Top 85 Clapton Quotes & Sayings - Page 2

On this side of the Atlantic, the arrival of a new Woody Allen movie is always greeted with tremors of bliss by filmgoers past the age of 60, with mild curiosity by those in their 50s, with trepidation by those in their 40s, with fear and loathing by those in their 30s, and with complete indifference by anyone younger. An icon to baby boomers, who will never concede that when something is over, it is really over (Clapton, McCartney, Santana, the 1960s), Allen has not made a truly memorable film since Bullets On Broadway back in 1994.

I’ve worked with such legendary guitar players as Allan Holdsworth, Ronnie Montrose, Eric Clapton, Lowell George and Steve Vai, but none of them come close to having Ed’s [Eddie Van Halen's] fantastic combination of chops and musicianship. I rank him along with Charlie Parker and Art Tatum as one of the three greatest musicians of my lifetime. Unfortunately, I don’t think Ed puts himself in that class.

For my 23rd birthday, I received a nylon string guitar. I told myself that if I could play Eric Clapton's 'Tears In Heaven,' then I could play the guitar. I practised every chance I got, driving my housemates insane, until several weeks later I had a shaky version of the song down. I wrote my first song on the guitar a few weeks after that.

Once we played at the Fillmore opposite The Cream. Eric Clapton was there and he played his ass off that night ... backstage Michael Bloomfield introduced me to Eric, and Eric was so nice. He came up to me, put his arms around me and said "Barry, it's such a pleasure to meet you" ... I couldn't figure it out... then Michael told me that he had told Eric I had cancer and two months to live...

There are still many great surviving talents: Stevie Winwood. Another great talent is Stevie Wonder. Another one is Eric Clapton. Another one is Phil Collins. Eminem, Kanye West I like all those people.

I'm no spring chicken. The same arthritis that ate up my left hip that finally got replaced hasn't stopped there... And touring is a lot of work. I'm impressed when I see people like Eric Clapton out there. Gee whiz, Eric, give me a break! I know it's gotta hurt somewhere.

I think people who basically do one thing like Eric Clapton is great. But I've always enjoyed playing different kinds of music and playing with different kinds of musicians because I find that really interesting, like learning and working with Kip Hanrahan. There's a great conga player called Milton Cardona and he taught me a lot of the nuances, he's a Santeria Priest and so he knows his onions as it were.

Lightnin' Hopkins was something of a fixture on the Houston coffee house scene so we were witness to eccentric blues brilliance close up. Then, believe it or not, along came the wave of the English cats like John Mayall, Eric Clapton and the Stones embracing the great American art form - the blues.

It seems like I always had to work harder than other people. Those nights when everybody else is asleep, and you sit in your room trying to play scales. I just wonder where I was when the talent was being given out, like George Benson, Kenny Burrell, Eric Clapton ... oh, there's many more! I wouldn't want to be like them, you understand, but I'd like to be equal, if you will.

I have a lot of analog. I think a lot of people do. There are a lot of people that are re-discovering it. I still have a lot of my old records from back in the day. It's a joy to play things like Junior Wells' 'Hoodoo Man Blues,' and John Mayall & The Blues Breakers with Eric Clapton. There's a warmth that you can still feel.

People used to say, "Clapton is God." That was a phrase that people attributed to him, and he was a guitar hero back in his day. He chose a different path. And you can read about it, but he was really at the top of his game back then. I think he's one of the greatest rock players who've ever lived. His timing and everything was just so on.

You've got to try to figure out which is the bigger benefit and which is the bigger loser. It nearly killed him [Eric Clapton ]; he was in a very, very bad way for a long time, but he came through it. Most people don't come through it because they don't have the money to buy the people to look after them.

I tended to lean towards the guys who both sang and played, such as Ricky Skaggs, Vince Gill, Steve Wariner... And at the other end of the spectrum, I had Eric Clapton in a rock and blues sense, jazz guys such as Tal Farlow and Les Paul... Then Chet Atkins-type stuff.

I was lucky to have a guitar teacher who asked me what I wanted to learn. I brought in "High & Dry" by Radiohead and "Mr. Jones" by Counting Crows and he was like, "Alright, I'm gonna teach you these, but you're also gonna learn some stuff that I want you to learn." He taught me Jimi Hendrix and Eric Clapton, so I was getting the technical stuff and the fun stuff.

There are many excellent guitar players but I have to say Jimi Hendrix and Eric Clapton are still at the top! There are many imitators but very few genuine articles. There is so much more to playing than a fast blur of notes, like feeling and emotion from the soul. It's like punctuating a sentence and knowing when to lay back and not fill up all the space. Those are the things I tried to teach my son Tim when he began playing.

I kept listening, kept going to see people, kept sitting in with people, kept listening to records. If I wanted to learn somebody's stuff, like with Clapton, when I wanted to learn how he was getting some of his sounds - which were real neat - I learned how to make the sounds with my mouth and then copied that with my guitar.

Punk was sort of an angry stance against things that had happened just before, against the pop of glam rock, against progressive rock. Music had become very staid and it was about the playing and people obsessed. Eric Clapton was God and we needed an enema within the art form, and punk did do that.

Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.

I listened to all those blues records. They were great - Clapton, John Mayall. Then eventually I heard Genesis with Peter Gabriel, and I didn't really understand the difference then, but something struck me about the inversions and the diminished chords... they weren't as bluesy, and I loved it. I found out, that was very baroque-influenced.

Clapton was just picking up ideas. He picked up some of mine like I picked up some from the people before me.

There are people who are great technical players like Eric Clapton, and there are people who are great intuitive songwriters like Daniel Johnston. There are sometimes people who are great at both the technique and the creativity, the two sides of the coin, maybe Jimi Hendrix.

When I was a little bitty kid, I was listening to the stuff my parents were listening to. My mom was a huge Whitney Houston, Mariah Carey, Mary J. Blige fan. My dad had a cover band that I sang with, and he loved Parliament, Prince, Jimi Hendrix, and Eric Clapton, the blues, James Brown.

I first met Jimmy Page in London in 1961, and he was listening to James Burton, Scotty Moore and Cliff Gallup with Gene Vincent, as was I ... these were the rock and roll guys who really sparked our interest in the guitar, and later we delved into other things and went different directions ... during my time with Eric Clapton, we talked about what we'd listened to early on, and he was a huge fan of Chuck Berry and Jerry Lee Lewis

Eric Clapton was such a great player. He sounds like he's Freddie King or someone like that. He plays the roots of blues and Delta blues. He really affected me with the way that he plays, because he never really plays that many notes.

My guitar heroes are Eric Clapton and Jeff Beck and people like that - so I've tried to make an album of Robert Johnson covers that, well, while not totally faithful for blues purists, is faithful for people like me that grew up with the '60s and the electric blues-rock versions of Johnson's songs.