Top 1200 Classical Composers Quotes & Sayings - Page 3

It's interesting: composers can be very funny ducks.

Good composers don't borrow, they steal

I feel that classical music should be a more recognizable part of everyone’s entertainment. It has been my hope that through live concerts, motion pictures, recordings, international competitions, and interesting public forums, a larger group of people will learn to love classical music and attend live concert performances.

So many people report to be contemporary dancers, and they're not. They are sort of jazz dancers that feel like they're throwing a bit of classical in there. I mean, a true contemporary dancer has got ballet as their base and classical ballet, and that is their base. And then they choose to extemporize on that and go into a contemporary world.

I loved a lot of the romantic composers.

In fact, if you take any group of scores, it's likely that fifty to sixty percent are going to be so much alike that it's difficult to tell any difference among them. But I sometimes wonder if that has more to do with the quality of the art that's being made. There are always those composers who are going to move toward whatever is currently in fashion, there are others who will deliberately attempt to go in another direction. And sometimes, there are composers who will see themselves as being outside the stream and not even try to present their music to the general public.

In Hollywood, the rainbow hits the ground for composers.

I went to school to learn guitar, solfeggio, and harmony. I wanted to know more about music, how it works. I wanted to take voice lessons, too, and that's when I discovered what I could do with my voice. At the beginning, I thought I would do classical and pop, but then I learned that I really liked the classical music.

I would say that the most complex style of singing comes from India. Real, classical Indian music produces probably the best technical and natural singers in the world, just because the patterns and the inflection are so complex in how the style moves and what it requires vocally. I think the best classical singers come from India.

Critics of Consequentialism have often assumed that hedonism (or preference-satisfaction) must be the theory of the good, that the deontic principle must be maximizing, and that the principle should be applied to individual acts. Indeed, this version is often called "classical utilitarianism" and attributed to Bentham and sometimes even to Mill. Rather than a "classical" view it is a recent construction foisted on to the tradition.

As more people get into indie bands and alternative music, they're also getting more into other genres that fit those categories, like jazz and classical. It's becoming more rebellious to go to a classical concert. You're getting the younger art house crowd and regular students as well as those who are just curious.

It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.

Film music has a great history of composers and performers.

It is such an honor to be one of the youngest composers to compose for an Amitabh Bachchan film.

We love what we do. We're passionate about making music and as composers; that's just who we are.

A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval 'Carmina Burana' - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.

The problem with composers is that they are the most unrequired job in America.

Classical physics has been superseded by quantum theory: quantum theory is verified by experiments. Experiments must be described in terms of classical physics.

I've always been a lover of classical music ever since I was an early teenager I suppose. I remember the very first piece of classical music that grabbed me was I bought an LP of Daniel Barenboim performing Mozart's piano concertos and I would have been about 14 or 15 at the time and I remember I played it over and over again.

Composers are not all good conductors.

Composers are always going back to the past.

All of these people kept on being professional musicians and composers in the strictest sense.

I have been writing JavaScript for 8 years now, and I have never once found need to use an uber function. The super idea is fairly important in the classical pattern, but it appears to be unnecessary in the prototypal and functional patterns. I now see my early attempts to support the classical model in JavaScript as a mistake.

There are three virtuous styles of music; classical, jazz and heavy metal. I do love classical music but I don't listen to it much anymore and I never listen to metal, so I am not very interested in music that is difficult to play.

Classical economics values things by seeing how much someone will pay for them. But this is where classical economics is wrong. What it fails to account for are all the 'externalities' - the services people regard as free goods: pollination services, flood protection, climate regulation, soil stabilization, carbon sequestration.

If you ever ask me what my all-time dream character is, my answer will be Mia Tansen, the great composer-musician in Hindustani classical music. And ideally, the film should be directed by a person like Bhansali who is a great director and has a marvellous sense of classical music.

As improvisers, we're acting as composers in front of people.

Oh, stuff the critics. I don't care. Too many people are snooty about classical. Look, I wasn't brought up in a home where we listened to classical music. It was a singing teacher that thought it would be best for my voice. Then I moved into crossover. And if that makes the music accessible to more people, then great.

When I listen to music today, it is about 99 percent classical. I rarely even listen to folk music, the music of my own specialty, because folk music is to me more limited than classical music.

When I do things, like, with Josh Grobin, or he has so many fans, and I get people after my concerts, classical concerts, all the time coming back and saying, 'Never heard of you until I heard the song with Josh Grobin.' Then they're now classical music fans, which is something I think we need to reach a wider audience.

A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval Carmina Burana - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.

Sincere composers believe in God.

[Composers] Mark [Shaiman] and Scott [Wittman] are unreal.

Composers are very individual creatures.

I have tremendous respect for film composers.

Most theatre people and composers are like research hounds.

When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.

Many composers today don't know what the human throat is.

I love being part of the ASCAP family of songwriters and composers.

Composers shouldn't think too much - it interferes with their plagiarism.

Händel is the greatest and ablest of all composers; from him I can still learn.

The three greatest composers are Bach, Beethoven, and Brahms. All the others are cretins.

Gifted women musicians and composers rarely received their due.

I wanted to make an album where every song is kind of interacting - where you can't tell what's the string arrangement and what's the song. I guess that came out of going to college, majoring in music, studying classical music, and even as a kid, being really drawn to classical music.

I would not want the limitations held by the name of a classical musician. I want many people to enjoy my music much beyond just classical music fans. I think the term, 'violinist,' keeps me distant from the audience. I want to communicate with them more.

I would like my work to be recognized as being in the classical tradition (Coptic, Egyptian, Greek, Chinese), as representing the Ideal in the mind. Classical art cannot possibly be eclectic. One must see the ideal in one's own mind. It is like a memory - an awareness -of perfection.

In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form.

I have respect for mother nature's methods of robustness (billions of years allow most of what is fragile to break); classical thought is more robust (in its respect for the unknown, the epistemic humility) than the modern post-Enlightenment naïve pseudoscientific autism. Thus my classical values make me advocate the triplet of erudition, elegance, and courage; against modernity's phoniness, nerdiness and philistinism

I was not influenced by composers as much as by natural objects and physical phenomena.

Classical music and pop are two different universes, each with its own difficulties, peculiarities, depth and artistic dignity. In Italy, I think there is a fairly clear line of demarcation, but the history of music is full of fusion. Popular and classical music have always found points of contact, of crossing, exchange, both drawing mutual profit.

But it can be tough for new composers as directors tend to block you out.

I love to work with all composers as that gives an artist variety.

My mom was an opera singer. She did all the classical music, and I heard it. I know every opera. I know every classical piece of music.

Brahms is one of my all-time favorite composers.

Composers and lyricists are making songs that are approved by the producers and directors.

The more I got into playing guitar, the more I enjoyed music, and the broader my listening became. The instrument itself became important to me, and I started messing around with classical guitar and took classical lessons.

Composers combine notes, that's all.

Most of the important composers in our country are clustered in the Northeast.

As film composers, what we essentially do is fusion.

Composers often think in terms of music and not of an instrument itself.