a little kid.

I have enjoyed the films directed by Prabhu Deva and simply love his choreography. And he is the best dancer India has. I feel he knows what the audience wants, and that is why the films he has directed are hits.

There are some ballets you can do for a long time. With others, you have to know when to stop. Some are very destructive. Forsythe's choreography pushes dancers to the extreme. That's why it's best to vary. That way, you break your body a little bit in different places, but not a lot in one place.

The cubism of Braque or Picasso, the dissonant compositions of Schoenberg or Stravinsky, the free-flowing and often erotic choreography of Isadora Duncan and Nijinsky - these were acts of rebellion against the certainties and traditions of the old world.

I learnt a lot from my Broadway experience, it was one of the most challenging things I will probably ever have to do in my entire life, because it was eight shows a week - live singing with really hard choreography - and the spontaneity, you don't know what's going to happen.

The best seat in the house often depends on the ballet. For instance, much of the first act of 'The Nutcracker' is domestic and small scale, so it's great to sit up close. But the second act features elaborate scenery and choreography, which are better to observe from a distance.

I love watching action films, and especially the little moments of wit and humor in the choreography in a lot of them. The editing of an action sequence often has great moments of comic timing.

I think, as a choreographer and an action designer, you're constantly giving your characters problems to overcome. That's what makes it fun for choreography. But it also makes it fun for the audience to see them solve those puzzles and how they are as a human being.