Top 1200 Clear Head Quotes & Sayings - Page 17

Indeed, follow your star if you want to head north and it's the North Star. But if you want to head north and it's Mars, you had better follow somebody else's star.

Fred Silverman, the head of ABC, he offered me a lot of comedy series but I told him I'd already been the best comedy series around, "The Odd Couple," and so when he saw that I did Quincy he called my agent and said, Jack turns me down? All my good series and he ends up playing an undertaker." And this was the HEAD of ABC series.

Writing a book is a long and difficult process for me. I'm a slow writer, so I spend the year with Elvis Cole and Joe Pike in my head. I was thinking about this the other day. I wrote the first book in 1987. Literally every day since that time, Elvis and Joe have been in my head. They're always there. I started these guys because I like them.

When I visited North Korea in November 2014, is that Kim Jong-un is not merely the head of state of the DPRK - the Democratic People's Republic of Korea, North Korea - he's also their deity. So, when you insult him as the head of state, you're also insulting the deity, which of course the regime plays to a fare-thee-well to the domestic audience there.

I mean, the people who got us into these crises - whether we're talking about the bankers or the hedge fund managers, or we're talking about the IMF - it's become pretty clear that the price to be paid for their illegal financial shenanigans, the burden is being placed on working class people, on the poor, on the elderly, on young people. It's become clear that neoliberal policies aren't just interested in "solving" an economic crisis, these are policies designed to enrich corporations and bankers and the rich at the expense of everybody else.

I think what Mr. Trump has made clear is that he would not undertake optional wars, what I have called wars of choice, a la, say Iraq in 2003 or Libya, for the purposes of transforming another country. It's not clear whether Hillary Clinton, if she were to have the opportunity, would do such a thing again or whether she would have taken a - the lesson from both Iraq and Libya that we ought not to be undertaking those kinds of wars of choice.

My dear brother, we must not mind a little suffering for Christs sake. When I am getting through a hedge, if my head and shoulders are safely through, I can bear the pricking of my legs. Let us rejoice in the remembrance that our holy Head has surmounted all His suffering and triumphed over death. Let us follow Him patiently; we shall soon be partakers of His victory

I ask you to consider that our Lord Jesus Christ is your true head and that you are a member of his body. He belongs to you as the head belongs to the body. All that is his is yours: breath, heart, body, soul and all his faculties. All of these you must use as if they belonged to you, so that in serving him you may give him praise, love and glory.

Get inside her head. Get inside any character's head and ask what they want in this scene. And if you work from the perspective of what they want, there's not going to be any wrong answer. There's going to be some boring answers, but none of them are going to be wrong. As long as she has agency, then you're on the right track.

"Clear-cutting" was the word for what the Rusties had done to the old forests: felling every tree, killing every living thing, turning entire countries into grazing land. Whole rain forests had been consumed, reduced from millions of interlocking species to a bunch of cows eating grass, a vast web of life traded for cheap hamburgers. "Look, we're not clear-cutting. All we're doing is pulling out the garbage that the Rusties left behind,” David said. "It just takes a little surgery to do it."

Do you like people? Most people claim that they like people with, of course, a "few exceptions." When the exceptions are added together it becomes clear that they include a vast majority of the people. It becomes equally clear that most people like just a few people, their kind of people, and either do not actively care for or actively dislike most of the "other" people.

Along the (writing) way accidents happen, detours get taken... But these are not "divine" accidents; I don't believe in those. I believe you have constructive accidents en route through a novel only because you have mapped a clear way. If you have confidence that you have a clear direction to take, you always have confidence to explore other ways; if they prove to be mere digressions, you'll recognize that and make the necessary revisions. The more you know about a book, the freer you can be to fool around. The less you know, the tighter you get.

The writing is therapeutic for me, it's an introverted process, I'm really inside my head. It's a really obsessive process. The live show, though, is the opposite. It's an extroverted process. It pushes me to connect with people, and so it pulls me out of my head and just pulls me out of myself.

Hadrian shook his head and sighed. “Why do you have to make everything so difficult? They’re probably not bad people—just poor. You know, taking what they need to buy a loaf of bread to feed their family. Can you begrudge them that? Winter is coming and times are hard.” He nodded his head in the direction of the thieves. “Right?” “I ain’t got no family,” flat-nose replied. “I spend most of my coin on drink.” “You’re not helping,” Hadrian said.

Heat skittered through her belly, then directly south. “Sawyer.” In answer, he brought his head up and kissed her. Deep, hungry, tasting her in a purposely slow, thorough manner before pulling back to once again look into her eyes. Oh, God. “Sawyer, what are we doing?” she whispered. He shook his head. “No f#cking clue.

How you're still always trapped. How your head is the cave, your eyes the cave mouth. How you live inside your head and only see what you want. How you only watch the shadows and make up your own meaning.

The movie is in my head and that's the movie. But I'd be crazy to not be flexible. I think because I have the movie in my head, I can be flexible. I know what's going to work and not work and I know, generally, what I can change and bend and have the movie still work.

I was quite intimidated by Ralph Fiennes. I didn't really talk to him while I was doing Harry Potter and the Goblet of Fire and the only thing I did with him was when he stepped on my head. Then I went to this play and he was there. And this girl said, “you've worked with Ralph Fiennes haven't you, Robert?” and I was like, “well, no...” and Ralph said, “yes, I stepped on your head.” And that was the extent of our conversation.

'Tell me one last thing,' said Harry. 'Is this real? Or has this been happening inside my head?' Dumbledore beamed at him, and his voice sounded loud and strong in Harry's ears even though the bright mist was descending again, obscuring his figure. 'Of course it is happening inside your head, Harry, but why on earth should that mean it is not real?'

I might be confused sometimes in my head but it is not something you need to talk about. Before you can talk you have to line it all up in order and I had rather just let it swirl around until I am too tired to think. You just let the motion in your head wear you out. Never think about it. You just make a bigger mess that way.

You think he’s still alive?” Royce asked, nodding his head toward Alric. “Sure,” Hadrian replied without bothering to look. “He’s probably sleeping. Why do you ask?” “I was just pondering something. Do you think a person could smother in a wet potato bag?” Hadrian lifted his head and looked over at the motionless prince. “I really hadn’t thought about it until now.

My conscience is clear.

It's not the music you hear in your head that other people are going to hear. You have to be able to make it true enough to the image in your head, and that's where technique and technology come in, for sure, and knowledge. It's not true and will never be true that someone who knows nothing can sit in a basement and make great music.

My very first professional job was with a theatre company in 1965 and the first job they gave me was literally shovelling sh*t. I was an assistant stage manager and they told me to clear out the prop store. I opened it up and no-one had been in there for 25 years and it was inches deep in rat sh*t. So before I could get anywhere I had to clear it up. I thought, 'All these years of training, the best drama school in the world, and this is what I'm doing.'

The voice in your head also creates a huge amount of problems that aren't really problems. They're just things that haven't happened yet, things that could happen tomorrow or next week. Listening to unreal problems has another name: worrying. That's what the voice in your head does. It what-ifs. It frets. It agonizes, and you can no longer sense the joy of life.

Sweet head, give you sweet head.

His mane was like a crest, mounting, then falling low. His neck was long and slender, and arched to the small, savagely beautiful head. The head was that of the wildest of all wild creatures- a stallion born wild- and it was beautiful, savage, splendid. A stallion with a wonderful physical perfection that matched his savage, ruthless spirit.

It's so hard when you're young to look at older people and understand that they have been where you are. It's the weirdest thing. You just can't get your head around that, can you? You can't get your head around the fact that someone who is 60 was once 16, if you're 16. But the fact is they have been, and they remember it.

If you think of something negative and you keep it in your head, you are going to actually live that. Now, if you think of something great and positive and joyful, you're going to actually live that. You've got to be careful what you put in your head. Basically, I'll call that: "Don't ever play yourself."

Yes, I did bite the head off of a dove. Yes, I did bite the head off of a bat. It's a stupid thing to do, but I did it.

The US head of state grew up on food stamps. The British head of state grew up on the postage stamps.

I was actually the head of the violin after-school club. And then I was also the head of the dance club, the popping club. So one day, just by coincidence, we had to hold the two clubs at the same time. I had to go back and forth. And that's when the idea came up for dancing and playing violin at the same time.

If you get under water, you're at the mercy of our team coming in and getting us before we get another one on the head, and another one on the head, and another one. Or, we have to be able to handle it, and that's where our trainer and our coaches and our people who help us stay fit come into play, the other part of the team.

I have been young, but now am old. I have spent a whole life-time in battling against infidelity with the weapons of apologetic science; but I have become ever more and more convinced that the way to the heart does not lie through the head; and that the only way to the conversion of the head lies through a converted heart which already tastes the living fruits of the gospel.

It was like the first time i saw a cadaver. For weeks afterward the cadavers head, or what was left of it - floated up behind my eggs and bacon at breakfast and in the face of Buddy Willard, who was responsible for my seeing it in the first place, and pretty soon I felt as though I were carrying that cadavers head around with me on a string, like some black, noseless balloon stinking of vinegar.

Life is like a garden. Quite naturally, leaves wither and flowers fade. Only if we clear the decay of the past then and there can we really enjoy the beauty of the new leaves and flowers. Likewise, we must clear the murkiness of the past bad experiences from our minds. Life is remembrance in forgetfulness. Forgive what ought to be forgiven; forget what ought to be forgotten. Let us embrace life with renewed vigor. We should be able to face every moment of life with renewed expectation, like a freshly blossomed flower.

I think that religion stops people from thinking. I think it justifies crazies. I think flying planes into a building was a faith-based initiative. I think religion is a neurological disorder. If you look at it logically, it's something that was drilled into your head when you were a small child. It certainly was drilled into mine at that age. And you really can't be responsible when you are a kid for what adults put into your head.

Karrin smiled faintly and shook her head. "He always said you knew ghosts. You're sure it was really him?" Mort eyed her. "Me and everyone else, yeah." Karrin scowled and stared into the middle distance. Mort frowned and then his expression softened. "You didn't want it to be his ghost. Did you?" Murphy shook her head slowly, but said nothing. "You needed everyone to be wrong about it. Because if it really was his ghost," Mort said, "it means that he really is dead." Murphy's face...just crumpled. Her eyes overflowed and she bowed her head. Her body shook in silence.

He tilted his head to the side, still watching me in that same, disconcerting way. “Some things are true, drunk or sober. You should know that. You deal in facts all the time.” “Yeah, but this isn’t—” I couldn’t argue with him looking at me like that. “I have to go. Wait… you didn’t take the cross.” I held it out to him. He shook his head. “Keep it. I think I’ve got something else to help center my life.

I think I've had my taste.I got to work with Sam [L.Jackson]. I can say I did it. I had my shot. I'd love to do something with [Robert] De Niro or Dustin Hoffman or Al Pacino. Those are guys I grew up watching. That would be wonderful. Now that I've gotten a taste working with a bona fide movie star, I think I'd be more prepared to go head to head with some of the big boys.

He wanted head and hands and arms on a pillow - in many different positions. I was asked to move my hands in many different ways - also my head - and I had to turn this way and that. There were nudes that might have been of several different people - sitting - standing - even standing upon the radiator against the window - that was difficult - radiators don't intend you to stand on top of them. (On being photographed by Alfred Stieglitz)

What isn’t clear, isn’t French.

Mallory dropped her head to the steering wheel. "Look, I'm mad at you, okay? This isn't about me. I know my painful memories are relative. My life is good. I'm lucky. This isn't about how poor little Mallory has had it so hard. I'm not falling apart or anything." He stroked a hand down her back. "Of course you're not. You're just holding the steering wheel up with your head for a minute, that's all.

Too many poets write poems which are only difficult on the surface, difficult because the dramatic situation is easily misunderstood. It's not difficult to write poems that are misunderstood. A drunk, a three-year-old-they are easily misunderstood. What is difficult is being clear and mysterious at the same time. The dramatic situation needs to be as clear in a poem as it is in a piece of good journalism. The why is part of the mystery, but the who, what, where, and when should all be understood.

People who are contented and serene sleep well. They fall asleep easily, stay asleep, and wake refreshed. Conversely, people who are anxious, stressed, or depressed do not sleep well, and chronic insomnia is strongly associated with mood disorders. These are clear correlations, but what is cause and what is effect is not clear. Most experts agree that sleep and mood are closely related, that healthy sleep can enhance emotional well-being, while insufficient quantity or quality of sleep can adversely affect it.

It is quite difficult to establish a clear-cut cause-and-effect relationship, as the causes are manifold and closely connected. It is simply not correct to link the level of democracy to prosperity. It is absolutely clear that the economic wealth of Saudi Arabia exceeds the performance of the Czech Republic. But apparently democracy is quite stable in the Czech Republic, which cannot be said about Saudi Arabia. As we delve into the past, we must not forget about the existing model of society.

Many native cultures believe that the heart is the bridge between Father Sky and Mother Earth. For these traditions, the 'four-chambered heart,' the source for sustaining emotional and spiritual health, is described as being full, open, clear, and strong. These traditions feel that it is important to check the condition of the four-chambered heart daily, asking: 'Am I full-hearted, open-hearted, clear-hearted, and strong-hearted?'

There!" Mars finished writing and threw the scroll at Octavian. "A prophecy. You can add it to your books, engrave it on the floor, whatever." Octavian read the scroll. "This says, 'Go to Alaska. Find Thanatos and free him. Come back by sundown on June twenty-fourth or die'." "Yes," Mars said. "Is that not clear?" "Well, my lord...usually prophecies are unclear. They're wrapped in riddles. They rhyme, and..." Mars casually popped another grenade off his belt. "Yes?" "The prophecy is clear!" Octavian announced. "A quest!

I don't think that either self-deprecation or self-aggrandizement is among the defining qualities of an artist... Beethoven could have been forgiven if his symphonies had gone to his head. Gretchaninoff could also be forgiven if his Dobrinya Nikititch went to his head. But neither one could be forgiven for writing a piece that was amoral, servile, the work of a flunky.

A novel, for me, relies on my imagination to inspire your (the reader's) imagination. It is not all there for you. My novels or my stories come to me visually. I use words to translate the novel I see inside my head into words that I hope will create a movie inside your head.

Right or wrong, when a team is doing well, the head coach and the quarterback get all the praise and when a team's not doing well, the head coach and the quarterback get all the blame. I've learned to drown that out.

Imagine this guy hits Mike Hammer over the head with a wooden coathanger and knocks him out. You hit Mike Hammer over the head with a wooden coathanger, he'll beat the crap out of you.

In Formula 1, the neck is really important. There's a lot of force that's going to your head. We also have a helmet and it's not that light. When it's all about g-force, all of that extra weight in the helmet compounds and puts more and more pressure. To be able to maintain your head in a straight position - especially around the corners and while braking - you need to have strong neck. To train that, it's difficult.

When The Who first started, we were playing blues, and I dug the blues and I knew what I was supposed to be playing, but I couldn't play it. I couldn't get it out. I knew what I had to play; it was in my head. I could hear the notes in my head, but I couldn't get them out on the guitar.

I turn and I look back across the lake. The mist is gone and the ice diminished, the drip of the icicles quick and heavy. The sun is up and the sky is blue empty blue light blue clear blue. I would drink the sky if I could drink it, drink it and celebrate it and let it fill me and become me. I am getting better. Empty and clear and light and blue. I am getting better.

“God,” she cried, “what is love? Man seeking his own head? The human head, so rented by misery that even the teeth weigh! She couldn't tell me the truth because she had never planned it; her life was a continual accident, and how can you be prepared for that? Everything we can't bear in this world, some day we find in one person, and love it all at once.”

Every time I finish a song... most of the time it's in my own head, like this sounds too much like a Townes Van Zandt song, or whoever. I realize there are so many melodies and chord progressions in pop and rock music that are so similar that you can kind of trace it back to other things. Most of the time it's just in your head.

The world is a spinning die, and everything turns and changes: man is turned into angel, and angel into man, and the head into the foot, and the foot into the head. Thus all things turn and spin and change, this into that, and that into this, the topmost to the undermost, and the undermost to the topmost. For at the root all is one, and salvation inheres in the change and return of things.

No matter what's in your head, you go up into any hospital, up to a terminal ward and it'll smack you right back into reality that, "Hey man, whatever you're dealing with, if it's heavy on your heart and head, you're gonna have to let that go, because there, some people are dealing with unavoidable situations that they can't let go." And then they eventually let those go, so, I mean, that's helpful.

The purpose of language is to communicate. That's the most basic definition of language. I have my own subjective experience going on in my head, and you have your own subjective experience going on in your head. The only way we can bridge that unbridgeable gap is through language.