Top 1200 Clubs Quotes & Sayings - Page 20

Even if you have a big tune, live crowds can get sick of it. It's not just about the song but also the staying power and if people have connected with it in a certain way. I know that the tracks I put more emotion and depth into are the ones that have the staying power in clubs.

That depends. You’ve got to define ‘party girl.’ If you mean I’m a walking good time, then hells yeah. But I’m not wasted and stumbling out of clubs and getting DUIs. I’m not that kind of party girl. I may be blonde and fun as balls, but I’m not a moron.

My dad hates umbrellas, said Deeba, swinging her own. When it rains he always says the same thing. 'I do not believe the presence of moisture in the air is sufficient reason to overturn society's usual sensible taboo against wielding spiked clubs at eye level.

My father did not bother that I play not a classical music. He always congratulated me for my development in music, I mean in any music but, he hang on to continue training at the Academy of Music... however, I never mentioned to my teachers that I trained myself at weekends in clubs.

There was a time when I was - after my very first record from Nashville, I thought I might not be one of those who actually really makes it, and I may end up back in Canada, just playing clubs. And that might - this might have just been it.

I think one of the ways that these young singers got started is that they would end up in clubs. And a lot of them were mafia owned. And so there was almost an unspoken kind of mafia sponsorship, which is just a very interesting part of that area's music history.

An Oklahoma girl like me wouldn't even know how to be a diva. I'm just a person who has a cool job. I love to be at home. I rarely go to clubs... and I always wear underwear! I just know I'd fall down, and that's not for everyone to see.

It was too short: I've said many times that I would have done things differently had I known I'd only have 10 months because United are one of the few clubs in football who could have given a manager more time, like Bill Kenwright did with me at Everton.

Being like 14 and 15 years old, listening to trance music in my home, I just had this fantasy of going to these big clubs and going to these massives, and just hearing this gorgeous, delicate music.

My role as Manchester City manager was different to being manager of clubs in other countries. You share responsibility more in other European countries. You have the last word, though, in who to buy and who plays and things like that.

In my day, they were not interested in making boys happy. Those schools were made for the types of men who would become quite successful. It was brutal. They are not brutal today. They are country clubs today.

I did a few DJ gigs at empty clubs, sort of as a warm-up set before Flume was a thing. I did one when I got big enough, and I had five friends come down, and they were the only ones dancing. That was one of my earliest ones. I was super nervous.

I'm kind of a dork. I don't have much game. I'm not particularly comfortable in bars or clubs. I much prefer being home playing Scrabble, having dinner with a couple friends, going to see a movie, or losing a whole weekend to Season 14 of Law and Order or The Simpsons.

All my future plans are related to Real Madrid, and there are no other clubs on my mind. I'm so happy here along with my family. Few players have ended their career here, Zidane being one of the exceptions. I'd like to be one of those players, too, but time will tell what the future holds.

You've got two huge clubs in Manchester that have got 'celebrity' managers, huge resources, massive turnovers. They can generate resources the rest of us can only imagine, and that's before the TV money even kicks in.

I still love touring rock clubs around the world, and that's something that's really a part of me. I love making albums, and I'm a wedding singer on the side; that's my parallel career. So I love all those aspects of making music.

If I look back down the years, how I was treated as a kid, if it wasn't for the teachers at my school, then I wouldn't have achieved what I have. You have to look where you came from, and we do need to get more parents involved, more running clubs and more schools. They can make a difference.

In the clubs, the entertainment and the restaurant business are at war with each other. You get crowds that are not the greatest, and it becomes like a babysitting job, rather than doing what you want to do. I have a more deliberate pacing in my act, and having a half interested audience is death. They have to hear what I'm saying for it to pay off.

Zizou has been a leader wherever he has played. He was the captain of France, a World Cup winner and been a winner in all the clubs he played for. So he has enough experience to handle and manage a group. More importantly, he is a man who everyone respects.

I am not going to lie: I know that there are clubs that want to sign me and can match Real Madrid's demands. But that's up to my representatives and the club. I will stay if the club wants me to stay.

I used to go salmon fishing with the late Jim Slater, the renowned investor, and he would give me tips. He told me to buy shares in football clubs, so I invested in Manchester United before its shares went through the roof.

There's a lot of open mics, a lot of comedy clubs. Whatever money I could make was OK with me. As long as I could pay the rent, eat food, and tell jokes, doing it was good enough for me.

When I hit my 20s, I struggled to make it. I got married at 19, and my daughter, Je'Niece, was born a year later. I worked blue collar jobs during the day and comedy clubs at night, and I was earning about $25 a year doing stand-up.

Many of the lower middle class are members of labor unions, churches, bowling clubs, fraternal, service, and nationality organizations. They are organizations and people that must be worked with as one would work with any other part of our populations - with respect, understanding, and sympathy.

I was going out dancing in clubs around New York, and that helped create 'Supermassive Black Hole.' Franz Ferdinand would have done it very well with that dance-type beat going on mixed with alternative guitar, and I've always wanted to find that.

When I first started going out to lesbian clubs, I felt a very binary recreation of hetero culture. There are butches and femmes, and I felt like I was neither of those things. I'm in a turtleneck and jeans and just learning to be comfortable in that space. I realized I don't have to be a certain way.

I think you've seen the likes of Liverpool, Chelsea, Man City - the top clubs - all now tapping into the women's market and developing that side of the club. It's great for women's football, and I look at how far we've come, and it's great to have teams like this.

Comedy clubs sharpen a comic, they're like the gym for us, making us stronger, faster, funnier. Without them every comedy show would feel like a monologue.

If people would've heard what we were doing back in the clubs in the late '90s, they would be really shocked to find out how country our sound really was back then.

People in Real ask me about Mateo Kovacic all the time. He is a phenomenal talent and will play in some of the biggest clubs. Inter is a big club, no doubt, but Kovacic will play in even bigger.

The Premier League is a wonderful league, the best league in the world, and there are a lot of clubs who overachieve and they overachieve massively. Because of results they get pushed down instead of people scratching the surface and seeing what is really happening.

I started doing stand up when I was 19. Because I was underage at the time, at certain clubs I would be forced to wait outside until it was my time to go on stage. Then I would do my set, walk off, and be kicked out again.

There was a lot of freedom, so bands in those days did not have to play for the public. They played for club owners that enjoyed music. You know, what happened - there was a lot of clubs that had bebop music or different forms of music. It was great for musicians.

When I was young, I would go to youth clubs after school, run by my teachers and there were places to go where you could talk things out or enjoy sport with kids from different areas so territorial barriers were broken down.

I'm not a showbiz person. I just enjoy talking nonsense on the radio. I'm not bothered about going to clubs or the paparazzi, I genuinely prefer my neighbours. Spending time with my family and watching Coronation Street are what I love best. People are just people, aren't they?

But the annoying thing is designing the same thing for two different markets. Like clutches - Japanese girls have no use for clutches because they just go to the clubs right after work. They are so different from New York.

You can't get in the top four if you can't beat the clubs who are in the top four.

If you play the cultural game, it's like playing only with clubs or something, or playing only with the red marked cards. You have to play with a full deck, and that includes this pre-linguistic surround in which we are embedded.

I've only ever moved on when I've not been wanted. Experience has told me, when your time's up, you have to go. Don't get me wrong, I've enjoyed my time at all the clubs I've been at, and they've all got a special place in my heart.

I love the Memphis sound. When I was 16-and-a-half, with my driver's permit, I was playing New Jersey clubs in a 10-piece band; we had a horn section and would play great, great songs like 'Hold On! I'm Comin'' and 'Knock on Wood' and 'Midnight Hour.'

I just started playing around different clubs, and I got a good reputation around New York City of having good timing, a good right foot, and I was "funky", "soulful", and all that stuff. Then I ran into this group, the Pigeons.

Way before we got a record deal, we were playing clubs seven nights a week, three one-hour sets a night. Then we got the record deal, and we took off on the road and stayed out.

I have to say that clubs like Piacenza, Atalanta, and Parma always call me, they make me feel important. Probably they also appreciated me as a man, not just as a player. But after everything I've experienced with the Rossoneri's shirt, I think it's right that I end my career at Milan.

As an actor I worked for seven years with a community theater company based in London. We used improvisation techniques to take stories to young people who wouldn't normally have access to them - in prisons, hospitals, young offender's units, youth clubs and housing estates.

If you want to be watched 24 hours a day in everything you do, you can't turn that around. You can't wake up three years later and say, 'Stop bothering me, I'm a serious actor,' if all you've done is wear certain clothes and show up half-loaded at clubs.

I am telling you, Lebanon was fun. I played for 5,000 people in a sold-out venue. The clubs there don't even open until 4 A.M. If a bomb goes off, people don't get excited. They live every day like it's their last because it could possibly be.

When you get guys coming up to you in clubs or restaurants or somewhere, and they say how much they've enjoyed your playing on records, then that pays off dividends every day; every time they say it, you think, 'I'm glad I did that.'

The light went on when I heard Phil [woods] play, and I went like, "That is why I'm playing the instrument." So I got very inspired, I started going to clubs through a friend's mom in the city, again, another person who just completely opened all these doors for me and it was amazing how kind she was.

Watching soccer is my main hobby, really. I'm no tactician or coach, but I enjoy watching the free flow of it, the different styles, and the histories behind clubs. Like Barcelona vs. Madrid - it's not just a soccer game; it's a geopolitical struggle. There are great storylines and no commercials.

If you goin' to work, you gonna put my album on. If you happen to be makin' an hour-and-a-half drive, you gonna put my album on, because people spend more time in their car then they do in clubs.

'Hairspray' was my first Broadway show. In the meantime, after the show was over, I would go down and do gigs at these clubs that I wasn't even old enough to get into. That continued on, and I think what ended up happening was that I just got these incredible opportunities on Broadway.

During my career I've come back to clubs after the summer break to see one of my team-mates not really at it because he's been denied a move to a bigger club for whatever reason, and you can see in his body language that he doesn't want to be there and that kind of thing is massively disruptive and negative.

I was released by Chelsea at 14 years old. I remember it, a Tuesday night. On the Wednesday, I was training with Fulham, five minutes from my house, and then on the Thursday, I was training with West Ham. After one session at both clubs, they both wanted me.

I approached work very seriously. I never went out. I couldn't fathom people who could go out to clubs... But I definitely went through a time where I was just terrified and exhausted and I didn't really understand. Hollywood... It just got to be too much for me.

There's so many good comedians in D.C. I started hanging out with those guys. Dave Chappelle was there. Actually, Dave was too young to be in the clubs, so when his mom couldn't make it, he would ask me to pretend I was his aunt, so he could do open mike.

I suppose all of those New Romantic clubs were quite up their own asses in a way. Well, Taboo was up its own ass in a different way, but not in terms of rules.

The truth is, I initially became a singer-songwriter while still in my teens because it was the only way to guarantee that somebody on earth would sing the songs I was writing. Since then, I've performed just about everywhere: rock clubs, concerts halls, arenas, TV.

There's actually a song called 'Vegas Lights,' which I wanted to be an anthem for Vegas, that represented how I felt when I went to the clubs. I felt this weird energy where everybody was having a good time, and it didn't matter. Dancing like nobody's watching. It was kind of beautiful.

Patrick and Joe were so young when we started the band. As slow as it was, with all the touring and crappy clubs we played, we still never had time to stop and reflect. When we took a break, it finally gave us time to reflect and grow up.

I've always enjoyed dancing and going clubbing. I've always been interested in electronic music. I would love more than anything to see my music mutate into something that would be played in clubs. For sure.