Top 1200 Chorus Line Quotes & Sayings

There is a real formula to writing music, verse, chorus, verse, chorus, bridge. It's very formulaic. The subject matter that you can address in pop music is somewhat restricted. It just doesn't allow that same emotive quality that you can put into poetry.

I'll never forget when we played Shepherd's Bush in London. We played 'I Run To You', and we put the mic out for the last chorus, and you could hear them singing the chorus with the beautiful accent that they have.

I think the inception of my interest in arts was when I was around 9 or 10 and I started dancing. I was really convinced that I was going to go to New York and be onstage in 'A Chorus Line.'

I find myself improvising a lot. But, sometimes I'll come us with a chorus or just one line and it will sort of hang out for a long time before it get's flushed out into a real living song.

When I first walked into 54 Below, I had this kind of deja vu experience and tried to imagine what this was like back in the day when I would come here at night after doing 'A Chorus Line.'

Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.

A song just doesn't have verse-chorus-verse. It could just be one line. There are Chinese love songs that you have to learn one melody for a three-minute thing, and nothing ever repeats. I like that.

In '75, the year both A Chorus Line and Chicago hit Broadway, my head spun around and I became the ultimate theater queen for life.

The straight line is godless and immoral. The straight line is not a creative line, it is a duplicating line, an imitating line.

One thing I have a tendency to do is not write choruses, or write choruses that have different words. The first chorus will have different words than the second chorus.

Alice thought to herself, 'Then there's no use in speaking.' The voices didn't join in this time, as she hadn't spoken, but to her great surprise, they all thought in chorus (I hope you understand what thinking in chorus means--for I must confess that I don't), 'Better say nothing at all. Language is worth a thousand pounds a word!

'A Chorus Line' never dies; it just keeps opening doors and giving back to me - but there was a time when I considered it an albatross around my neck.

The 'victim to victory' theory is that, if you listen to the radio, a large percentage of the hits are... about victim to victory, like, 'I'm having a terrible time.' And then the pre-chorus is, 'I don't know what's gonna happen next.' And the chorus is, 'Now I'm brilliant, and everything is great, because something happened to make it great.'

In my dreams and visions, I seemed to see a line, and on the other side of that line were green fields, and lovely flowers, and beautiful white ladies, who stretched out their arms to me over the line, but I couldn't reach them no-how. I always fell before I got to the line.

I was up for parts in 'Charlie's Angels' and 'Three's Company,' but other people got them. At the time I was very disappointed because I knew the shows would be tremendous hits. But if I had done either I would not have done the following: 'Chorus Line,' 'Dancin',' 'Chicago,' 'Movie Movie,' 'All That Jazz' and 'Annie.'

I wrote the chorus specifically for 'Same Love' as a narration of my story. I decided to release 'She Keeps Me Warm' as an extension of the chorus because I felt like there was more that needed to be said.

I'd love to have a shoe line, or a sunglasses line, or a purse line. Who am I kidding, I'd like to have an everything line!

With 'Love Shack,' once we put that chorus in, it did have more of a song structure. Even though the verses are all kind of different, the chorus was there along with 'The Love Shack' - I think that really made it a hit. Once we heard it in the studio, we played it for R.E.M., and they were like, 'Yes this is a hit.'

A song doesn't happen as a whole verse; it happens linearly, line by line, almost word by word, phrase by phrase. And if each phrase, each line, has a proper emotional feel and connects to the line before it and the line after it, the song will be doing what it should be doing.

I watched 'A Chorus Line' over and over when I was growing up, to the point that I was able to recite the entire movie.

Manhattan streets with their powerful throbs, with beating drums as now, The endless and noisy chorus, the rustle and clank of muskets, (even the sight of the wounded,) Manhattan crowds, with their turbulent musical chorus! Manhattan faces and eyes forever for me.

In every operation there is an above the line and a below the line. Above the line is what you do by the book. Below the line is how you do the job.

I'd much rather fail than do something like 'The Chorus Line' movie, sanitized and Hollywoodized.

I can't shoot myself in the foot before I get in the chorus line.

When the Beatles wrote 'Paperback Writer,' it couldn't have been the same old thing. You can hear so many influences in it, from the blues to Bach, and it's not just verse, chorus, verse, chorus, bridge chorus. They start off singing a cappella, almost like a Bach chorale, and the song goes into this bluesy guitar riff.

One of my main problems with music is that the basic formula is always the same: verse, chorus, verse, chorus, bridge, verse, chorus, chorus, chorus, end. One of the bands that changed that was The Beatles. If you listen to 'Everybody's Got Something to Hide Except Me and My Monkey.' It's three verses, bridge, end.

I love writing songs. One of the toughest things is structure; it just works when you use verse, chorus, verse, chorus, bridge. And as soon as you become aware of that formula, you start to have a bad conscience when you write with that particular structure.

Bid a singer in a chorus, Know Thyself; and will he not turn for the knowledge to the others, his fellows in the chorus, and to his harmony with them?

I almost gave up on 'Door' so many times. I couldn't crack it. It started out as a simple song with just a chorus-verse-chorus. I felt like it needed to transform more.

My favourite British line is the West Highland line. It was built across moorland where no one had succeeded in building a road. So everything in that area is there because of the railway line.

I've always loved going to see Broadway shows. I've seen 'em all: Rent, Chorus Line, Cats, West Side Story, Guys & Dolls, Wicked, you name it!

The blues is deceptively simple. Verse and chorus. Sometimes not even a chorus. Four bars that repeat, no Auto-Tune, electricity optional. It is the most direct, bare-bones of content. There is no interference between the head and heart.

Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God.

I always look for a "rhythm" in my writing. A cadence to the sentences. Sometimes I think of pieces I write in a song writing infrastructure - i.e., a verse, a chorus that I return to, a bridge that's something differenct, a chorus that I return to.

The world is not checking in with us to see what skills we've picked up, what idea we've concocted, what dreams we carry in our hearts. When a job opens, whether it's in the chorus line or on the assembly line, it goes to the person standing there. It goes to the eager beaver the boss sees when he looks up from his work: the pint-sized kid standing at the basketball court on the playground waiting for one of the older boys to head home. "Hey, kid, wanna play?"

The people who visit the [Lincoln] memorial always look like an advertisement for democracy, so bizarrely, suspiciously diverse that one time I actually saw a man in a cowboy hat standing there reading the Gettysburg Address next to a Hasidic Jew. I wouldn’t have been surprised if they had linked arms with a woman in a burka and a Masai warrior, to belt out ‘It’s a Small World After All,’ flanked by a chorus line of nuns and field-tripping, rainbow-skinned schoolchildren

In a thousand voices singing the Hallelujah Chorus in Handel's "Messiah," it is possible to distinguish the leading voices, but the differences of training and cultivation between them and the voices in the chorus, are lost in the unity of purpose and in the fact that they are all human voices lifted by a high motive.

The pre-chorus always flows and the chorus is always a little bit harder for me because I put pressure on myself. I didn't know that there was a proper way to do these things, so I just write what sounds good to me in my ears and then I hope to God that someone else likes it too.

There are some pop songs I hate but I can't get them out of my head. Our songs also have the standard pop format: Verse, chorus, verse, chorus, solo, bad solo. All in all, I think we sound like The Knack and the Bay City Rollers being molested by Black Flag and Black Sabbath.

I just wanted to be normal. I wanted to have a normal life. I wanted to have children. And when I was picked out of a chorus line and cast in a TV series, I got anxious, so I took the bull by the horns and went to see a psychologist. And it was the greatest move I ever made.

Trees Trees, proud standing people stretching fingertips to the sky, reaching, praying glorious attention, breathing light. strength shelter timeless confidence bending and firm comforting rooted chorus line dancing with the moon, the wind, the clouds framing bursts of stars tender rugged celebration absorbing and releasing life each holy branch holding the power of the Universe. There.

I've always tried to walk a line between being incisive and acerbic, but not mean. Sometimes I'm going to tip over the line a little bit, but that's usually a line I try not to cross.

This is the line of life, this is the line of growth, and this is the line of well-being in India - to follow the track of religion.

I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.

Americans enjoy uniformity in a way that the British don't; they wanted everybody of a sort of nice chorus line height and here I was, this person who was a good three inches taller than anyone else on the end of the line.

Well, I tell you... the first chorus, I plays the melody. The second chorus, I plays the melody round the melody, and the third chorus, I routines.

A jazz tune, melody, or composition is usually based on either a traditional twelve-bar, eight-bar, or four-bar blues chorus or on the thirty-two-bar chorus of the American popular song.

Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God

Everyone knows that quote because of the Doors." Jace looked at her blankly. "The Doors. They were a band." "If you say so," he said. "I suppose you don't have much time for enjoying music," Clary said, thinking of Simon, for whom music was his entire life, "in your line of work." He shrugged. "Maybe the occasional wailing chorus of the damned.

Our little solos are a note in an immense chorus vibrating grandly through the universe, a chorus which accepts and harmonizes the whir of the cricket and the long drum-roll of the stars.

[in reference to turkey bowling] He [Tommy] squinted and picked his target, then took his steps and sent the bird sliding down the aisle. A collective gasp rose from the crew as the fourteen-pound, self-basting, fresh-frozen projectile of wholesome savory goodness plowed into the soap bottles like a freight train into a chorus line of drunken grandmothers.

We didn't want to worry about the formula that has been implanted into our brains - this verse/pre-chorus/chorus format. When we were writing 'The Papercut Chronicles,' we had no idea about any of that. We didn't know how to count bars or how to write what's considered a well-formatted pop song.

I didn't know how write a song, (verse, chorus, verse, chorus, bridge, chorus, bridge, verse), etc., and I didn't know how to write lyrics, so that's when I thought, well, I don't have to write a song with all those verses and choruses or lyrics. I can just sing everything the way I want to. So I sang all the instruments with my voice and just went with it.

I think often times if a guitar riff is centered around the chorus or if it follows the chorus, then it often times turns into the actual hook.

I started as a fourth-line fighter, went to being a third-line centre, then a second-line winger and a first-line centre. I've played every role there is, and the only thing that matters is helping the team win.

Chorus Line' opened things up a bit. Any show that's successful does that. But 'Chorus Line' was about dancers.

One of the arrangements I'm really proud of is '21 Guns' because the chorus has this descending bass line with a suspended type of progression that immediately screamed 'Bach' to me.

Whatever may be your desire to accomplish great deeds, the deep silence of pregnancy never comes to you! The event of the day sweeps you along like straws before the wind whilst ye lie under the illusion that ye are chasing the event,-poor fellows! If a man wishes to act the hero on the stage he must not think of forming part of the chorus; he should not even know how the chorus is made up.

Seeing the road show of 'A Chorus Line' in 1977 at the Orpheum Theater in downtown Memphis was a life-changing event for me: there were gay people, on the stage, and they all lived in New York.

You know for some strange reason I like to write the verse first. I mean I know the majority of people do the chorus first and when I think about it, I guess it does make more sense to do the chorus first, but I just like to write the verses first, I don't know why.