Top 1200 Close-Up Quotes & Sayings

The Church's challenge is staying close to the people, close to the people of the United States, not being a detached Church from the people but close to them, close, close, and this is something that the Church in the United States has understood and understood well.

I’ve said about a million times that the best thing a young photographer can do is to stay close to home. Start with your friends and family, the people who will put up with you. Discover what it means to be close to your work, to be intimate with a subject. Measure the difference between that and working with someone you don't know as much about. Of course there are many good photographs that have nothing to do with staying close to home, and I guess what I'm really saying is that you should take pictures of something that has meaning for you

I don't mind close-ups, I like them, but they're kind of forceful - you see a lot, you get a lot of information in a close-up. There's less mystery.

I never feel more alive than when I'm on stage. On film you feel chopped up, you can be acting from the neck up, or the hand, there is a lot of close up.

I was very close with my mother growing up. I have four older sisters who were an important part of my life. And I've been very close to all the women I've dated. I feel most comfortable around women.

I grew up with a sister I was very close with and a mom who was a powerful influence on my life. I was always close with women.

In my business, if I get too close to you and you die, it hurts me. And so you develop a natural inclination not to be close to the patient, so that if things don't work out ideally, you can still get up the next day and care for the next patient.

I'm not a big fan of shooting something that looks like it could belong in any movie. I'm not a fan of, okay, 'wide shot, wide shot, medium shot, close-up, close-up - we'll figure it out in post.' I hate that.

Some astronauts sleep in sort of beds - compartments that you can open up and crawl into and then close up, almost like a little bedroom.

I didn't grow up with a lot of babies in my life because I only grew up with my parents - I didn't have any brothers or sisters - and I didn't have my family close by.

I grew up in this industry. I've seen fame up close.

Let's pretend for just one moment that could actually happen. You close your eyes and I'll close mine and let's dream the same dream across the Atlantic, lighting up the darkness between us. Can you see it, Stu? Can you see us up there, shining in all the black?

A close friend of mine's daughter was diagnosed with Epilepsy and battled seizures her first 2 years so this cause hits close to home. She ended up having brain surgery and has been seizure-free since. It really is an incredible story. Anything I can do to help promote Epilepsy awareness, I am with it.

I heard more of the stories from my mother and my granny and my aunts that would describe what they had known that he didn't often talk about. I remember seeing [grandfather] as a child. He was working in a mine that was fairly close to their home there in Betsy Lane, Ky., and it was so close in proximity that he wouldn't clean up or shower there. He would just drive back home. And I remember one time seeing him come in and it was like seeing an alien person show up because he was still covered in coal dust and soot, and it had a profound impact on me.

If you push in every time there's a big moment, then the tenth time you push in, you're not going to get the same effect. Or if you have too many close ups, then when you have a big moment and you want a close-up in order to make a point, it doesn't mean anything because you've already been doing close-ups. It's like writing in all capitals. Then after a while that doesn't mean anything. So, just because you can do something with a camera doesn't mean you should.

I held my father's hand while he died of cancer, and it's really painful when you do something like that up close and personal. My mother was already gone, and I was very, very close to my father.

At the end of the day, when it comes down to it, all we really want is to be close to somebody. So this thing where we all keep our distance and pretend not to care about each other, it's usually a load of bull. So we pick and choose who we want to remain close to, and once we've chosen those people, we tend to stick close by. No matter how much we hurt them. The people that are still with you at the end of the day, those are the ones worth keeping. And sure, sometimes close can be too close. But sometimes, that invasion of personal space, it can be exactly what you need.

Children need close friends to help them grow up, to discover things about themselves and about life. They also need close friends to keep them sane

Ford put a hand to his head. “Back up. Back up!” he cried. “You’re too close.” Heart pounding, I looked at the eight feet between us and pressed into the fridge. “I think he meant for the ghost to back up,” Jenks said dryly.

The great part of appearing on game shows is that when you answer a question the camera takes a close-up of you every time. You get more close-ups than in a movie, and that's terrific for audience identification. The people have to see you to like you.

The most sublime truth of all has never been stated or written or sung. Not because it is far away and can not be reached, but because it is so intimately close, closer than anything that can be spoken. It is alive as the stillness in the core of your being, too close to be described, too close to be objectified, too close to be known in the usual way of knowledge. The truth of who you are is yours already. It is already present.

My close-up was magnificent!

The close-up says everything, it's then that an actor's learned, rehearsed behavior becomes most obvious to an audience and chips away, unconsciously, at its experience of reality. In a close-up, the audience is only inches away, and your face becomes the stage.

I think it's really important to use your hands and get close to materials. To be up close to real things like rain and mud; to have contact with nature.

Most of the telly I do only has one camera and the reason you have to cook it twice is you have a close-up, so you see what is happening really close up and then you have a wide shot, which is like standing back so you see the whole fish and the kitchen and, like it or not, you have to do it twice.

If you liked repairing Funtime Freddy up-close in 'Sister Location,' just wait until you try to do something like that in VR, up close, personal, with these huge animatronics that are just one mistake away from jumping at you.

You have to sit with the songs until they start to live. Or do things straight-up spontaneously. I set up a beat just like I do in the live show, add the lyrics that I wrote in thirty minutes - I already had a topic in mind because I had this crazy experience with this girl who was trying to get close to me and it freaked me out because she was really close to another friend of mine, and I thought, "This is a story, I'm gonna make this into a song."

I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.

The most annoying person on the BBC is Russell Brand, I've actually been close up to that boy. He smells like when you mix garlic with coffee and alcohol. I'm just saying when you get close to him, he could do with a bit of Sure For Men, he stinks.

I grew up born and raised in Las Vegas and actually grew up skiing. You know, we've got some ski resorts close to Las Vegas, up in Mount Charleston or Brian Head, so I grew up skiing and snowboarding.

It's the most unrealistic thing you can do to shoot a close-up, and it's the most unrealistic place you can be as a performer. And yet actors grouse about having to do visual effect shots, but they love doing close-ups.

Fancy thinking the Beast was something you could hunt and kill! You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are what they are?

TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.

When I was in high school, my thing was to get as close as humanly possible to a girl and just make her have to kiss me! You do the hug that's too close, where your mouth is close to hers and you kinda feel it out a little bit.

There are different gradations of personhood in different poems. Some of them seem far away from me and some up close, and the up-close ones generally don't say what I want them to say. And that's true of the persona in the poem who's lamenting this as a fact of a certain stage of life. But it's also true of me as me.

I didn't start out thinking that I could ever make films. I started out being a film lover, loving films, and wanting to have a job that put me close to them and close to filmmakers and close to film sets.

I grew up on movie sets, getting to see storytelling happen up close.

If you zoom close-if you get really close to someone, if you really get close to yourself-then you lose the other person, you lose yourself entirely. You get so close you can't see anything anymore.

You're afraid to be close to women. Because it's not masculine to be close to women. The last time you were close to a woman, you were a child.

I never got close to the creative in AWA; not only was I not close to it, I wasn't allowed to be in a room close to it when they were talking about creative. That is how tightly held Verne Gagne believed in kayfabing people who he didn't believe needed to be in the process.

Close, close all night the lovers keep. They turn together in their sleep, Close as two pages in a book that read each other in the dark. Each knows all the other knows, learned by heart from head to toes.

I can be a woodsman if need be. I grew up very close to some forest, and I spent a lot of my formative years up and down trees, fooling around in the woods. I'm no stranger to that sort of landscape.

I'm not interested in playing the field and all that stuff because frankly I'm not into frivolous relationships. I've got a couple close relationships with friends, a close relationship with my family, and a close relationship with my guitar. I'll know if the right person comes along, and whatever then - cool - but it's not something I'm seeking out at the moment.

Theater's wonderful because it's visceral, and it's happening in front of you, but you never get that close. So the close-up is a great privilege of film.

If film making is magic, there's a difference between close up magic and David Copperfield. If you're doing close up magic, which independent filmmakers do, it is a very delicate craft, interpersonal relationship, and being able to enrapture a very small audience.

Aren't you something," Grandma said. "I never saw a midget up close." "Little person," Briggs said. "And I never saw anyone as old as you up close, either.

I feel my advantage of coming from a film family is - having seen fame up close, having seen the industry so close and how it works, I was not enamored by fame.

so I love you because I know no other way than this: where I does not exist, nor you, so close that your hand on my chest is my hand, so close that your eyes close as I fall asleep.

A teacher had two types of students. One type of student is a close student. The other is also a close student, but not in the sense of physical proximity. The close students rotate a lot.

Once I close the doors, it's closed. I don't open it back up. That's kind of me as a human being. That's just one of the things about me... But yeah, for me, I don't close anything until I'm officially done.

I'm very interested in clans and the way people group together, and there's a lot of group shots. There's a lot of people in positions that people feel like they're in attack mode, kind of pointed at each other in the frame. I'm not a big fan of shooting something that looks like it could belong in any movie, I'm not a fan of okay, "wide shot, wide shot, medium shot, close-up, close-up, we'll figure it out in post." I hate that.

Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much you approach the songs in pretty much the same way. The difference might be that in a film you have a close up. On stage you don't. So there are more songs on the stage because the songs are kind of the close up.

I think I see the difference now, between loving someone from afar and loving someone up close. When you see them up close, you see the real them, but they also get to see the real you.

Kosovo is too close to Europe. It is not only close to Albania, it is close to Greece, Italy, Germany and Switzerland, where there are still many Kosovo refugees. Spontaneous reactions could multiply.

I say that in narrative paintings one should mingle direct contraries close by, because they produce strong contrasts with one another, and all the more so when they are very close together; that is, the ugly next to the beautiful, the big to the small, the old to the young, the strong to the weak; in this way you will vary as much as possible and close by.

When I used to do musical theatre, my dad refused to come backstage. He never wanted to see the props up close or the sets up close. He didn't want to see the magic.

I grew up with my mum, so I'm very, very close to her. But I'm close to my dad as well, and we talk about racing a lot, as we share that passion. I guess that's quite normal.

I was brought up as an only child, and we were very close. But when I was 14, we got evicted. We came home to a padlock, and I looked up at my mom and she was crying, and there was nothing to do.

For me, as a feminist, as somebody who wants to lift up women - because I do; I come from a single mom who raised three boys on her own - I feel like, you close the door on women, you close the door on humanity.

In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else.