Top 1200 Classic Films Quotes & Sayings - Page 6

There's a difference between 'political films' and 'films about Iraq.'

I don't understand how people do so many films at the same time. For me, two films a year.

The Oscar for the films, it'd be nice. But I don't make those kind of films, and I don't think that will ever happen.

Most of Hindi films I made are remakes of my own films.

I don't want to make pompous, serious films; I like films that have a kind of vivacity about them.

If you look at the market cap of Ethereum before the hard fork and the split into Ethereum Classic, the combined market cap of Ethereum and Ethereum Classic is greater than the market cap before the split - and everybody got what they want.

It's difficult to get films made, especially films about poets.

It's good to have a governing body to oversee matters in making of films, but you can't blame films for what is happening in society.

I like serious films, the moneymaking blockbusters that don't make any kind of sense and John Carpenter films.

As part of modeling, I have acted in the advertisement films of popular brands. Then I got some offers from films.

I like serious films and earlier used to do only such films.

There is a space for all sorts of films because the audience wants to watch all kinds of films at the end of the day.

The BFI recently did a study of the British films that have the most people of color in them in the last 10 years, and in the top 10, three of the films were my films. I've always been a glass-is-half-full person. I've always gone, "If people aren't going to do it, I'm going to do it".

I don't make 'issue' films. I like making films about rebels or pioneers or people that are doing something.

I don't enjoy watching action films, but I loved films like 'Rust and Bone' and 'The Beat That My Heart Skipped.'

I do not want these women-centric films, or... what's that term? ...mahila-pradhan films as everyone calls them.

When I studied with Nicholas Ray he was always telling us, "If you want to make films, watch a lot of films, but don't just watch films, go take a walk, look at the sky, read a book about meteorology, look at the design of people's shoes. Because all of them are part of filmmaking." So I thought, perfect! That's a good job for me.

I have had unsuccessful films, but I learned a lot from those films. I give my failures as much importance as my success.

If films could run because of performances, everybody's films would do well. It is the director who makes the film.

I have a production company called Home Theater Films which makes faith-based films.

I've become a body of films, not a man, I am all those films.

For me, Malayalam films remain the most important. I don't want to do more Tamil films just for the sake of it.

I tried to make a list of films where there's two men and one woman and I realized there's films like this everywhere.

I enjoy films like 'American Beauty' and want to do similar films that reflect our culture.

The films that excite me most tend to be the films that seem like voices that we haven't heard of before.

I'm not trying to be new school and I'm not old school - I'm classic. There's a lot of new cars and there's a lot of old cars, but I'm just classic in doing what I do.

There are all kinds of values within the films but I don't make message films.

I prefer films and dramas based on families and relationships - films which focus on love and harmony.

I have done about 25 films in Malayalam and won awards for my performances in films like 'Nandanam' and 'Saira.'

Cannes Film Festival prefers political films. We have to target certain festivals based on our films.

I'm very thankful to directors and filmmakers who consider me in their films, and I hope I'm able to do justice to their films.

I just remember not having access to films as a young person who loved films but living in Compton.

I am glad that we can make bold films, different films within the commercial market and still do well.

After doing films like 'Mukkabaaz,' I feel I am finally getting films that I deserve.

I can't afford to wait for big films. So I take up small films as they provide maximum exposure.

I'd rather do theater and British films than move to L.A. in hopes of getting small roles in American films.

A lot of people in India are not that into non-Indian films or Western films.

Many people are under the delusion that I'm just a special-effects man, but I've worn many different hats in my day. On every film I've been involved in, I worked with the writer and producer. We really formulated those scripts. We tried to make films that were logical but still had the fantasy feel of it. I enjoy Aardman Animation's films with Wallace and Gromit, but they're obvious puppet films, whereas we tried to disguise it and make our effects characters in the films rather than obvious puppets.

The films that are coming out of SXSW are incredible, and they should get the same bids that films at Sundance are getting.

I think that Tyler Perry's genius really has been to tap into the domestic market. He knows what his audience is based on, having toured America for so long, and then giving them the blueprint for his films prior to the films coming out, and then the films have the built-in audience because they've seen it in theaters already.

I made films for soaps and I was the Coca-Cola girl for England. I did a lot popular films, too.

I'd rather do theatre and British films than move to L.A. in hopes of getting small roles in American films.

Films on Indian epics need to be made and when the response to it is good, it gives you the impetus to make more such films.

The films I liked were European films - Federico Fellini, Michelangelo Antonioni, François Truffaut.

When I was a kid, my grandfather used to watch Bollywood films. There's a lot of colour and vibrancy to the Indian films.

There aren't a lot of films about adolescents or quote-unquote coming-of-age films that are realistic nowadays.

I think there are just bad films and good films. Period.

I do want my films to have the required entertainment quotient, but I'd prefer doing films where you don't have to leave your brains behind.

All of the films I'm doing are young, urban, high-concept, funny films. That's the zone where I'd like to play and have fun in.

I don't know how to make award-winning films; I'm a director happy in making masala films.

Not only comedy films, I have also done films based on serious issues with Raja Chanda earlier.

I think my mom is the inspiration of me wanting to do film and TV and be an actor because she loved film so much. She loved, like, horror films and action films, so growing up, she loved watching all the Charles Bronson films and all the westerns.

If my films don't do well, nobody is going to give me films.

While I feel it's important for films to examine our society, I don't particularly like watching the films that do it.

Short films are good, especially since independent films are making waves now, more than before.

You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.

I assisted on a lot of films outside my dad's company. I only did two of his films.

Women directors in India have mostly made niche films. Naturally, those films have a limited market.

Films just happened by chance. I had no interest in films or acting as a heroine, but that's a long story.

Apart from films and television I have explored behind-the-camera work, and worked as a script consultant at Phantom films.