In terms of cinema and filmmaking, there are certainly the unexpected gifts that the actors bestow on you. Film is always a question of compromises with respect to what you originally intended.
I've always had an innate ability to dance, but I'm not as spiffy as those cinema legends like Gene Kelly and Fred Astaire.
Children don't have anywhere to go except cinema halls, malls and restaurants. All three aren't ideal places for kids to grow up in.
I was pleased Melissa Leo won Best Supporting Actress for 'The Fighter' at the Oscars. I hope that her outfits are maintained in some cinema museum.
When people see what real 3D looks like, they'll go, "Oh, that's why I spend an extra $5 a cinema ticket. That's worth it!"
Nevertheless, in the theatre, and in the cinema, the contemporary reality of Poland has been represented only to a minuscule degree in the last 12 years.
It's a standard staple in Japanese cinema to cut somebody's arm off and have red water hoses for veins, spraying blood everywhere.
The great coming to age of cable is really a beautiful thing. No commercials. It's like a small theater. It's a cinema on a TV screen.
100 years of Indian cinema has happened. Anything you do, feels like it has already been done. The struggle is to find a new and unique idea.
I'm of course disillusioned with what has happened to World cinema. Now cinemas in both Eastern and Western Europe are filled with the same blockbusters from Hollywood.
No one can insist me to wear skimpy costumes and to act in steamy scenes just for the sake of pulling more audience to cinema halls.
I absolutely loathe adverts. I won't go into the cinema until 20 minutes after the film is due to start because there are so many.
Cinema is an art form that is designed to go across borders. And as a filmmaker, the only way I can direct a movie is when I feel close to my culture.
Football is very cinema friendly and the intense competition that the game involves only charges up the atmosphere. This cannot be achieved with cricket.
I never expected my sons to make a career out of cinema. If they are honest and dedicated in their profession, no doubt success would follow them.
I go to the theater two or three times a week when I'm in London. Whereas I feel guilty going to the cinema in the middle of the afternoon.
Picnic at Hanging Rock' is the exemplary study of disapparition in cinema - I know of no other major film which deals with unexplained disappearance.
I'm so happy when someone does something original, and there's no focus group or planning committee. If the cinema doesn't get an injection of that once in a while, we're in trouble.
We have a strong tradition in Toronto of really great film writers, and growing up in that climate is a big reason I pursued cinema studies.
My parents were huge fans of westerns, European cinema, and horror in particular. They wouldn't just show me kids' films.
Above all, I feel that the sounds of this world are so beautiful in themselves that if only we could listen to them properly, cinema would have no need for music at all.
Song, dance and cinema are so deeply within the Indian culture and with so many cultures incorporating their elements too, it has become a wonderful collage.
So much European cinema has open arms to stories carried by women in their 40s, 50s, and 60s. And America is a little behind in that.
I'm a student of cinema in general, not just of one particular genre. So it was very important to me and to my soul to go out and do something different.
The cinema is little more than a fad. It's canned drama. What audiences really want to see is flesh and blood on the stage.
For me, theatre and cinema are both pillars of an actor's life; I'd feel very half-baked if I was only doing one and not the other.
I'd rather spend my time with grape growers than actors. In the film industry, all the money is focused on television and the stupidity of American cinema.
In the future, I would like to do more films with contemporary themes. Perhaps comedy, which is something I have done in theater but not in cinema.
You talk about auteur de cinema having things in their heads and putting them all across, can you imagine Shakespeare writing screenplays?
I was raised in a family where cinema was a way of life. It was not only about making films, it was relationship, passion, love, everything at the same time.
My first memory of cinema is my mother taking me to see 'Silkwood,' which is about a whistleblower at a nuclear power plant.
The people of U.P. are very simple and grounded. They take pleasure in admiring arts and cinema. This is why it is emerging as a big market for filmmakers.
Online entertainment is easy. You can't carry a TV set in your pocket, and everyone can't afford cinema tickets every week as they are expensive.
I was part of a group that had a cinema club so every week we would project two or three movies on 16 or 35mm.
All history is defined by shifting modes of reality and time and how things change. That's what I love about cinema. It changes in the moment.
When I go the cinema, unfortunately nowadays, especially with the big commercial films, the audience is spoon-fed through the entire experience and they don't have to do any work.
When I was ten, I had a weird cinema party where I invited everyone from my street to come. I pretended I was an usher and tried to sell them all popcorn.
I felt like, you know, my presence in the world of cinema had a different meaning than Meryl Streep... There was an impact that was made, but it wasn't the usual.
For me, watching a movie is an experience where I can go, eat popcorn, and enjoy with my friends and family. I want to be a part of cinema that entertains people.
[The director] has to, I feel, be one step back, not only from cinema, but also from politics and all these issues in order to tell and depict the situation that spreads to people.
Everybody has something that chews them up and, for me, that thing was always loneliness. The cinema has the power to make you not feel lonely, even when you are.
I don't understand why we give up genres, and the Western is a great genre. It's a part of the rich history of cinema and who we are as we've evolved as people, as a community.
I'm an eclectic and avid filmgoer. I try to see everything from romantic comedies to blockbusters to art house films, world cinema and documentaries.
Campaign may invite a certain skepticism about democracy, but it will surely restore your faith in cinema verite.
I began to see cinema as the perfect combination of so many wonderful art forms - painting, photography, music, dance, theater.
I didn't have a lot of exposure to films as a kid, and I never went to the cinema. I had a single mom who just planted me in front of the television.
I don't know about the whole song-and-dance thing. But if India will have me, the independent cinema scene there is something I'm really interested in.
How can the country that created electricity, the light bulb, modern cinema as we know it, and the Oscar Meyer Weenie Whistle not be purely awesome?
I don't mind acting in Hindi films, but the script has to suit me. It has to be a boy-next-door role because that's the image I have in Tamil cinema.
I don't act in sex comedies, and whoever acts in them, I don't think it's bad, because cinema, art and theatre are the mirrors of society.
We need women in cinema to know first that they have a safe space to open up about their struggles without being judged and marginalised.
I'm heavily influenced by European and American cinema, but the further I get in my career, the more I find myself looking back East for inspiration.
Learn from cinema. Be economic with descriptions. Sort out the telling detail from the lifeless one. Write dialogue that people would actually speak.
The cinema is an institution nowadays, with its roots sunk deep in the hearts of the millions of people who find enjoyment and entertainment in going to the pictures.
Every actor's deepest desire is to reach a huge audience. So, I don't look down upon commercial cinema... there's a beauty in it that you understand sooner or later.
The saving grace of the cinema is that with patience, and a little love, we may arrive at that wonderfully complex creature which is called man.
Cinema and the arts invite viewers to focus on a story and, in doing so, peel away its layers and peer into the depths of the human soul.
Akira Kurosawa, David Lean and Alfred Hitchcock were the main inspirations for 'Samurai Jack,' along with a lot of '70s cinema.
I'm a big fan of British cinema; I think we make some unbelievably brilliant films, but they can quite often have a dark feel.
When I was ten, I had a weird cinema party where I invited everybody from my street to come. I pretended I was an usher and tried to sell them all popcorn.
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