Overall, I feel that southern cinema, in itself, has taken over the film industry with its content, stories and screenplay.
I don't watch television and I rarely go to the cinema, but I recently watched 'The King's Speech' on a flight. It was so beautiful and so simple.
I believe that we will elevate and differentiate the discourse of cinema the more we discuss image creation in specific terms.
Bicycle Thief is a triumphant discovery of the fundamentals of cinema, and De Sica has openly acknowledged his debt to Chaplin.
After acting for four years, in five languages, theatre became my stepping stone to TV and cinema.
I am really not interested in the cinema. I loathed it when I started six years ago, and I don't enjoy it even now.
You'd need to polish your skills as you only get one chance. In cinema, retakes are possible but in theatre, there are none.
A movie tends to box you in, at least as far as the aesthetics. You have an incredibly kinetic experience, which is the joy of cinema.
Cinema seats make people lazy. They expect to be given all the information. But for me, question marks are the punctuation of life.
I had no patience for films. It was only after I met Shah Rukh that I learnt to enjoy his passion for cinema.
Mainstream Bengali cinema unashamedly tries to copy Bollywood. They forget that they don't have the kind of budgets that Hindi filmmakers have.
Traditionally in American cinema, Black men and women's participation in world wars is often not even represented at all.
I don't necessarily believe in the ideology of cinema verité. I think by the very fact that you have a camera there you are affecting the story and you are influencing it.
I had no aspirations to be part of American cinema... I was really a Europe-based person, and those were the films I was inspired by.
Everybody else, they're wonderful, but [Robert] Duvall sets the tone for all of cinema acting. So just to be in his space was amazing.
I have always loved cinema more than the cricket. I don't think there is any harm in taking a different field.
There is no physical activity. All entertainment is happening in phone. Films can also be seen in laptop, so no one is visiting cinema halls.
Baahubali... ' has been accepted widely amongst Hindi cinema-goers. So this shows that language is becoming less important.
I came from the school of cinema verite documentaries, which was: Do not manipulate reality as it was happening but create a narrative in the editing room.
In commercial cinema, roles for heroines are limited to being simple or glamorous. I don't want to fall into an image trap.
The Cinema seems to have been invented to express the life of the subconscious, the roots of which penetrate poetry so deeply
I believe that cinema died on the 31 September 1983 when the zapper, or the remote control, was introduced into the living rooms of the world.
I used to read voraciously while in school and cinema was always a fascination. Law was the safe backup plan.
You can't make a film for your personal satisfaction. That is why I detest the cinema of people like Mani Kaul.
I have been brought up watching world cinema, and I have travelled a lot, so I am very comfortable with my body.
All the people I've met, many outside of cinema, knew everything perfectly about one thing or one subject or one area.
The professionalism and everything is same in both the industries. The only difference between Bhojpuri cinema and Bollywood is budget.
What I like about Kannada cinema is that the stories are realistic, but told in grand, larger-than-life fashion.
I'm a storyteller who uses all of the beauty and power of cinema to tell tales of human struggles for positive social change.
The Iranian government as a whole has no relationship with my films. They're not particularly interested, perhaps this kind of cinema is not very interesting to them.
Coming from Akkineni family, I could say I was drawn into cinema, but nobody forced me to become an actor.
If you love cinema as much as I do, and not many people do, and if you are focused and actually have something to offer, you will get somewhere with it.
It's a real skill to take a piece of literature and make it in cinema. It's quite a different form, and I think I have to respect that.
Cinema is entertainment, and people go to the movies because they want to feel good and forget about everything.
In American cinema, people will take a chance on you, though they'll often remind you that really, they always liked you.
The first time I went to the cinema was with my father. He was a huge fan of Peter Ustinov, so we went to see 'Death on the Nile' at the Hampstead Ionic.
I grew up in Chennai and was very much influenced by Rajinikant's stardom and importance of cinema in Tamil culture.
Post 'Chennai Express,' I got several offers from Hindi cinema, but nothing substantial came my way.
I've always acted; in fact, I can't remember a time when I was not. When I was little, cinema was a game, then my father's job and now mine.
The Indian audience is getting exposed to world cinema and realising the power of unique plots and distinct characters.
I'm trying to do work that makes meaning and sense to me and the audience. But I have no qualms. I'm always willing to be a part of commercial cinema.
A TREAT. FASCINATING. Director Lipes is a classic cinéma vérité practitioner in the mold of Albert Maysles and Frederick Wiseman.
Indian cinema has completed 100 years. How many new stories can you bring every time? It's not possible.
The anti-Japanese resistance was as familiar a theme in North Korean cinema as cowboys and Indians was in early Hollywood.
By the nature of cinema and how it literalizes what we envision, movies can have difficulty replicating that connection we make with a classic book.
Every good looking and handsome boy goes to Mumbai first to struggle; he doesn't focus on Punjabi cinema.
It does not bother me whether my work is reaching the audience through cinema, TV or a web series.
That's what I like about film-it can be bizarre, classic, normal, romantic. Cinema is to me the most versatile thing.
HD is not forgiving. Once you see your face for the first time in a movie cinema, you run straight to the gym.
My cinema is an extension of myself. A sort of life-testimony of my vital experience, with my few virtues and my numerous limitations.
We're like the raw food movement in cinema - so determined to give people things that do some good, that they recognize as real.
I went to the University of Michigan for one year, and fortunately they had a foreign-film cinema, and I discovered it, and I thought I died and went to heaven.
I grew up in a film lovers' family and I have been watching the best of world cinema from age six.
I think the problem with the cinema currently is that so much of the money that goes movies that offer a certain kind of repetition.
It's the golden age of French cinema again but it's because Sarkozy had the guts to push through copyright law.
First of all, on a cinematic [level], the film answer to that is that Roger Corman was creatively responsible for a lot of cinema history.
I've given 'Bin Roye' everything, and I'm hoping that people enjoy something different coming from Pakistani cinema.
I was just fascinated with the brain and the mind, and I found psychology engaging for writing about people, and that fed into my interest in cinema.
I love going to the cinema and thinking you're seeing something, and you end up on a whole other planet, and you can't believe it.
People have always wondered if I'm trying to push the envelope when it comes to my cinema - they keep questioning the visual graphics and the controversial content.
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