Top 1200 Clothing Line Quotes & Sayings - Page 3

I remember being a kid, and if you had to pee, well, you had to hold it until the commercial break. Then you rushed, and hopefully, if you're going to the kitchen for a snack, you'll be back before so you don't miss a line. If your sister sneezed or was talking over a line, there was no way of knowing what that line was or what the joke was.

I am not a wolf in sheep's clothing, I'm a wolf in wolf's clothing.

To be honest, the piece of clothing from a man's wardrobe I wear most often, to bed and around the house, is my boyfriend's underwear. I think it's infinitely unfair that women are compelled to wear underwear with a comfort factor of zero whilst men stroll around in essentially the most comfortable item of clothing ever made.

If you write a good line, you write a good line, and the best line wins in television. It doesn't matter if you're the guy who gets the coffee or if you're the showrunner - best line wins. That's the beauty of television collaboration.

I've got a line called Head's Up that's street wear slash rock wear, rock and roll. Kind of a little blend of a line within a line that's very high fashion.

Wear modest, clean clothing. Your clothing doesn't need to be new and [it] should have some fashion of course, but [it] should be clean, modest, and neat. Be dignified in your outward manner and in your inward morality.

My kind of loyalty was loyalty to one's country, not to its institutions or its officeholders. The country is the real thing, the substantial thing, the eternal thing; it is the thing to watch over, and care for, and be loyal to; institutions are extraneous, they are its mere clothing, and clothing can wear out, become ragged, cease to be comfortable, cease to protect the body from winter, disease, and death.

I start out with words, with the idea, the line. Then after I get a line or two, I try to find what melodic line those lines would be suited to. As soon as I find the form I can finish the song in my head.

The picket line is the best place to train organizers. One day on the picket line is where a man makes his commitment. The longer on the picket line, the stronger the commitment. A lot of workers think they make their commitment by walking off the job when nobody sees them. But you get a guy to walk off the field when his boss is watching and, in front of the other guys, throw down his tools and march right to the picket line, that is the guy who makes our strike. The picket line is a beautiful thing because it makes a man more human.

The two black lines on the armband means that they're the deceased's family. One line means they are either friends or acquaintances. One line of the arm, one line on the heart. The bastards who stood by my side with two lines, they'll be the hardest farewells I'll have to make in my life, and they're the luckiest fortune I've met in my lifetime.

A moment comes in war when the last line must be crossed. The line that separates what you hold dear from what total war demands. If he couldn't cross that line, the battle was over, and he was lost. His heart, the war. Her face, the battlefield. With a cry only he could hear, the hunter turned. And ran.

We like to be punks. We like to still be kind of edgy and if being edgy means you might teeter on that line of being inappropriate, I'm still willing to teeter on that line, even at my age. But some of them go over that line and you've gotta draw that line somewhere.

If you look at a shape like a straight line, what's remarkable is that if you look at a straight line from close by, from far away, it is the same; it is a straight line.

There is a fine line between sensuousness and vulgarity. I will not cross that line.

Somebody once told me, ‘Manage the top line, and the bottom line will follow.’ What's the top line? It's things like, why are we doing this in the first place? What's our strategy? What are customers saying? How responsive are we? Do we have the best products and the best people? Those are the kind of questions you have to focus on.

I just hope that I continue to keep a line between my private life and who I play, even if they are closely intertwined, and so I'm careful. I don't even know where my line is, but I know I have a line.

I've always gone with Kafka's model of establishing the world from the first line, as in Kafka's famous line from Metamorphosis, "Gregor Samsa woke up from uneasy dreams to find himself transformed into a gigantic insect" (or beetle or cockroach, depending on the translation). I have to have that first line before I can go further.

When a woman tries on clothing from her closet that feels tight, she will assume she has gained weight. When a man tries something from his closet that feels tight, he will assume the clothing has shrunk.

There is a line between sexualityand promiscuity, and the line is closer to celibacy than not.

I still have no way to survive but to keep writing one line, one more line, one more line.

Nagging questions remain: Where is the line between making the most of one's potential and reaching for the unattainable? Where is the line between education as a tool and education as a kind of magic? The line is blurred and that is why when education fails, disillusionment is so bitter.

I realize something. That wasn't a finish line for me...This is my new starting line.

I am the largest market shareholder of clothing in the UK and I am not a destination shop for food. If the clothing market is affected - and it has been - and I hold my market share mathematically, then fine, I am doing no worse than the market is doing, which is exactly the case, but I'm losing revenue.

I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue.

I am the largest market shareholder of clothing in the U.K. and I am not a destination shop for food. If the clothing market is affected - and it has been - and I hold my market share mathematically, then fine, I am doing no worse than the market is doing, which is exactly the case, but I'm losing revenue.

Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.

When white people wear baggy clothing and speak gibberish they're homeless, when black people wear baggy clothing and speak gibberish they're called rappers.

There are many crooked lines and one straight line. Which is the line of truth? Why the straight line? Truth is always the shortest distance between two points.

When you get above the line, you're above the line. So my thing is I just want to make music where I am always above that line.

There are a lot of things you do in a supernatural universe that can toe the line and cross the line.

Pope Francis seems to be a much nicer man than Pope Benedict, but I'm not sure that his views on things that really matter are all that different. Whereas Benedict was perhaps a wolf in wolf's clothing, Francis is perhaps a wolf in sheep's clothing.

Well, I think baseball should be fun, but there's always a line. There's a fine line with everything. Where's the line between making it fun and making it disrespectful.

Many spiritual people are involved in a radical denial of what is happening. They want to transcend it, get rid of it, get out of it, get away from it. There's nothing wrong with that feeling, but the approach doesn't work because it's escapism in spiritual clothing. It's wearing spiritual clothing and spiritual concepts, but it is really no different than a drunk in the gutter who doesn't want to feel the pain anymore. When you abide and accept everything completely and fully, you automatically go beyond.

There's a way in which you can look at clothing as your outer skin. And because you were discriminated against because of your complexion, the way in which you could overcome that was through the way in which you presented yourself with your clothing.

I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.

A line has to have a certain number of syllables, and the next line has to be its mirror image.

What is line? It is life. A line must live at each point along its course in such a way that the artist's presence makes itself felt above that of the model... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul's style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.

We lie. That's what we do. You're selling me a line of bullshit and you want me to sell you a line of bullshit back so you can write a major line of bullshit and be paid for it.

In books, you can just wallow in dialogue, and you can just wallow in written words. In screenplays, every line has to serve the purpose of the line that's implied before it and the line that's implied after it. Maybe five lines have to do the work of fifty lines.

... if you're poor and ignorant, with a child, you're a slave. Meaning that you're never going to get out of it. These women are in bondage to a kind of slavery that the 13th Amendment just didn't deal with. The old master provided food, clothing and health care to the slaves because he wanted them to get up and go to work in the morning. And so on welfare: you get food, clothing and shelter--you get survival, but you can't really do anything else. You can't control your life.

I imagine a line, a white line, painted on the sand and on the ocean, from me to you.

People didn't know the difference between a blue line and a clothes line.

A line drawn with love can make us as vulnerable as what the line depicts.

In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful, white women with their arms stretched out to me over that line, but I can't seem to get there no how. I can't seem to get over that line.

The essence of a person is not the clothing she wears or the things he does. People who love them do not stop loving them when they change clothing or do other things. Your essence is not even your history, culture, race, or what you think and do. It is your soul.

The Upton Sinclair of today's global economy is Charles Kernaghan, the New York based muckraker most famous for his expose of sweatshops producing the Kathie Lee Gifford line of clothing for Wal-Mart.... The Institute for Global Labour and Human Rights... has been a leader in exposing sweatshops, mounting corporate campaigns, and fighting for the rights of vulnerable workers.

We read off the many signals that our companions' clothes transmit to us in every social encounter. In this way, clothing is as much a part of human body language as gestures, facial expressions and postures.Even those people who insist that they despise attention to clothing, and dress as casually as possible, are making quite specific comments on their social roles and their attitudes towards the culture in which they live.

For me there's always a line or two in a script, when you hit it you almost decide to do the whole movie off a line or two. You almost do it for the fun of getting to say a line or two like that. I don't have any specific plans, you know. I mean, if Seth Rogen calls with a great buddy pic, I'll be there.

Courage is soldiers fighting on the front line, or people living on the bread line.

Men's clothing hasn't changed in 200 years, maybe a lapel gets a little wider or a tie gets narrower from time to time. But it's usually always the same. There is stupidity in men's fashion. But women know who they are. They can change. Clothing is seductive for women. They get different personas by buying new clothes. But men don't.

There's always a fine line that divides hostility from neutrality, and I don't want to pass that line.

I think of shock as kind of an uptown form of surprise. Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me.

I'm so blessed to be breaking through right now because, how do you break through now? It took a clothing line to make people recognize me, you know what I mean? So the next kid that doesn't have that opportunity what is he suppose to do? It's really hard to break through right now. You just have to keep dreaming and keep pushing and take those right opportunities. I can't express that enough. It's crazy.

I think that one-liners are very important and sometimes you don't even know when you're making the movie that it's going to be a great line. I remember when we did 'The Terminator' and I came to the line "I'll be back" I had no idea that it was going to be an important line.

I like the continuity of singing my lines together instead of going line by line.

Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.

The image people have of comedians staring defiantly over a stationary line of good taste is simply inaccurate. We don't approach this line, put our toes over it arrogantly and then scamper back to safety. The line doesn't exist.

I played on a line with Theo Fleury and German Titov, and I was actually center on their line.

I thought Clint Eastwood was cool in all the western movies, but I'm not gonna drive somewhere he's at and stand in line to see him. I told Missy, my wife, 'The only person I'd stand in line for is God Almighty. You made the universe? All right, I'll get in line!'

I think what gets a poem going is an initiating line. Sometimes a first line will occur, and it goes nowhere; but other times - and this, I think, is a sense you develop - I can tell that the line wants to continue. If it does, I can feel a sense of momentum - the poem finds a reason for continuing.