Top 684 Clash Of Civilizations Quotes & Sayings - Page 8

The climax is the place where the opposing forces in your story finally clash. This is true whether those opposing forces are two armies or two values inside a character's soul.

All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.

About the idea of a clash between cultures, between civilisations, I don't believe in it. It's something some political leaders tried to use, and that the media tried and are still trying to sell us, in order to simplify the world and their work.

What if a small group of world leaders were to conclude that the principal risk to the Earth comes from the actions of the rich countries?... In order to save the planet, the group decides: Isn't the only hope for the planet that the industrialized civilizations collapse? Isn't it our responsibility to bring that about?

I've started movies without screenplays both on 'Clash' and on 'Hulk,' and that is tremendously stressful because you have a tendency to overcompensate with effects. You haven't tested it in your head. You didn't run it over and over again and covered all of the plot holes and figure it out. It's a marathon that you sprint.

If we want to avoid a clash of cultures - and the jury is still out on whether we can - we'll have to make different cultures and religions compatible with the universal nature of human rights and tolerance. But I can promise you this: Anyone who calls me an infidel at the conference will be in for a fight.

The way I write things, I just write them with a clash between reality and fantasy mostly. You have to use fantasy to show different sides of reality; it's how it can bend.

Cricket makes no sense to me. I find it beautiful to watch and I like that they break for tea. That is very cool, but I don't understand. My friends from The Clash tried to explain it years and years ago, but I didn't understand what they were talking about.

Even during the years of the Cold War, the intense confrontation between the Soviet Union and the United States, we always avoided any direct clash between our civilians and, most certainly, between our military.

It's interesting sometimes to read about the last days of past civilizations. It's hard not to notice during these readings that those last days were filled with completely irrational ideas and behaviors that could not be explained in any way outside of a mass collapse of reason.

The clash between science and religion has not shown that religion is false and science is true. It has shown that all systems of definition are relative to various purposes, and that none of them actually “grasp” reality.

AIDS is a global problem and there should be a global solution found by the entire international community. It is really scary to see and imagine our world fall into pieces because we refuse to share and put in the common vestiges of our civilizations.

Don't get me wrong, God Bless the farmers and cowboys. It just wasn't the life I wanted. When writing stories of other lands, I can describe people and places from actual experience. And for someone with an imagination like me, I could see dinosaurs and lost civilizations in the jungle of Vietnam.

'The Last Pictures' is meant to create a framework to think about the long-term effects of human civilizations and the transformations we've made to the world around us. Having said that, every person in the world would have done the project differently, so in that sense, I guess it bears my creative stamp.

Light is meaningful only in relation to darkness, and truth presupposes error. It is these mingled opposites which people our life, which make it pungent, intoxicating. We only exist in terms of this conflict, in the zone where black and white clash.

If we lose the virile, manly qualities, and sink into a nation of mere hucksters, putting gain over national honor, and subordinating everything to mere ease of life, then we shall indeed reach a condition worse than that of the ancient civilizations in the years of their decay.

A smart, intellectual magazine is a difficult thing to run because of the need to manage conflicting personalities and opinionated writers who clash constantly, whose clashes make the publication better. It is exhausting and draining, and honestly, the only thing that's harder is probably running a university.

But once we recognize that many ideas that are taken to be quintessentially Western have also flourished in other civilizations, we also see that these ideas are not as culture-specific as is sometimes claimed. We need not begin with pessimism, at least on this ground, about the prospects of reasoned humanism in the world.

The 1950s felt so safe and smug, the '60s so raw and raucous, the revolutions stacked one on top of another, in race relations, gender roles, generational conflict, the clash of church and state - so many values and vanities tossed on the bonfire, and no one had a concordance to explain why it was all happening at once.

The religion of the God who became man has met the religion (for such it is) of man who makes himself God. And what happened? Was there a clash, a battle, a condemnation? There could have been, but there was none

A man of letters is often a man with two natures,--one a book nature, the other a human nature. These often clash sadly.

As far as cities, I love London. I go to London very often because I think the young people there are very creative. I also love New York, of course, and the clash of different cultures you find there.

There may be organic life out there, or maybe machines created by long-dead civilizations, but any signals, even if they are difficult to decode, would tell us that the concepts of logic and physics are not limited to the hardware in human skulls, and will transform our view of the universe.

When I was growing up in the early '70s and really getting into music, waiting outside the record store for that 45, waiting for a single from The Dead, The Clash, David Bowie, or T-Rex or something to be there. There was something about that that was so special.

Nobody before the Pythagorean had thought that mathematical relations held the secret of the universe. Twenty-five centuries later, Europe is still blessed and cursed with their heritage. To non-European civilizations, the idea that numbers are the key to both wisdom and power, seems never to have occurred.

I was fascinated by the culture clash between England and America in the 1950s. My first memories are of being a girl in those post-war years when things were really pretty grim. It wasn't like that in America, which was real boom time.

That's management. It's a social job as much as anything else, finding out what people are like, seeing through them. There have been good players and not-so-good players who I have moved along because I thought there would be a clash of character.

Marx was wrong. Religion is not the opiate of the people. Opium suggests something soporific, numbing, dulling. Too often religion has been an aphrodisiac for horror, a Benzedrine for bestiality. At its best it has lifted spirits and raised spires. At its worst it has turned entire civilizations into cemeteries.

These internal clashes in Israel nowadays are in a sense a continuation of a clash between Islam and Christendom through their former Jewish minorities and it works out in a number of different ways. It's fascinating to watch. And I hope they succeed in finding a compromise. At the moment, there doesn't seem to be much sign of it.

Custom is the law of one description of fools, and fashion of another; but the two parties often clash--for precedent is the legislator of the first, and novelty of the last. Custom, therefore, looks to things that are past, and fashion to things that are present.

'Deity' will be a compelling and exciting thriller with complex and interesting characters. A neo-realistic style to story and images will take the audience deep into Calcutta's many different levels. A fascinating clash between American and Indian culture.

The world is filled to suffocating. Man has placed his token on every stone. Every word, every image, is leased and mortgaged. We know that a picture is but a space in which a variety of images, none of them original, blend and clash.

I love irony in pictures. There's one photograph from Vietnam by Philip Jones Griffiths that shows a very large GI having his pocket picked by a tiny Vietnamese woman. It told the whole story of the clash of two cultures and how the invader could never win.

The sentiments attributed to Christ are in the Old Testament. They were familiar in the Jewish schools and to all the Pharisees, long before the time of Christ, as they were familiar in all the civilizations of the earth - Egyptian, Babylonian, and Persian, Greek, and Hindu.

An emotion is an automatic response, an automatic effect of man's value premises. An effect, not a cause. There is no necessary clash, no dichotomy between man's reason and his emotions

The Lord may want to colonise other Worlds with His new perfect children! What's the whole Universe for and all this huge amount of space if He's only interested in colonising one little Planet? What an incubation! What an incubator for other civilizations!-Right here on the New Earth and the Heavenly City!

I love all kinds of music. My dad's from London, so he loves David Bowie, the Stones, The Clash. I grew up with that influence while loving poetry and loving all kinds of current music.

Because of the internet and communications, the clash of cultures is much more direct. People feel, I think, less certain about their identity, less certain about economic security.

Many people in Europe and the U.S. dispute the thesis that we are living through a clash of civilisations between Islam and the west. But a radical minority of Muslims firmly believes that Islam is under siege, and is committed to winning the holy war it has declared against the West.

Slowly but surely, little by little, many different groups of vulnerable bodies and people have been targeted from since the beginning of time, from since the beginning of the construction of America and all the civilizations from around the world pre-colonially.

It is inherent in human consciousness to improve. So there is nothing unique about a people searching for and creating ways to make their life better - all civilizations throughout history have done this. What is unique about us in America is the accelerated rate at which we continually search for novelty and progress.

I don't believe in the clash of cultures. The culture is one. The culture is a ring off the same chain. Picasso was very much influenced by the African arts, and he influenced a whole other generation of artists. So everything influences everything.

China's use of 'night soil,' as the Chinese rightly call a manure that is collected after dark, is probably the reason that its soils are still healthy after four millennia of intensive agriculture, while other great civilizations - the Maya, for one - floundered when their soils turned to dust.

Different instructors' approaches may 'clash' with each other and result in confusion and unclear direction for the students. It's like attempting to learn how to write using both hands at the same time. How far would you go?

We've grown up on the Beach Boys and the Beatles and Blur and Bowie and the Clash. Also E.L.O. and Hall and Oates. Those are all artists who write songs that are accessible but still left of center. It's intelligent pop. There's still something different and complex about it.

At 12, turned 13, made a movie with Sex Pistols and The Clash. Learned about a lot of things I never knew and hope will never know again. Don't know how my parents let me do that.

We should not judge Islam by terrorists. All civilizations and cultures produce terrorists. Every time there is a flag-burning, killing, or provocative films, I'm worried, not because something radical will happen, and this time, some people are killed. We're very sorry for that.

I think that there are artists of different genres whose calling is to use their art to hope to affect and better the human condition - whether it's System of a Down, or Rage Against the Machine, or Public Enemy, or the Clash, Bruce Springsteen, or Pete Seeger. It's a group that I'm proud to be counted among.

Nearly all great civilizations that perished did so because they had crystallized, because they were incapable of adapting themselves to new conditions, new methods, new points of view. It is as though people would rather die than change.

Hollywood movies of the Fifties, like The Ten Commandments and Ben-Hur, with their epic clash of pagan and Judeo-Christian cultures, tell more about art and society than the French-infatuated ideologues who have made a travesty of the "best" American higher criticism.

The phone is one hundred, one hundred and ten years old. There was a middle period where the government had a broad ability to surveil, but if you look at human history in total, people evolved and civilizations evolved with private conversations and private speech.

If I were personally to define religion, I would say that it is a bandage that man has invented to protect a soul made bloody by circumstances. All forms of dogmatic religion should go. The world did without them in the past and can do so again. I cite the great civilizations of China and India.

Thousands of years ago, civilizations flourished in Africa which suffer not at all by comparison with those of other continents. In those centuries, Africans were politically free and economically independent. Their social patterns were their own and their cultures truly indigenous.

Ancient and oriental civilizations were more sensitive than we are to the cycles of things; to the succession of generations, both divine and human; and to change within stasis. Western man is virtually alone in wanting to make his God into a fortress and personal immortality into a bulwark against time.

The Clash had a unique, special relationship with Scotland. Perhaps it was something to do with the energy, anger and beauty in their music. In Scotland at that time, there was a lot of to be angry about. And a great need of some energy and beauty.

Actors get to go to these amazing worlds. In 'Terminator,' I was a cyborg with feelings; in 'Avatar,' I lived for 15 months on a fantastical planet, and in 'Clash of the Titans,' I get to fight a scorpion the size of a dump truck. It's a bizarre job, but you explore yourself.

In Architecture there is a part that is the result of Logical Reasoning and a part that is created through the Senses. There is always a point where they Clash. I don't think Architecture can be created without that Collision.

Paleoclimatic records show clearly that the past 10,000 years, the Holocene, is a remarkably stable period in which we went from being a few hunters and gatherers to become more sedentary agriculture-based civilizations, which then moved us to the current populated modern era.

'Notting Hill?' Does that poke fun at being British? Maybe it does. In 'Mickey Blue Eyes,' that's kind of the point: the clash of worlds, the unlikely combo of a respectable Englishman and a mob guy. If you take out the Britishness, you don't really have much.

Although I was born in Idaho and now live in New York, I definitely identify with the European aesthetic. Paris is my mecca; it's where I discovered my flair for fashion. But I pay rent and work in New York, so that is my home - I love the culture clash of the city.