Top 592 Clay Quotes & Sayings - Page 10

Futility Move him into the sun - Gently its touch awoke him once, At home, whispering of fields unsown. Always it woke him, even in France, Until this morning and this snow. If anything might rouse him now The kind old sun will know. Think how it wakes the seeds, - Woke, once, the clays of a cold star. Are limbs, so dear-achieved, are sides, Full-nerved -still warm -too hard to stir? Was it for this the clay grew tall? -O what made fatuous sunbeams toil To break earth's sleep at all?

I was selling a piece of my art on eBay from The Escapist, which was an adaptation of The Adventures of Kavalier and Clay, and the person who bought it was Alan Heinberg, one of the executive producers of the show and was a huge fan of my work and asked if I'd be interested in maybe being the ghost artist for Seth. It clicked and I could relate to Seth's plight on the show. It became really easy to fill in his shoes, and people really grabbed onto it; they really dug that sort of very minor sub-plot in the show.

I got a letter one day from somebody saying, `You're always criticizing the press. Why don't you talk about what Clay Felker is doing to your own paper [The Voice]?' And my 10-year-old son Tom, now with Williams & Connelly, put in a legal opinion, not - an opinion from the back of the car saying, `You know why? What are you, afraid?' So I wrote the column. I - you know, - the column simply said that Felker is destroying this paper.

It is my judgment that any man or woman can do more to conform to the laws of God in one year in this life than they could do in ten years when they are dead. The spirit can only repent and change, and then the battle has to go forward with the flesh afterwards. It is much easier to overcome and serve the Lord when both flesh and spirit are combined as one. This is the time when men are more pliable and susceptible. We will find when we are dead every desire, every feeling will be greatly intensified. When clay is pliable it is much easier to change than when it gets hard and sets.

There is something in natural affection which will lead it on to eternal love more easily than natural appetite could be led on. But there's also something in it which makes it easier to stop at the natural level and mistake it for the heavenly. Brass is mistaken for gold more easily than clay is. And if it finally refuses conversion its corruption will be worse than the corruption of what ye call the lower passions. It is a stronger angel, and therefor, when it falls, a fiercer devil.

Soul. The word rebounded to me, and I wondered, as I often had, what it was exactly. People talked about it all the time, but did anybody actually know? Sometimes I'd pictured it like a pilot light burning inside a person--a drop of fire from the invisible inferno people called God. Or a squashy substance, like a piece of clay or dental mold, which collected the sum of a person's experiences--a million indentations of happiness, desperation, fear, all the small piercings of beauty we've ever known.

Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquility: For his hand, though heavy and hard, is guided by the tender hand of the Unseen, And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.

A shade of sorrow passed over Taliesin's face. 'There are those,' he said gently, 'who must first learn loss, despair, and grief. Of all paths to wisdom, this is the cruelest and longest. Are you one who must follow such a way? This even I cannot know. If you are, take heart nonetheless. Those who reach the end do more than gain wisdom. As rough wool becomes cloth, and crude clay a vessel, so do they change and fashion wisdom for others, and what they give back is greater than what they won.

As I accepted the change of the golden hair of my childhood to the reddish-brown hair of my youth without regret, so I also accept my silver hair-and I am ready to accept the time when my hair and the rest of my clay garment returns to the dust from which it came, while my spirit goes on to freer living. It is the season for my hair to be silver, and each season has its lessons to teach. Each season of life is wonderful if you have learned the lessons of the season before. It is only when you go on with lessons unlearned that you wish for a return.

Let the girl be thoroughly developed in body and soul, not modeled, like a piece of clay, after some artificial specimen of humanity, with a body like some plate in Godey's book of fashion, and a mind after the type of Father Gregory's pattern daughters, loaded down with the traditions, proprieties, and sentimentalities of generations of silly mothers and grandmothers, but left free to be, to grow, to feel, to think, to act. Development is one thing, that system of cramping, restraining, torturing, perverting, and mystifying, called education, is quite another.

There is always in the healthy mind an obscure prompting that religion teaches us rather to dig than to climb; that if we could once understand the common clay of earth we should understand everything. Similarly, we have the sentiment that if we could destroy custom at a blow and see the stars as a child sees them, we should need no other apocalypse. This is the great truth which has always lain at the back of baby-worship, and which will support it to the end.

The problem is not the claycourt. The problem is, you know, rather something to do with the conditions on center court. Because I've played well on Suzanne Lenglen, on the other courts. But the Chatrier court is really, really big, and I just haven't had enough play on it. Maybe I come here next year and play a week on this court, if I can, if the French Federation lets me. We'll see. I've been playing well in other tournaments, in Davis Cup on clay. So for me it's not the surface, it's rather maybe the court.

If you hand an adult a lump of clay, they're likely to respond by fashioning something representative out of the raw material. For the most part, they'll simply forge an object that signifies something "real" in the world, even if that something is as abstract as an emotion or an energy. A child, on the other hand, will just as often produce something totally without semiotic meaning, a shape or a mass that represents nothing that exists outside of their imagination. Or else, they'll eat it or throw it or ignore it, wholesale.

We wear the mask that grins and lies, It hides our cheeks and shades our eyes,- - This debt we pay to human guile; With torn and bleeding hearts we smile And mouth with myriad subtleties. Why should the world be otherwise, In counting all our tears and sighs? Nay, let them only see thus, while We wear the mask. We smile, but, O great Christ, our cries To thee from tortured souls arise. We sing, but oh the clay is vile Beneath our feet, and long the mile; But let the world dream otherwise, We wear the mask!

The reflection, the verisimilitude, of life that shines in the fleshly cells from the soul source is the only cause of man's attachment to his body; obviously he would not pay solicitous homage to a clod of clay. A human being falsely identifies himself with his physical form because the life currents from the soul are breath-conveyed into the flesh with such intense power that man mistakes the effect for a cause, and idolatrously imagines the body to have life of its own.

Rowww!” Bast wailed. The wrecking ball rolled straight over her, but she didn’t appear hurt. She leaped off and pounced aain. Her knives sliced through the metal like wet clay. Within seconds, the wrecking ball was reduced to a mound of scraps. Bast sheathed her blades. “Safe now.” “You saved us from a metal ball,” Sadie said. “You never know,” Bast said. “It could’ve been hostile.

Shebna scraped the tablet clean and began drawing circles in the soft clay. "Suppose you had six figs and you ate two. How many would--" "Four." Hezekiah answered before Shebna finished, and the tutor's thick black eyebrows rose in surprise. "And suppose I had five figs. How many would we--" "Nine." "Have you done this before?" Hezekiah thought the question was ridiculous. "I've eaten figs lots of times.

I hadn't had any course work in ceramics. I had no courses in art education but I wasn't going to let this chance to have a job pass me by. I went out and learned and I stayed one step ahead of the students by reading and I got to be pretty proficient at throwing on the wheel and making my own glazes, ordering the chemicals and having the students go out and dig and process their clay, and doing things that they weren't teaching at Howard University. So Talladega College opened up my whole sensibility about experimental teaching.

Black music has always known, and not been afraid to acknowledge just how high the stakes of Black thought are. To summarize the final soliloquy of Clay, the protagonist in LeRoi Jones’ (aka Amiri Baraka’s) play Dutchman. You’d better be glad Charlie Parker could play him some horn and Bessie Smith could sing, because if they didn’t make music they might murder you. One would be hard pressed to find another group of people on this planet whose music is a surrogate for murder. One would be hard pressed to another group of people on this planet whose life is a proxy for death.

In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.

Love is the weapon which Omnipotence reserved to conquer rebel man when all the rest had failed. Reason he parries; fear he answers blow for blow; future interest he meets with present pleasure; but love, that sun against whose melting beams the winter cannot stand--that soft subliming slumber which wrestles down the giant, there is not one human being in a million, nor a thousand men in all earth's huge quintillion, whose clay heart is hardened against love.

Imagination transforms one substance into another. It changes what is into what might be, what was into what might have been. Straw becomes gold, gold straw, and neither is more real nor, I submit, more precious than the other. Pebbles turn into luminous pearls and pearls into little gray rocks, both solid and beautiful, both essential. Human beings take shape from clay, angels' wings are spun out of water, fire gives rise to the long tongues of demons, love emerges out of thin air, and the basic elements reconstitute themselves again and again.

I had hundreds of books under my skin already. Not selected reading, all of it. Some of it could be called trashy. I had been through Nick Carter, Horatio Alger, Bertha M. Clay and the whole slew of dime novelists in addition to some really constructive reading. I do not regret the trash. It has harmed me in no way. It was a help, because acquiring the reading habit early is the important thing. Taste and natural development will take care of the rest later on.

Historical chronology, human or geological, depends... upon comparable impersonal principles. If one scribes with a stylus on a plate of wet clay two marks, the second crossing the first, another person on examining these marks can tell unambiguously which was made first and which second, because the latter event irreversibly disturbs its predecessor. In virtue of the fact that most of the rocks of the earth contain imprints of a succession of such irreversible events, an unambiguous working out of the chronological sequence of these events becomes possible.

No longer mourn for me when I am dead than you shall hear the surly sullen bell give warning to the world that I am fled from this vile world with vilest worms to dwell: nay, if you read this line, remember not the hand that writ it, for I love you so, that I in your sweet thoughts would be forgot, if thinking on me then should make you woe. O! if, I say, you look upon this verse when I perhaps compounded am with clay, do not so much as my poor name rehearse; but let your love even with my life decay; lest the wise world should look into your moan, and mock you with me after I am gone.

When something goes wrong, what's the best course of action? To change your direction. The word repentance means to stop going one direction (your own way) and turn toward the right direction (God's way). Your past may be a part of who you are, but it certainly doesn't have to define your future. Or if you feel stuck and unable to change directions and move toward God, think of this transformation another way. The Bible says that God is the Potter and we are his clay (Jer. 18:2-6).

But to proceed; as in order and place, so also in matter of her Creation, Woman far excells Man. things receive their value from the matter they are made of, and the excellent skill of their maker: Pots of common clay must not contend with China-dishes, nor pewter utensils vye dignity with those of silver.... Woman was not composed of any inanimate or vile dirt, but of a more refined and purified substance, enlivened and actuated by a Rational Soul, whose operations speak it a beam, or bright ray of Divinity.

[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served to remind him of something he had in his mind, so that when he then went to the studio, that would stick in his mind and he could explore the making of the pot with the clay on the wheel.

The Talmud tells a story about a great Rabbi who is dying, he has become a goses, but he cannot die because outside all his students are praying for him to live and this is distracting to his soul. His maidservant climbs to the roof of the hut where the Rabbi is dying and hurls a clay vessel to the ground. The sound diverts the students, who stop praying. In that moment, the Rabbi dies and his soul goes to heaven. The servant, too, the Talmud says, is guaranteed her place in the world to come.

Presently he rose and approached the case before which she stood. Its glass shelves were crowded with small broken objects —hardly recognisable domestic utensils, ornaments and personal trifles — made of glass, of clay, of discoloured bronze and other time-blurred substances. 'It seems cruel,' she said, 'that after a while nothing matters... any more than these little things, that used to be necessary and important to forgotten people, and now have to be guessed at under a magnifying glass and labeled: "Use unknown".'

Sometimes I'm drawing onto a computer directly, sometimes I'm drawing on paper , so I can't really talk about drafts. It's just like having soft clay until it hardens. At least as much of the problem has to do with the decisions of what to represent, how to represent that, and how to reduce it down. The words in the balloons aren't particularly poetic necessarily, but it has the same problem as poetry, which is that one has to do great reduction. And if I tried to draw everything, you'd just have a tangled mess of a picture. The stripping down takes much longer than building up.

Never let me lose the marvel of your statue-like eyes, or the accent the solitary rose of your breath places on my cheek at night. I am afraid of being, on this shore, a branchless trunk, and what I most regret is having no flower, pulp, or clay for the worm of my despair. If you are my hidden treasure, if you are my cross, my dampened pain, if I am a dog, and you alone my master, never let me lose what I have gained, and adorn the branches of your river with leaves of my estranged Autumn.

Go out and ask her into the alley.” Clay looked at Jeremy as if he’d just been told to dance the rumba on a public thoroughfare. I bit back a laugh. “Just walk over to her and point at the alley. Maybe say…I don’t know…something like ‘fifty bucks.’ ” I looked at Jeremy. “Does that sound right? Fifty?” His brows shot up. “Why are you asking me?” “I wasn’t—I just meant, as a general…” I threw up my hands. “How am I supposed to know how much a hooker costs?

I culled poetry from odors, sounds, faces, and ordinary events occurring around me. Breezes bulged me as if I were cloth; sounds nicked their marks on my nerves; objects made impressions on my sight as if in clay. There, in the soft language, life centered and ground itself in me and I was flowing with the grain of the universe. Language placed my life experiences in a new context, freeing me for the moment to become with air as air, with clouds as clouds, from which new associations arose to engage me in present life in a more purposeful way.

I saw myself. . . in the time I watched, I saw strength and frailty, pride and vanity, courage and fear. Of wisdom, a little. Of folly much. Of intentions many good ones; but many more left undone. On this alas, I saw myself a man like any other. But this too I saw . . . Alike as men may seem, each is different as flakes of snow, no two the same.You told me you had no need to seek the Mirror, knowing you were Annlaw Clay-Shaper. Now I know who I am: myself and none other. I am Taran.

Where are they written?" "In the world around us. Merely be attentive to what happens in your life, and you will discover where, every moment of the day, He hides His words and His will. Seek to do as He asks: this alone is the reason you are in the world." "If I discover it, I'll write it on clay tablets." "Do so. But write them, above all, in your heart; there they can neither burned nor destroyed, and you will take them wherever you go.

The Long March The Red Army is not afraid of hardship on the march, the long march. Ten thousand waters and a thousand mountains are nothing. The Five Sierras meander like small waves, the summits of Wumeng pour on the plain like balls of clay. Cliffs under clouds are warm and washed below by the River Gold Sand. Iron chains are cold, reaching over the Tatu River. The far snows of Minshan only make us happy and when the army pushes through, we all laugh. October 1935

... I see the green earth covered with the works of man or with the ruins of men’s work. The pyramids weigh down the earth, the tower of Babel has pierced the sky, the lovely temples and the gray castles have fallen into ruins. But of all those things which hands have built, what hasn’t fallen nor ever will fall? Dear friends, throw away the trowel and mortarboard! Throw your masons’ aprons over your heads and lie down to build dreams! What are temples of stone and clay to the soul? Learn to build eternal mansions of dreams and visions!

Words, words, word. Once, I had the gift. I could make love out of words as a potter makes cups of clay. Love that overthrows empire. Love that binds two hearts together, come hellfire & brimstone. For sixpence a line, I could cause a riot in a nunnery. But now -- I have lost my gift. It's as if my quill is broken, as if the organ of my imagination has dried up, as if the proud -illegible word- of my genius has collapsed.

No theory ever benefited by the application of data, Amy. Data kills theories. A theory has no better time than when it's lying there naked, pure, unsullied by facts. Let's just keep it that way for a while." "So you don't really have a theory?" "Clueless." "You lying bag of fish heads." "I can fire you, you know. Even if Clay was the one that hired you, I'm not totally superfluous to this operation yet. I'm kind of in charge. I can fire you. Then how will you live?" "I'm not getting paid." "See, right there. Perfectly good concept ruined by the application of fact.

There are some good things and some fantastic ones in Auden's early attitude; if the reader calls it a muddle I shall acquiesce, with the remark that the later position might be considered a more rarefied muddle. But poets rather specialize in muddles and I have no doubt which of the muddles was better for Auden's poetry: one was fertile and usable, the other decidedly is not. Auden sometimes seems to be saying with Henry Clay, "I had rather be right than poetry"; but I am not sure, then, that he is either.

Men can construct a science with very few instruments, or with very plain instruments; but no one on earth could construct a science with unreliable instruments. A man might work out the whole of mathematics with a handful of pebbles, but not with a handful of clay which was always falling apart into new fragments, and falling together into new combinations. A man might measure heaven and earth with a reed, but not with a growing reed.

[V]ariety of climate should always go with stability of abode.... an Englishman’s house is not only his castle; it is his fairy castle. Clouds and colours of every varied dawn and eve are perpetually touching and turning it from clay to gold, or from gold to ivory. There is a line of woodland beyond a corner of my garden which is literally different on every one of the three hundred and sixty-five days. Sometimes it seems as near as a hedge, and sometimes as far as a faint and fiery evening cloud.

Though I be shut in darkness, and become insentient dust blown idly here and there, I count oblivion a scant price to pay for having once had held against my lip life's brimming cup of hydromel and rue--for having once known woman's holy love and a child's kiss, and for a little space been boon companion to the Day and Night, Fed on the odors of the summer dawn, and folded in the beauty of the stars. Dear Lord, though I be changed to senseless clay, and serve the potter as he turns his wheel, I thank Thee for the gracious gift of tears!

We can understand that the Fathers of the Church in the East wanted Apocalypse left out of the New Testament. But like Judas among the disciples, it was inevitable that it should be included. The Apocalypse is the feet of clay to the grand Christian image. And down crashes the image, on the weakness of these very feet. There is Jesus--but there is also John the Divine. There is Christian love--and there is Christian envy. The former would "save" the world--the latter will never be satisfied till it has destroyed the world. They are two sides of the same medal.

Christ alone, of all the philosophers, magicians, etc., has affirmed eternal life as the most important certainty, the infinity of time, the futility of death, the necessity and purpose of serenity and devotion. He lived serenely, as an artist greater than all other artists, scorning marble and clay and paint, working in the living flesh. In other words, this peerless artist, scarcely conceivable with the blunt instrument of our modern, nervous and obtuse brains, made neither statues nor paintings nor books. He maintained in no uncertain terms that he made ... living men, immortals.

Clay can be a metaphor for many things. I made it a metaphor for flesh and earth, and these are two kinds of generic givens of life, if you look at it poetically, biblically, the idea of the life of beings, of man, being transitory, the earth abides-ashes to ashes, dust to dust-man returns to earth, grows out of earth like a flower, wilts, goes back to the earth... We are frail, transitory creatures with aspirations of immortality, conscious of our inevitable death, and we have to deal with it somehow.

Immortality—dazzling idea! who first imagined thee! Was it some jolly burgher of Nuremburg, who with night-cap on his head, and white clay pipe in mouth, sat on some pleasant summer evening before his door, and reflected in all his comfort, that it would be right pleasant, if, with unextinguishable pipe, and endless breath, he could thus vegetate onwards for a blessed eternity? Or was it a lover, who in the arms of his loved one, thought the immortality-thought, and that because he could think and feel naught beside!—Love! Immortality!

We each deal with childhood in different ways. That brothers and sisters can take the same lump of clay that is childhood and use it to shape themselves into unique human beings is a miracle in itself. Despite individual struggles, triumphs, joys and disappointments, someone is made of the same stuff and has been at your side, whether figuratively or literally, from the beginning. Use our brother and sister quote collection to explore this truth and gain compassionate understanding for yourself and your siblings.

I used to flirt with fundamentalism, and I had this idea that creation was something that happened. Now I see creation as something that is happening. Hundreds of millions of stars are still being born every day. Creation is an ongoing process. The Artist has not yet cleaned out the brushes. The paint is still wet. Human beings are the small clumps of clay and breath, and we have been handed brushes of our own, like young artist apprentices. The brushes aren't ours, nor the paint or canvas, but here they are in our hands, on loan. What shall we make?

Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.

When I heard the truth about my name was not Cassius Clay, like I knew a black man in America named John Hawkins. Now, you know who John Hawkins was.He was a slave trader from England. But the white people of that time, if one had five slaves and his name was Jones, they would be called Jones' property. [...] Now that I'm free, now that I'm no longer a slave, then I want a name of my ancestors.