Top 171 Clint Eastwood Quotes & Sayings - Page 3

If there is a less likely sight on this earth than Clint Dempsey, the Texas trailer-park kid, doing downward-facing dog poses, or the stalwart Michael Bradley deep breathing through a tree pose, I have yet to see it.

The wonderful thing about Clint is you can never second guess how he is going to react to anything.

The one thing about doing all those movies and all that television is I know what I'm doing. And I can do what Sean Connery can do. I can do what Clint can do. People even say I look a little like Clint. But that's just because I'm skinny and tall and old. With a receding hairline.

From the start of our relationship Clint told me that he wanted us always to be together and that he would take care of me forever. Clint repeatedly assured me that, regardless of whether we were married, everything he had was ours together.

I never knew my father, which explains the Clint thing. He called himself Daddy... I loved it then, because it filled a great void.

Where do you come up with these zingers, Clint? Do you own some kind of joke factory in Indonesia where you've got eight-year-olds working ninety hours a week to deliver you that kind of top-quality witticism? There are boy bands with more original material.

Alfred Hitchcock once told me, when I was analyzing a lot of things about his pictures, 'Clint, you must remember, it's only a movie.'

Two of my most important signings were made at the beginning of 2004. I took 20-year-old Clint Dempsey with the eighth pick of the MLS SuperDraft and added 51-year-old ex-Arsenal striker Paul Mariner as my assistant on a free transfer from Harvard University, where he'd been coaching.

Houston is my team, always and forever. But with the new TV packages, it's so easy to watch every league in the world, and my overseas fandom is driven by the American guys. If Sunderland's on TV, I'll watch Jozy Altidore. I try to watch Geoff Cameron at Stoke. When Clint Dempsey was at Tottenham, I watched a lot of his games.

Scott Eastwood always came in and did a good job. And he's now graduated to better roles, and the chicks are all calling and asking where Scott is. They used to ask where I was. Now they're going, "What about Scott?"

There's so many great Western films. Let's see, 'Red River,' any of those Henry Fonda movies are fantastic. Any of those John Ford movies are fantastic. I love all the Eastwood 'Man With No Name' movies, John Wayne, 'True Grit.'

When I was little, I met Ronald Reagan. I think I said something to him. He was talking about somebody - he said somebody was like the Clint Eastwood of something, and I said, "I thought he was the Arnold Schwarzenegger," or "more like Arnold Schwarzenegger." He just looked at me like I was crazy. He didn't know what I was talking about.

I started Eastwood Ranch Foundation a few years ago after I developed, co-starred, and produced a show for Nat Geo Wild called Animal Intervention. I always loved animals but when I got to travel the U.S. and see what was really going on in our country, I decided to take action and be a real advocate for them.

Like Jon Voight, Pat Boone, Kelsey Grammer, and Gary Sinise, Clint Howard is one of the few courageous enough to identify himself publicly as a conservative.

I was 17, and a friend said, 'Man, you've got to listen to this song,' and he played 'Man to Man.' From there on, I was hooked on country. Garth Brooks, Alan Jackson, Clint Black. Every show that came through America West Arena, I was there.

In 'Gran Torino,' Eastwood moves towards the climax of the movie not by staging a shoot-out, but by putting his weapons to one side and confronting the bad guys armed only with a cigarette lighter, guessing that as he reaches for it they will think he's drawing a pistol.

Scott's Eastwood movie Snowden sounds fascinating. I want to see it because it's about deserting your country ... for whatever reasons you have. Edward Snowden became famous for the wrong reasons, as Captain Chesley "Sully" Sullenberger became famous for doing something spectacular.

One of my earliest memories is being inside the recording studio and I see the shadow of a figure that looks an awful lot like Walt Disney. Then the door opened and Mr. Disney walked in and said, 'Hi Clint.' I won't ever forget that.

My real mom had two kids, my half-sister Tara and my half-brother Clint. When I was growing up Clint was a big wrestling fan and he instilled that into me. I was immediately encapsulated with everything pro wrestling.

In recent years, anyone in the government, certainly anyone in the FBI or the CIA, or recently, in again, Clint's film, In the Line of Fire, the main bad guy is the chief advisor to the president.

If you approach a film with the feeling that you are going to have some impact on society then you're liable to get carried away with yourself. Alfred Hitchcock once told me, when I was analyzing a lot of things about his pictures, "Clint, you must remember, it's only a movie.

I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.

We've got a great team of editors, that's true. And we work hard so that when we do the couple of takes that they're good takes hopefully. Not always, that's for sure; there are lots of bad ones, but we try to work hard. Clint Eastwood doesn't more than one or two takes in his films. And he makes some good films.

Whenever I'd go anywhere with my dad - in his 1980 burgundy Dodge Ram - he'd always listen to mix tapes of country-music stars like Garth Brooks, Clint Black and Willie Nelson. Those were the first songs I ever learned the words to.

What Clint Eastwood meant was when you are directing and starring in a film, there's a temptation to spend more time on the other actors' performances, and then when you get to your own work, you kind of go, "Oh, yeah, well, let's cut that." And he said, "Take your time and make sure you do your work right." It's especially good advice if you're going from one career to another.

In the movies, every crazy old fart needs a cool old car. Jack Nicholson drove a spiffy yellow 1970 Dodge Challenger two-door in 'The Bucket List.' In 'Gran Torino,' the cranky pensioner played by Clint Eastwood not only owned a 1972 GT Sport, he also used to build cars like that at the Ford plant.

Clint, my hero, is coming across as sad and pathetic. He didn't need to do this to himself. It's unworthy of him.

I identify with the Clint Eastwoods and Harrison Fords. Those are my heroes.

Oh, God, Shannon. You're blowing my mind." Clint's morning voice was rich with passion. I wanted to correct him and explain that it wasn't his mind I was blowing, but my mother had taught me it was impolite to speak when one's mouth was full.

I have an admiration for Mr. Eastwood that borders on the kind that I have for the Grand Canyon. Like it, he is craggy, worn, awesomely impressive and unique, a living four-star tourist attraction that, in the formulaic words of the Guide Michelin, 'vaut le voyage.'

I had one well known director who kept saying, "Now Clint, this is what ...." And I'd say, "I know. I read the script. I'm the one who cast you as the director. Let me show you and you'll correct me if I'm wrong."

A changeling is one child substituted for another. I couldn't find anything more apt. We had to kind of fight that supernatural element in the publicity, and I offered to try and find another title, but Clint liked it, and it stayed.

What's disgusting about the Dirty Harry movies is that Eastwood plays this angry tension as righteous indignation.

Rob [Reiner] is a teddy bear. He's hell delicious. He's a really good director. He's a great soul. In the movie business, I would call him a movie mom. The only person I hold in equal esteem is Clint Eastwood. Now I have worked with a lot of terrific directors, and I don't mean to be putting any of them below their own station, but these two, I relish working with them.

I think that'll always be there for [Clint] Barton, right? You have real life, and then you have fight life. And that's the character that I love now - discovering that in him makes him a very sort of accessible Avenger. That'll always be there, I'm sure. And it certainly plays in this one.

I love women who are bosses and who don't constantly worry about what their employees think of them. I love women who don't ask, "Is that OK?" after everything they say. I love when women are courageous in the face of unthinkable circumstances, like my mother when she was diagnosed with stage IV pancreatic cancer. Or like Gabrielle Giffords writing editorials for the New York Times about the cowardice of Congress regarding gun laws and using phrases like "mark my words" like she is Clint Eastwood. How many women say stuff like that?

Tupac Shakur is something that, of course I want to make the Tupac movie, I love Tupac, but when that movie was announced, we didn't even have a script yet. It was just being written. People announce things too soon. If you go to any filmmaker - Clint Eastwood, Oliver Stone, Martin Scorsese, Ben Affleck, Michael Mann - you go in their offices and there are scripts everywhere and there's about four or five of them you really want to make.

My biggest misfortune, my greatest regret, is that I wish I'd cut my time with Clint in half. I wouldn't say I wish I never had the relationship, but I wish I'd found a way - I'd understood who he was, where it would end - five or six years earlier so I could have gotten on with things.

Everyone else can do violence. You know, Clint Eastwood, Sylvester Stallone, they can all do shoot-'em-ups. Arnold Schwarzenegger can kill 10 people in one minute, and they don't call it "white exploitation." They win awards and get into all the magazines. But if black people do it, suddenly it's different than if a white person does it. People respond differently because people come from different places.

I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.

It was never my fame - it was his fame. I was Clint's girl. I only stood to lose professionally.

I know what you're thinking," Grandma said into the silence. "Do I have anymore bullets in this here gun? Well, with all the confusion, what with being locked up in a refrigerator, I plumb forgot what was in here to start with. But being that this is a 45 magnum, the most powerful handgun in existence, and it could blow your head clean off, you just got to ask yourself one question. Do you feel lucky today? Well, do you, punk?" Christ," Spiro whispered. "She thinks she's f**king Clint Eastwood.

My starring in films with Clint didn't make me toast of the town. I became his appendage. Everything I did was in his shadow.

What I would say about Barney Eastwood is that when our relationship worked, it worked extremely well. He had a lot of strengths as a promoter and a manager.

Just that working with Clint again is like coming home.

Clint Dempsey scored a last-minute winner to earn Tottenham a 1-1 draw against United.

I wanted people to know just who I am and what I'm all about and what actually happened. And to remind people that I had a life before Clint, and I intend to have one after.

You know, there are a lot of directors, like Clint Eastwood (on Changeling) is one where he casts you and you know in many ways that's enough for him and so, you go, ok, well, he saw something. Ok, what is it that he saw? What is it that I brought to this and why am I right for this and not trying to double-guess it and get in your own way and get psyched out, 'cause he trusts so much.

Ron Pernick and Clint Wilder have created a compelling vision for a Clean Tech Nation and a roadmap for creating it, even as they surprise and delight readers with a rich account of progress already achieved. I salute their unique combination of technical savvy, practical sense, and imperishable enthusiasm.

I lean on a lot of drivers. I have a dirt racing background so I gravitate towards asking for advice from drivers who also dirt race, people like Clint Bowyer since dirt racers seem to have a similar driving style and like the car set up similarly.

In 'Letters from Iwo Jima,' there were times when I told Eastwood, 'This is just not believable.'